每日归档: 2018-11-05
In the third of a series, timed with the specially-themed November-December issue of frieze, we asked five artists, curators and writers, whose work has been involved with the challenges of decolonizing culture, to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt than documented, though no less significant. - 在系列文章的第三期,以特别主题的11月至12月的弗里兹杂志为时间点,我们邀请了五位艺术家、策展人和作家,他们的作品涉及非殖民文化的挑战,来讨论从展览和公共场所了解他们思想的项目。更多的无形和瞬态网络,其效果往往比记录的感觉,虽然不那么重要。
Anthony Ekundayo Lennon, born to Irish parents but describes himself as ‘mixed-heritage’, won a theatre job meant to go to a BAME applicant - 安东尼·埃昆达约·列侬,生于爱尔兰父母,但自称是“混合血统”,赢得了一份戏剧工作,打算去BAME应聘。
With Italian director Luca Guadagnino's new film Suspiria, based on Dario Argento’s 1977 film of the same name, and last month’s Argento retrospective at Metrograph in New York, ‘giallo’ – Italy’s popular name for thrillers – would seem to be the genre della giornata. Yet with its supernatural core and hyperbolic stylization, Argento's Suspiria barely qualifies as giallo at all. As for Guadagnino's version – pointedly not a remake – it bears as much relation to the genre as the recent faux perfume-ad gialli tributes of director duo Bruno Forzani and Hélène Cattet. - 随着意大利导演卢卡·瓜达尼诺根据达里奥·阿金托1977年的同名电影改编的新片《猜疑》,以及上个月在纽约地铁的阿金托回顾展,“Gillo”——意大利惊悚片的流行名称——似乎是“della giornata”类型。然而,凭借其超自然的核心和双曲线程式化,Argento的怀疑几乎没有资格作为杰拉洛。至于瓜达尼诺的版本——显然不是翻拍——与最近导演布鲁诺·福尔扎尼和赫尔琳·卡特特的人造香水广告嘉莉致敬一样与该类型有着密切的关系。
Owners of luxury flats overlooked by the Tate Blavatnik extension are attempting to block visitor access from the 360-degree viewing platform - 塔特BLavaTnk扩展公司忽视的豪华公寓业主试图阻止游客从360度观景台进入。
It's clear (isn't it?) that anti-democratic forces are at work when wealthy individuals exert the equivalent influence of political parties. And it’s weird (isn't it?) when oligarchs start extolling democracy. - 很清楚(不是吗?)当富有的个人发挥政党的同等影响力时,反民主势力就在起作用。这很奇怪(不是吗?)寡头们开始赞美民主。