英国抽象艺术家卡勒·英纳斯(Callum Innes)纪实性艺术短片

铺陈或留白,展现或隐去,这些反复的增叠消减的创作过程构成了Callum Innes作品的精妙之处。

英国抽象艺术家卡勒·英纳斯(Callum Innes)
纪实性艺术短片(中英文字幕)
百度网盘:点击下载高清版本
https://pan.baidu.com/s/1zQ906K12DFMlXzZerDVOig
视频来自英格比画廊(Ingleby Gallery)
http://www.inglebygallery.com/

 

他于1962年出生于爱丁堡,1980年至1984年在亚伯丁魁格艺术学院学习绘画和绘画,并于1985年在爱丁堡艺术学院获取了硕士学位。

他于1980年代中后期开始参展,1992年在公共美术馆,ICA,伦敦和苏格兰爱丁堡国家现代艺术画廊举办了两次大型展览。从那时起,他已经成为同时期最重要的抽象画家之一,通过在全球进行的大型个展和群展得到了广泛的认可。包括1995年入围英国特纳奖候选名单、1998年荣获英国国民西敏寺银行艺术奖,以及2002年夺得授英国哲尔伍德绘画大奖。

Innes以许多不同的方式开展工作,所有这些方式都在逐渐发展。从一个系列到下一个系列出现的转变很少引人注目,但每幅新作品都以前所未有的微妙而持续的发展为基础。考虑到关键的组成成分通常是随机产生的效果——不是通过应用颜料完成,而是通过用松节油洗涤来去除,他这种特征形式冷静大气的抽象作品被恰当地描述为“未涂漆”。因此,每张成品油画都表明,对正在进行的过程额外暂停时,时间都会立即冻结。

Innes将这段时间比作摄影过程,他表示:“当我进行抽象作品创作时,我会将这看作是在摄影,因为摄影可以静止某个瞬间,所以我的创作中时间是最为重要的。一幅静止的画面并不是某样静止的东西,而是某个瞬间时间与空间意义上的静止,就像相机快门卡擦的那个瞬间一样。”

Innes于1995年入选特纳奖Turner和哲尔伍德绘画大奖(JerwoodDrawing Prize),1998年获得着名的国民西敏寺银行绘画奖the prestigious NatWest Prize for Painting,2002年荣获杰伍德绘画奖the Jerwood Prize for Painting。他在国内外都有频繁的展出,他的作品在世界各地的公共收藏馆举办展览,包括纽约古根海姆,巴黎蓬皮杜艺术中心,得克萨斯州沃思堡博物馆; 伦敦泰特美术馆和苏格兰国家现代艺术画廊。

2016年,他在蒂尔堡的德邦博物馆举办的个展“我将闭上我的眼睛”,以及由Hatje Cantz出版的相同题目的专著,对Innes的实践进行了广泛的调查,展出了帆布,油纸,水彩和从20世纪80年代后期直到现在,直接画在墙面上的作品。此前,主要的个人作品“记忆”于2007年在爱丁堡的水果市场画廊展出,同时还有现代艺术牛津和悉尼当代艺术博物馆。

2017
Exposed Painting Cadmium Orange
Oil on Linen | 64 x 64 cm

 

The interplay between the additive and subtractive process, making and unmaking, presence and absence, constitutes the essence of the oeuvre developed by Callum Innes.

Born in Edinburgh in 1962, he studied drawing and painting at Gray's School of Art from 1980 to 1984 and then completed a post-graduate degree at Edinburgh College of Art, in 1985.

He began exhibiting in the mid-to-late 1980's and in 1992 had two major exhibitions in public galleries, at the ICA, London and the Scottish National Gallery of Modern Art, Edinburgh. Since then he has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group shows worldwide.

Innes makes work in a number of different ways, all of which are gradually evolving. The shifts that appear from one series to the next are rarely dramatic, but each new painting builds on those that have gone before in a subtle but constant progression. His characteristic form of coolly atmospheric abstraction has aptly been described as 'unpainting', given that key compositional elements are generally produced, not by the application of paint, but through its removal by washes of turpentine. Each finished painting thus suggests a freezing in time of the otherwise momentary arrest of an ongoing process.

Innes has likened this halting of time to the photographic process, stating: ‘With my work in abstraction, I think about it as photography, as photography freezes moments in time, so I work with time more than anything else... There is a moment in time and space when a painting stops in much the same way that a camera’s shutter closes on a moment in time. This is not a static thing.’

Innes was short-listed for the Turner and Jerwood Prizes in 1995, won the prestigious NatWest Prize for Painting in 1998, and in 2002 was awarded the Jerwood Prize for Painting. He has exhibited widely both nationally and internationally and his work is held in public collections worldwide including the Guggenheim, New York; Centre Pompidou, Paris; Fort Worth Museum, Texas; TATE, London, and Scottish National Gallery of Modern Art.

In 2016 the exhibition I’ll Close My Eyes, at De Pont Museum, Tilburg, and the accompanying monograph of the same title, published by Hatje Cantz, offered a broad survey of Innes’ practice, exhibiting works on canvas, oilpaper, watercolours and painting directly onto the wall surface, from the late 1980s until the present. Previously the major solo exhibition, From Memory, was shown at The Fruitmarket Gallery, Edinburgh in 2007, touring to Modern Art Oxford, and the Museum of Contemporary Art, Sydney.

2009

Untitled No. 91

Oil on canvas | 160 x 156 cm

2008

Exposed Painting Cadmium Orange

Oil on linen | 160 x 156 cm

1999

Resonance

Oil on canvas | 207.5 x 202.5 cm

1989

Untitled Head, Red on Green

Oil on canvas

 

资料来源:  http://www.calluminnes.com
编译:ARThing.org


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