Patrick Charpenel, Courtney J. Martin and Franklin Sirmans will join Frieze New York 2019An unprecedented number of museum leaders will collaborate on new themed sections and artist commissions at the 2019 edition of Frieze New York. - Patrick Char.l、Courtney J. Martin和Franklin Sirmans将加入Frieze纽约2019博物馆。数量空前的博物馆领导人将在2019年版的《Frieze New.》上就新的主题部分和艺术家委员会进行合作。
每日归档: 2018-12-25
26 篇
From the LUMA Foundation in Arles, France, to the Crystal Bridges Museum of Art in Bentonville, USA to M Woods in Beijing: some of the most significant – and exciting – art spaces in the world today are private museums – open for the benefit of the public but supported and, to some extent, directed by private individuals. - 从法国阿尔勒的LUMA基金会，到美国本顿维尔的水晶桥艺术博物馆，到北京的M Woods：当今世界上最重要和最令人兴奋的艺术空间中有一些是私人博物馆——为了公众利益而开放，但在一定程度上是由私人引导的。
Frieze has collaborated with Los Angeles-based photographer Trevor Hernandez on a photo series to launch Frieze Los Angeles. Celebrated as @gangculture on Instagram, Hernandez’s commission for Frieze reframes Paramount Pictures Studios from the artist’s distinctive, surrealist perspective, exposing uncanny compositions on the working lot and within the urban Los Angeles landscape. Hernandez’s work for Frieze Los Angeles will be featured on frieze.com, across social media and on visual advertising world-wide. - Frieze与洛杉矶的摄影师Trevor Hernandez合作拍摄了一系列照片，推出了Frieze Los Angeles。Hernandez的Frieze委员会以“Instagram上的帮派文化”而闻名，它从艺术家独特的超现实主义视角重新塑造了派拉蒙电影制片厂，揭露了工作场所和洛杉矶城市景观中不可思议的构图。Hernandez为Frieze Los Angeles所做的工作将在frieze.com、社交媒体和全球视觉广告上展出。
I saw my first Robert Morris sculpture eight years ago, around the time I moved to New York. I had recently finished with school and the city was already upending my life. I didn’t know who I was or who I wanted to be. Every object and surface, face and friendship trembled with possibility. Contact with anything or anyone threatened to utterly transform me. This was worrisome. How could I change if I didn’t quite know myself? The Morris sculpture – pinned to a wall in a stranger’s apartment in Chelsea – was grey, velvety, untitled, its date unknown to me; it hung alongside other huge, expensive sculptures and paintings, mostly by artists whose names I recognized from museums. This was not a home where I had ever expected to have dinner, but a friend of a friend was house sitting, so I was invited over for noodles. - 八年前，当我搬到纽约的时候，我看到了我的第一尊罗伯特·莫里斯雕塑。我最近完成了学业，这个城市已经改变了我的生活。我不知道我是谁，也不知道我想成为谁。每一个物体和表面、面孔和友谊都因可能性而颤抖。接触任何威胁要彻底改变我的人或事。这令人担忧。如果我对自己不太了解，我怎么能改变呢？莫里斯雕塑——钉在切尔西一个陌生公寓的墙上——是灰色的、天鹅绒般的、无标题的，它的年代对我来说是未知的；它和其他巨大的、昂贵的雕塑和绘画一起悬挂，大多数是由我从博物馆里认出的艺术家创作的。这不是我原本想吃晚饭的家，但是朋友的一个朋友在家里坐着，所以我被邀请过来吃面条。
At the launch edition of Frieze Los Angeles (February 15-17, 2019), artist projects will be encountered around the New York Street backlot of Paramount Pictures Studios, in buildings, streets, and interior spaces that have been captured countless times on screen. Frieze Projects will create a disorienting atmosphere where visitors are in two places at once: an artificial New York City within Los Angeles. - 在《弗里德斯·洛杉矶》（2019年2月15-17日）的启动版上，派拉蒙电影制片厂纽约街的背景区、无数次在银幕上被捕捉的建筑、街道和室内空间中，将会遇到艺术家项目。Frieze Projects将创造一种迷惑人心的氛围，游客同时身处两个地方：洛杉矶的人造纽约市。
International galleries are invited to apply for Frieze London, Frieze Masters and Frieze Sculpture 2019 until 24 January - 邀请国际画廊申请弗雷兹伦敦、弗雷兹大师和弗雷兹雕塑2019年至1月24日
The female Renaissance painter’s ‘Self-Portrait’ has been listed among ‘improperly acquired’ objects during World War II - 这位文艺复兴时期女画家的《自画像》被列为二战期间“不当获取”的物品。
Misidentifying Van Gogh, the missing female rock stars, and misusing interns: what to read this weekend - 误认失踪的女摇滚明星凡高和误用实习生：这个周末读什么
‘I’m a feminist, and I have long advocated for gender equality’: Kaywin Feldman will succeed Earl A. Powell III in March 2019 - “我是一名女权主义者，我一直主张男女平等”：凯文·费尔德曼将于2019年3月接替伯爵A·鲍威尔三世。