Picture Piece – 16 May 2017
Venice: In Pictures
Images from the 57th Venice Biennale
Installed in the Arsenale and Giardini, the 57th Venice Biennale runs from 13 May till 26 November 2017. This year the main show in curated by Christine Macel, chief curator at the Centre Pompidou in Paris
Anne Imhof, Faust, 2017, performance documentation, German Pavilion, 57th Venice Biennale. Courtesy: the artist; photograph: © Nadine Fraczkowski
Anne Imhof’s German Pavilion won the Golden Lion for the best pavilion this year. The pavilion was curated by Susanne Pfeffer, director of the Fridericianum, Kassel, Germany. Courtesy: La Biennale di Venezia; photograph: Jacopo Salvi
Sheila Hicks, Escalade Beyond Chromatic Lands, 2016-17, mixed media, natural and synthetic fibres, cloth, slate, bamboo, sunbrella, 6 x 16 x 4 m. Photograph: Andrea Avezzù
Rina Banerjee works installed in the Arsenale. In the background, an installation by Ernesto Neto. Photograph: Andrea Avezzù
Charles Atlas, The Tyranny of Consciousness, 2017, five-channel video installation. Photograph: Andrea Avezzù
One of a group of sculptures by Erika Verzutti, 2003-17, installation view, the gardens of the Arsenale. Photograph: Andrea Avezzù
Rasheed Araeen, Zero to Infinity in Venice, 2016-17, painted wood, dimensions variable, installation view, Arsenale. Photograph: Andrea Avezzù
Koki Tanaka, Of Walking in Unknown, 2017, documentation of action, objects, HD video, installation view, Arsenale. Photograph: Andrea Avezzù
Abdullah Al Saadi, Diary dates from the series ‘Al Saadi’s Diaries’, 2016, diaries in a metal box, rolls, installation view, Central Pavilion, Giardini, 57th Venice Biennale. Photograph: Francesco Galli
Mondrian Fan Club (David Medalla & Adam Nankervis), Mondrian Pavilion, 2017, performance documentation. Photograph: Francesco Galli
Exterior of the Italian Pavilion, curated by Cecilia Alemani, Arsenale
Salvatore Arancio, It Was Only a Matter of Time Before We Found the Pyramid and Forced It Open, 2017, glazed and unglazed ceramic, epoxy resin, dimensions variable
Alicja Kwade, WeltenLinie, 2017, powder-coated steel, mirror,stone, bronze, aluminium, wood, petrified wood, 6 x 15.4 x 8.5 m. Photograph: Italo Rondinella
Alicja Kwade, Pars pro Toto, 2017, natural stone, sound, dimensions variable, installation view, Arsenale. Photograph: Italo Rondinella
Petrit Halilaj, Do you realise there is a rainbow even if it’s night!? (detail), 2017, Qilim/Dyshek/Jan carpets from Kosovo, polyester, flokati, chenille wire, stainless steel, brass dimensions variable, installation view, Arsenale. Photograph: Italo Rondinella
Leanor Antunes, …then we raised the terrain so that I could see out. (detail), 2017, mixed media installation, 9 x 3 x 24 m, installation view, Arsenale. Photograph: Italo Rondinella
Huguette Caland, various works, 1971-1995, mixed material, installation view, Arsenale. Photograph: Italo Rondinella
Kader Attia, Narrative Vibrations, 2017, mixed media installation, dimensions variable, installation view, Arsenale. Photograph: Italo Rondinella
Hassan Khan (winner of the Silver Lion for most promising artist), Composition for a Public Park, 2013/2017, multi-channel sound installation, gardens of the Arsenale. Photograph: Italo Rondinella
Ernesto Neto, Encounter with the Huni Kuin – Boa Dance conducted with the Huni Kuin, 2017, performance documentation, Arsenale. Photograph: Italo Rondinella
Franz Erhard Walther (winner of the Golden Lion for best artist), Eight Stride Pedestal activation, 2017, performance documentation, Arsenale. Photograph: Jacopo Salvi
Naufus Ramírez-Figueroa, Third Lung, 2017, performance documentation, Arsenale. Photograph: Jacopo Salvi
THE PLAY, IE: THE PLAY HAVE A HOUSE, 2017, performance documentation, Arsenale. Photograph: Jacopo Salvi
Olafur Eliasson, Green light – An artistic workshop, 2017, installation view, Central Pavilion, Giardini. Photograph: Francesco Galli
Highlights of the main show curated by Christine Macel, ‘Viva Arte Viva’, for the 57th Venice Biennale.
The 57th Venice Biennale runs from 13 May till 26 November 2017. All images courtesy: La Biennale di Venezia.
Main image: External view of Ca’ Giustinian, the organizers’ office of the Venice Biennale. Photograph: Giulio Squillacciotti
WPA6022602IMG在阿萨尔和卡蒂尼安装，第五十七威尼斯双年展运行从5月13日到2017年11月26日。今年的主要节目由Christine Macel主持，巴黎中心蓬皮杜首席馆长WPAP6023 602IMGAnne Imhof，福斯特，2017，表演文献，德国馆，第五十七威尼斯双年展。礼貌：艺术家；照片：纳丁·FractZkoksWPA6024602IMGAnne Imhof的德国馆赢得了今年最佳展馆的金狮奖。该馆是由德国卡塞尔市的弗里德里希南的导演Susanne Pfeffer策划的。礼貌：威尼斯的双年展；照片：雅格布SalVWPA6025602IMGSheila Hicks，爱斯达德超越彩色土地，2016至17，混合介质，天然和合成纤维，布，板岩，竹子，SunbRelLA，6×16×4米。照片：安德列AveZ.＆Nbsp；WPA6026602IMG Rina BANEGEJE工程安装在AssialALE。在后台，由Ernesto Neto安装。图片来源：安德列AVEZZ.WPAP60260602IMGCharles Atlas，意识的暴虐，2017，五频道视频安装。图片来源：安德列AveZZ & WPAP6028 602IMG其中一组雕塑由Erika Verzutti，2003年-17日，安装视图，花园的砷化铝。图片来源：安德列AVEZZRasheed Araeen，零到无穷大在威尼斯，2016~17，油漆木材，尺寸可变，安装视图，砷化钠。图片来源：安德列AVEZZKoki Tanaka，行走在未知，2017，文件的行动，对象，高清视频，安装视图，砷化钠。图片来源：安德列AveZ.＆Abdullah Al Saadi，日记来自“Al Saadi日记”系列，2016，金属盒子里的日记，卷，安装视图，中央馆，贾尔迪尼，第五十七威尼斯双年展。图片来源：Francesco Galli & 蒙德里安球迷俱乐部（David Medalla＆Adam Nankervis），蒙德里安馆，2017，性能文档。图片来源：Francesco Galli & 意大利馆的外部，由Cecilia Alemani策划，AlSAWAL WPA60214602IMGSalvatore Arancio，这只是时间问题，我们发现了金字塔，迫使它打开，2017，釉面和未上釉的陶瓷，环氧树脂，尺寸可变。WPA60215602IMG＆Nbsp；Alicja Kwade，WeltLink，2017，粉末涂层钢，镜子，石头，布朗兹E，铝，木材，石化木材，6×15.4×8.5米。照片：Italo Rundiel＆NWPA60216602IMGAlicja Kwade，PARS亲TOTO，2017，天然石材，声音，尺寸可变，安装视图，砷化钠。图片来源：Italo Rundiel＆NWPA60217602IMGPetrit Halilaj，你知道即使晚上也有彩虹吗？（详述），2017，QILM/DySek/Join地毯来自科索沃，聚酯，FLUKATI，雪尼尔线，不锈钢，黄铜尺寸可变，安装视图，砷化钠。图片来源：Italo Rundiel＆NWPA60218602IMG然后，我们抬起了地形，这样我就能看到外面。（细节），2017，混合介质安装，9×3×24 m，安装视图，砷化钠。图片来源：Italo Rundiel＆NWPA60219602IMGHuguette Caland，各种作品，1971-1995年，混合材料，安装视图，砷化钠。图片来源：Italo Rundiel＆NWPA60220602IMGKader Attia，叙事振动，2017，混合媒体安装，尺寸可变，安装视图，砷化钠。图片来源：Italo Rundiel＆NWPA60221602IMGHassan Khan（银狮奖的最有前途的艺术家），组成一个公共公园，2013/2017，多声道音响设施，花园的砷化铝。图片来源：Italo Rundiel＆NErnesto Neto，与Huni Kuin邂逅——与Huni Kuin进行的舞步舞，2017，表演文档，阿萨尔。图片来源：Italo Rundiel＆NWPA60226602IMGFranz Erhard Walther（金狮奖的最佳艺术家），八步幅基座激活，2017，性能文档，砷化钠。图片来源：Jacopo Salvi & 瑙弗斯FRIZE特稿 ARThing编译
