Réfléchir la Mémoire / Reflecting Memory, 2016, video HD, 48’The Francès foundation is pleased to welcome KADER ATTIA with the exhibition Mémoire de l'Oubli. Foundation's spaces, located in Senlis, (oise), are entrusted to the artist in the form of a carte blanche to bring a new reflection to this place. The artist first joined the Francès collection 10 years ago with the acquisition in 2009 of the work Alpha Beta, from that moment other acquisitions followed. For this exhibition Kader Attia addresses the themes of memory, erasure and repair. He cleans from the archives of history, from personal stories. He reveals the traumas and then valorizes and repairs them. He deals with loss of identity and uprooting. The notions of knowledge and culture appear as answers, acts of resistance. The exhibition presents Alpha Beta, an arabic alphabet, Syrian Shells (2015), the video presented for the Marcel Duchamp Prize, Réfléchir la Mémoire, and a new site specific installation: Mémoire de l’oubli. Born in 1970 in France, Kader Attia lives and works in Paris and Berlin. In 2016 he founded a space in Paris, La Colonie, dedicated to the sharing of ideas and debates, around a wide cultural program. - Refl Chl La MayeMuray/反射记忆,2016,视频HD,48’弗朗西斯基金会很高兴地欢迎KADER Atina与展览Me MueRe de Lououi。基金会的空间,位于桑利斯,(OISE),委托给艺术家以一种点菜布兰奇的形式,给这个地方带来新的反映。10年前,这位艺术家第一次加入了法郎的收藏,并于2009年收购了阿尔法贝塔(Alpha Beta),从那一刻起,其他作品也随之被收购。在这次展览中,卡德·阿提亚谈到了记忆、擦除和修复的主题。他从历史档案中,从个人故事中清除。他揭露了这些创伤,然后对其进行了评估和修复。他处理身份丧失和被连根拔起的问题。知识和文化的概念似乎是答案,抵抗行为。展览展示了阿尔法贝塔(alpha beta)、阿拉伯字母表、叙利亚贝壳(2015)、为马塞尔杜尚奖(marcel duchamp prize)、R_fl_chir l a m_莫尔(r_fl_chir l a m_莫尔)颁奖的视频,以及一个新的现场特定装置:M_莫尔de l'oubli。Kader Attia出生于1970年的法国,在巴黎和柏林生活和工作。2016年,他在巴黎La Colonie建立了一个空间,致力于围绕一个广泛的文化项目分享思想和辩论。
每日归档: 2019-01-28
Archive of Braid 2018, wooden market boxes, hair, 2,13 x 4 x 6 m. Photo: Nestor Kim - 2018年编织物档案,木制市场盒,头发,2,13 x 4 x 6米。照片:Nestor Kim
WATERBONES (Stochastic Choral Sinphony) 2018, stainless steel elements, site specific dimension. The St. Regis Rome, 2018. Photo Ela Bialkowska, OKNO Studio - Waterbones(Randomatic Choral sinphony)2018,不锈钢元件,现场特定尺寸。圣里吉斯罗马,2018年。照片Ela Bialkowska,Okno工作室
Earth 2012 Edition of 10 - jacquard tapestry Published by Magnolia Editions. Image © Kiki Smith 2012, courtesy of the artist, Pace Gallery and GALLERIA CONTINUA, San Gimignano, Beijing, Les Moulins, Habana. - 地球2012年10版-提花挂毯由木兰版出版。图片©Kiki Smith 2012,由艺术家、佩斯画廊和Continua画廊(Galleria Continua)提供,北京圣基米纳诺,哈瓦那Les Moulins。
VEER II, 2018, cast iron, 152 x 60 x 30,5 cm. Photograph by Stephen White, London. © the artist - Veer II,2018,铸铁,152 x 60 x 30.5厘米。史蒂芬·怀特摄于伦敦。艺术家
Akt 4: Natur / Act 4: Nature MIMESIS AS CONTROL (Mimesis als Kontrolle), 2013, vitrine, taxidermied animal (cheetah), mask, objects, 213 x 180 x 67 cm. Ph Ela Bialkowska - AKT 4:NATUR/ACT 4:自然模仿作为对照(模仿动物,Kontrole),2013,玻璃质,动物标本(猎豹),面具,物体,213 x 180 x 67厘米。比亚尔考夫斯卡博士
Sun Splashed, Listri libreria, 2015, C-print, 167 x 125 cm, Photo Lee Jaffe - 阳光飞溅,李斯特里·利布雷里亚,2015年,C字印刷,167 x 125厘米,照片李·雅菲
The artwork on the Venice waterfront will serve as a reminder that the city’s waterways could soon endanger its existence - 威尼斯海滨的艺术作品将提醒人们,威尼斯的水路很快就会危及它的存在。