Frieze艺术博览会:把摄政公园改造成世界创意之都‘Transforming Regent’s Park Into The World’s Capital of Creativity’ –

2018年10月11日
“将摄政公园改造成世界创意之都”
2018年10月11日“弗里兹伦敦”和“弗里兹大师2018”,全场观众人数创下历史新高,销售额强劲。《弗雷兹伦敦与弗雷兹大师》2018于10月7日星期日闭幕,此前,各部门和市场各阶层的画廊向私人收藏品和机构大卖特卖。为期两天的预览和扩大VIP节目吸引了新老收藏家的特别出席,并记录了来自亚洲和美国的机构出席。
在弗雷兹伦敦,首届卡姆登艺术中心弗雷兹新兴艺术家奖成立,与此同时,泰特和当代艺术协会的两家主要收购基金也回来了。泰特和当代艺术协会从社会工作与聚焦(Social Work and Focus)以及展会的主要部分购买了大量作品。
现场和弗莱兹艺术家奖以互动装置和表演为特色,整个博览会,斯普鲁斯·马格斯和布莱克赢得了博览会的常备奖。
‘Transforming Regent’s Park Into The World’s Capital of Creativity’ - 把摄政公园改造成世界创意之都 Julia Scher, Live
2018 Frieze Masters展出的作品非常广泛,包括印度古典绘画和中国古代杰作,同时还精选了古代大师作品。主义者。观众们称赞了展出的百科全书艺术和策展想象力,以及蒂姆·马洛的“弗莱兹大师谈话”节目,节目以来自世界各地的著名女艺术家和博物馆馆长为特色。赫普沃斯,狄金森画廊,弗里斯大师2018横跨伦敦的弗里斯周比以往任何时候都要忙,有特别的开幕和活动,包括新的弗里斯辩论,它汇集了全球博物馆的一个小组。与英国广播公司电台3合作,进行免费直播和录制广播。
迈克尔·布隆伯格(Michael Bloomberg)在为《晚间标准》撰稿时说:“弗莱兹艺术博览会又回到了伦敦,把摄政公园(Regent's Park)变成了世界创意之都。”
本周,无论是财政还是文化,艺术价值都在Frieze艺术博览会上得到充分展示。所以如果你在伦敦支付摄政公园的访问。你可能会觉得有些作品很精彩,有些则不太精彩。不管怎样,你都会支持那些不仅在艺术上做出宝贵贡献而且在民间也做出重要贡献的人。国家美术馆馆长加布里埃尔·芬纳迪说:“弗雷泽已经变得不可取代。”
国际艺术日历中的约会。收藏家、经销商、策展人、博物馆专业人士和艺术爱好者聚集一堂,参加一个精湛的展览会,举办一系列精彩的活动。那些被排斥在正典之外的妇女开创了摄影、纺织、版画和文本等其他媒体。展出的许多作品都是二十多年前创作的,然而它们的身份和表现的综合使它们看起来惊人地具有现代感。
为FreeZe团队做准备,调整音阶!
'berni_searle.jpg ‘Transforming Regent’s Park Into The World’s Capital of Creativity’ - 把摄政公园改造成世界创意之都 Berni Searle, Stevenson Gallery,社会工作部分, Frieze.2018.
《金融时报》(英国)的媒体反应写作安娜·奥沙利文报道了全球出席博览会的情况,说真话为了形成,今年的展销会取得了一些轰动的销量。杰基·伍尔施拉格写了一篇关于女性艺术家和弗雷泽·伦敦社会工作部的深度专题文章,指出今年女性化的弗雷泽艺术博览会是受欢迎的、充满活力的、参与式的,并与机构趋势保持一致。
在《卫报》(英国)中,赫蒂·犹大赞扬了当代艺术博览会上绘画的丰收年,而马克·布朗则说,弗莱兹伦敦和弗莱兹大师的各种节目使弗莱兹成为英国视觉艺术日历上最重要的活动之一。
本·卢克在《晚间标准》中对《弗莱兹大师》进行了4星的评论,写道,展会最强烈的品质就是有可能让你的容貌异花授粉。在《Artnet》(美国)中,朱莉娅·霍尔佩林报道了弗莱兹大师的预览日,她说,相比于其他展会,弗莱兹大师的画廊更胜一筹。使用他们的立场炫耀他们的策展智慧,协作精神,和智慧神韵。
弗里泽伦敦和弗里泽大师将在2019年10月弗里泽2019周重返摄政公园。下一届帆船展览会将在洛杉矶(二月14-17日)和纽约(1月5日至5日)举行。
FRIZE特稿 ARThing编译
11 Oct 2018

‘Transforming Regent’s Park Into The World’s Capital of Creativity’

11 Oct 2018

Frieze London and Frieze Masters 2018 saw record attendance and strong sales across the fairs

The 2018 editions of Frieze London and Frieze Masters closed on Sunday 7 October, following strong sales to private collections and institutions by galleries across all sectors and levels of the market.

A new two-day Preview and expanded VIP programming drew exceptional attendance from both established and new collectors, and record institutional attendance from Asia and the US.

At Frieze London, the inaugural Camden Arts Centre Emerging Artist Prize at Frieze was launched, alongside the return of two major acquisition funds with Tate and Contemporary Art Society, who purchased major works from Social Work and Focus, as well as across the fair’s main section. Live and Frieze Artist Award featured interactive installations and performances across the fair, and Sprüth Magers and blank won the fair’s Stand Prizes.

julia_scher_live_2018.jpg

‘Transforming Regent’s Park Into The World’s Capital of Creativity’ - 把摄政公园改造成世界创意之都

Julia Scher, Live 2018

Frieze Masters featured an extraordinary breadth of artwork, including classical Indian painting and ancient Chinese masterpieces, alongside an exceptional selection of Old Master specialists. Audiences praised the encyclopedic art and curatorial imagination on display, as well as Tim Marlow’s Frieze Masters Talks programme which featured leading women artists and museum directors from across the world.

hepworth.jpg

‘Transforming Regent’s Park Into The World’s Capital of Creativity’ - 把摄政公园改造成世界创意之都

Barbara Hepworth, Dickinson Gallery, Frieze Masters 2018

Frieze Week across London was busier than ever, with special openings and events including the new Frieze Debate, which brought together a panel of global museum directors for a free live event and recorded broadcast, in collaboration with BBC Radio 3.

Michael Bloomberg, writing for the Evening Standard, said: ‘The Frieze Art Fair is back in London, transforming Regent’s Park into the world’s capital of creativity. This week, the value of art, both fiscal and cultural, is on full display at the Frieze Art Fair. So if you’re in London pay Regent’s Park a visit. You may think some of it is brilliant and some it is, well, not so brilliant.  Either way, you’ll be supporting people who are not only making valuable artistic contributions but important civic ones, too.’

Gabriele Finaldi, Director, The National Gallery said: ‘Frieze has become an unmissable appointment in the international art world calendar. Collectors, dealers, curators, museum professionals and art lovers gather together for a superb fair and a fascinating programme of events and activities.’

Iwona Blazwick, Director, Whitechapel Gallery said: ‘Frieze 2018 was ablaze with painting; Social Work stood in counterpoint showing how generations of women who had been excluded from the canon pioneered other mediums including photography, textiles, printmaking and text. Many of the works on display had been made over two decades ago yet their synthesis of identity and performance made them look startlingly contemporary. Bravo to the Frieze team for readjusting the scales!’

berni_searle.jpg

‘Transforming Regent’s Park Into The World’s Capital of Creativity’ - 把摄政公园改造成世界创意之都

Berni Searle, Stevenson Gallery, Social Work section, Frieze London 2018

Media Response

Writing in the Financial Times (UK) Anna O’Sullivan reported on global attendance at the fairs  saying True to form, this year’s fairs have seen some sensational sales. Jackie Wullschlager wrote an in-depth feature on women artists and the Social Work section at Frieze London, noting a feminised Frieze art fair this year is welcome, spirited, engaging and in tune with institutional trends.

In The Guardian (UK) Hettie Judah praised a strong year for painting at the contemporary fair, while Mark Brown said  that the varied programmes at Frieze London and Frieze Masters make Frieze one of the most important events in Britain’s visual arts calendar.

Ben Luke gave Frieze Masters a 4* review in the Evening Standard, writing that the fair’s strongest quality is the potential to cross-pollinate your looking. In Artnet (US) Julia Halperin's coverage of preview day at Frieze Masters, said that in contrast to other fairs, galleries at Frieze Masters use their stands to show off their curatorial ingenuity, collaborative spirit, and intellectual verve.

Frieze Week 2019

Frieze London and Frieze Masters will return to Regent’s Park in October 2019. The next Frieze Fairs will take place in Los Angeles (14-17 February) and New York (1-5 May).

Frieze London 2018
Frieze Masters 2018

ARThing 追踪|Tracking - 2 /4



Comments are closed.