拾萬空间即将在2018年11月3日推出何迟的个人展览：隔音。何迟是一位创作与生活交融在一起的艺术家，他的作品很难界定“作品”与“生活”的间隔。这在他过往的作品《就这样忘记》中已经得到了展现：2014年8月，何迟的父亲突然去世，他回到家乡，试图过上一段“毫无意义的生活”，一如他的父亲曾经生活的那样，而他的母亲则用摄像机记录了这一过程。
每日归档: 2018-10-30
5 篇
新闻中心ECFJ上周发起了一个艺术计划，将致力于支持有兴趣创作有关技术在社会中作用的新闻的艺术家：从数据隐私，人工智能和反对政治活动中的虚假信息。任何关注过2018年信息的读者都会认识到该计划的紧迫性和及时性。 ECFJ将促进艺术家和编辑之间的联系，同时提供财务支持
Shows featuring counterfeit work by the Japanese artist Kusama and her compatriot Takashi Murakami, have appeared in at least six Chinese cities - 日本艺术家草间弥生和她的同胞村上隆(Takashi Murakami)的假冒作品在中国至少6个城市上映。
There is a crucial distinction between art that addresses important subjects and important art. It can become difficult not to confuse the two. Art that engages with social injustice, human rights abuse, repressive regimes, environmental disaster, systematic prejudice and the myriad other vile ills of the current world can often wear its righteousness like a critical force field. - 重要的艺术和重要的艺术之间有着至关重要的区别。很难不混淆这两者。涉及社会不公正、践踏人权、专制政权、环境灾难、系统偏见和当今世界无数其他邪恶弊病的艺术，往往会像关键力量领域一样佩戴其正义。
Current conversations around decolonizing culture are not new: they are informed by multiple histories that have questioned Western hegemony. In the first of a six-part series, we asked five artists, curators and writers whose work has been involved with this challenge to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt than documented, though no less significant. - Current conversations around decolonizing culture are not new: they are informed by multiple histories that have questioned Western hegemony. In the first of a six-part series, we asked five artists, curators and writers whose work has been involved with this challenge to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt比记录的，虽然不那么重要。