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Mystic Drawings and Designing for Extinction: 2019 Highlig …
NEW! 2019.01.17 · 发表评论The thoughts of design critic Alice Rawsthorn, author of Design as an Attitude (2018), curator Helen Nisbet, artistic director of Art Night, and Martin Clark, director of Camden Arts Centre, London. – 设计评论家Alice Rawsthorn，《作为一种态度的设计》（2018年），艺术之夜馆长Helen Nisbet，伦敦卡姆登艺术中心主任Martin Clark。
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Actress Lucy Liu’s Handmade Books and Movie Monsters: the …
NEW! 2019.01.17 · 发表评论State of Motion: A Fear of Monsters National Library Building and 11 Kampong Bugis 23 January – 24 February 2019 – 运动状态：对怪物的恐惧
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Kochi-Muziris Biennale 2018: Possibilities for a Non-Alien …
NEW! 2019.01.16 · 发表评论The 4th edition of the Kochi Biennale, “Possibilities for a Non-Alienated Life” presents over 100 projects displayed in heritage properties, public spaces, and galleries across Fort Kochi, Mattancherry, and Ernakulam on India’s southwestern coast. Curator Anita Dube has invited 94 practitioners from over 30 countries, forming a dynamic set of social contexts and artistic approaches to share, to listen, and even to challenge the space in an environment of radical openness. Through the Biennale platform, independent curators and mediators have created “infra-projects” that respond to or align with Dube’s larger thematic framework: “Edible Archives” curated by Anumitra Ghosh Dastidar and Prima Kurien, “Sister Library” by Aqui Thami, “Srinagar Biennale” by Veer Munshi, and a project by Durgabai Vyam + Subhash Vyam. – 《高知双年展》第四版“非异化生活的可能性”展示了印度西南海岸高知堡、马丹克雷和厄纳库拉姆的100多个遗产、公共空间和画廊项目。馆长Anita Dube邀请了来自30多个国家的94名从业者，形成了一个王朝。在一个彻底开放的环境中，MIC提供了一套分享、倾听甚至挑战空间的社会背景和艺术方法。
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Miltos Manetas on his project for the Athens Biennial, nev …
NEW! 2019.01.16 · 发表评论Mara Sartore: This year you participated in the Athens Biennial, without setting foot in your hometown, can you tell us about how you managed this? – 玛拉·萨托雷：今年你参加了雅典双年展，没有踏足你的家乡，你能告诉我们你是如何管理这个项目的吗？
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Pirelli Hangar Bicocca: Presentation of exhibition program …
NEW! 2019.01.16 · 发表评论At Pirelli Hangar Bicocca today the Artistic Director Vicente Todolì presented its exhibition programme for 2019-2020 in the presence of Chairman Marco Tronchetti and the mayor of Milan Giuseppe Sala. – 今天在比约卡的倍耐力机库，艺术总监维森特·托多尔在主席马可·特隆切蒂和米兰市长朱塞佩·萨拉的见证下介绍了2019-2020年的展览计划。
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来自艾可画廊的王欢或中国当代生产时代
NEW! 2019.01.16 · 发表评论On the occasion of the art week in Shanghai in November 2018, Cristina Sanchez-Kozyreva met with Adrian H. Wang who took over the direction of AIKE last summer. He shares his coming to the art world and what it means to him to be a gallerist. – 2018年11月，在上海举办的艺术周之际，克里斯蒂娜·桑切斯·科兹列娃会见了去年夏天接任艾可画廊的王欢。他和大家分享他来到艺术界的经历，以及成为一名画廊老板对他意味着什么。
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The Expectation of Spectacle: an Interview with Mike Nelso …
NEW! 2019.01.16 · 发表评论We interviewed the British artist Mike Nelson on the occasion of his monumental intervention at the OGR in Turin; a large wooden structure, leads into the space, resembling a large billboard or the screen of a drive-in, once beyond it visitors find themselves inside a dimly lit environment where, amid pressed rubble, there are about twenty parked cars, covered with dust and in complete abandon. Different epochs and genres collide within the installation: a recent past rubs against an almost archaeological dimension (or perhaps a near future?), the rubble on the floor reeks of precariousness, an ambiguity between a recent demolition, an in-progress apocalypse whilst hinting to the potential of reconstruction, together creating an overwhelming tone of expectation and suspense. – 我们采访了英国艺术家迈克·尼尔森，当时他在都灵的“食人魔”进行了一次具有纪念意义的干预活动。这是一个巨大的木结构，通向太空，就像一个巨大的广告牌或一个开车进去的屏幕，一旦超过它，游客就会发现自己置身于一个光线暗淡的环境中，在被压的碎石中，大约有20辆车停在那里。汽车，被灰尘覆盖，完全废弃。不同的时代和体裁在装置内发生了碰撞：最近的过去与几乎考古的层面（或者可能是不久的将来）发生了摩擦。地板上的碎石散发出不稳定的气息，在最近的一次拆迁中模糊了，在暗示重建潜力的同时，正在进行的天启，共同创造了一种压倒一切的期待和悬念。
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Kanye West Gifts $10M to James Turrell’s ‘Life-Changing’ V …
NEW! 2019.01.16 · 发表评论The artist is building a ‘controlled environment for the contemplation of light’ inside a dormant volcano in Arizona – 这位艺术家正在亚利桑那州的一座休眠火山中建造一个“为光的沉思而控制的环境”。
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首届台北当代艺术博览会 Taipei Dangdai 2019
NEW! 2019.01.16 · 发表评论台北当代博览会一共有四大展区，除了主展区“画廊精粹”(Galleries)展区，也特别为新艺廊设有三个展区，包括：专为成立不多于八年(即于2011年1月1日或之后创立)的新艺廊而设的“新生画廊计划”(Young Galleries Program)展区;专为新晋和知名艺术家，以及20 世纪历史艺术家的个人作品而设的“个人展艺”(Solos)展区;以及专为售价8000美元或以下的艺术品而设的“艺文沙龙”(Salon)展区，期望拓展观众群，鼓励新的藏家参与，同时证明任何价格的艺术作品都有其出色之处。
