北京｜任俊峰个展：低垂的果实

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任俊峰个展：低垂的果实

Ren Junfeng’s Solo Exhibition：Low Hanging Fruit

展期：2025年04月18日—05月16日

开幕：2025年4月26日（周六）16:00

出品人：赵倩颖（Serena Zhao）

主办：ArtDepot艺术仓库 – Atoll环礁

地点：ArtDepot艺术仓库｜北京市朝阳区798艺术区七星东街

任俊峰个展「低垂的果实」展出2025年10件架上绘画作品。“低垂的果实”指向易得却有限的资源，他用创作诘问当代认知方式，引用古典绘画带虚焦感，既演绎“辩证意象”，又超越相关命题。
Ren Junfeng’s solo exhibition “Low – hanging Fruit” features 10 paintings from 2025. The term refers to accessible but limited resources. He questions contemporary cognitive methods through creation. His citation of classical paintings has a defocused feeling, interpreting “dialectical images” and transcending related propositions.

ArtDepot艺术仓库欣然宣布于北京798艺术区空间呈现任俊峰个展「低垂的果实」，展出艺术家2025年架上绘画作品10件。展览将于2025年4月26日（周六）举办开幕，展期将持续至2025年5月16日。

ArtDepot is pleased to announce that it will present Ren Junfeng’s solo exhibition “Low-hanging Fruit” at the 798 Art District in Beijing, featuring 10 of the artist’s paintings from 2025. The exhibition will open on April 26, 2025 (Saturday) and will run until May 16, 2025.

“低垂的果实”一词，源自经济学家泰勒·考恩对技术停滞的隐喻——它们是最容易获得的财富，就像挂在低垂的树枝上、一伸手就能够摘取的果实，指向那些易得却有限的资源。
The term “low-hanging fruit” comes from economist Tyler Cowen’s metaphor for technological stagnation – they are the most easily accessible wealth, like fruits hanging on low-hanging branches that can be picked with a stretch of the hand, pointing to those easily accessible but limited resources.

在其出版于2011年的著述《大停滞》中，被用来批判彼时依赖闲置土地资源、人口红利，以及巨大科技进步积累大量财富的美国。高速发展在1970年代到达顶峰后，“甜蜜的果实”在之后的40年逐渐被取用、消散。

“美国停滞在了科技的高原上，而树枝几乎已然光秃。”

In his book “The Great Stagnation” published in 2011, it was used to criticize the United States, which relied on idle land resources, demographic dividends, and huge technological progress to accumulate a lot of wealth at that time. After the rapid development reached its peak in the 1970s, the “sweet fruits” were gradually taken and dissipated in the following 40 years.

“The United States stagnated on the plateau of science and technology, and the branches were almost bare.”

在任俊峰的实践中，创作的果实代替了经济资源的存在，这一概念被转化为对当代认知方式的诘问：当知识被切割为碎片，当艰深的技术可以在短视频里被浓缩、被快速习得，当创作可以成为“摘取低垂果实”的爽感游戏，应该如何与这种游牧状态下的无序共处？ 
In Ren Junfeng’s practice, the fruits of creation replaced the existence of economic resources. This concept was transformed into a question of contemporary cognitive methods: when knowledge is cut into fragments, when difficult techniques can be condensed and quickly learned in short videos, when creation can become a refreshing game of “picking low-hanging fruits”, how should we coexist with the disorder in this nomadic state?

任俊峰对古典绘画的引用总带着“二手图像”的虚焦感——文艺复兴天使的面容因网络转载而模糊，巴洛克雕塑的动势被稀释为了低像素的色点，未完成的“解码”为知识碎片化后的重构提供了丰饶的沃土。这些图像既是本雅明“辩证意象”的当代演绎——在低垂果实的阴影里窥见重建意义的可能；亦是对泰勒·考恩命题的超越：当果实终将腐烂，果核中的基因却永远孕育着向上生长的野蛮力。

Ren Junfeng’s citations of classical paintings always carry the defocused feeling of “second-hand images” – the faces of Renaissance angels are blurred due to online reposting, and the momentum of Baroque sculptures is diluted into low-pixel color dots. The unfinished “decoding” provides fertile ground for the reconstruction of knowledge after fragmentation. These images are both a contemporary interpretation of Benjamin’s “dialectical image” – glimpsing the possibility of reconstructing meaning in the shadow of low-hanging fruits; and a transcendence of Taylor Cowen’s proposition: when the fruit will eventually rot, the genes in the core will always breed the savage power of upward growth.
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任俊峰
Ren JunFeng
1987年 出生于内蒙古通辽市2010年 毕业于内蒙古师范大学油画专业 学士学位

2014年 毕业于清华大学美术学院当代艺术创作名家导师高级研究班

1987 Born in Tongliao, Inner Mongolia

2010 Graduated from Inner Mongolia Normal University with a bachelor’s degree in oil painting

2014 Graduated from the Advanced Research Class of Contemporary Art Creation Masters of Academy of Fine Arts, Tsinghua University

个展

2024年《美丽世界》—任俊峰个展，北京798艺术区 H iart space

2022年 孤独之上-任俊峰作品展，北京798艺术区成当代艺术中心

群展

2024年 “时间的棱镜”北极熊画廊 798艺术区

2023年 “后浪拼图 新绘画的新面孔”玉兰堂 北京市朝阳区酒仙桥路10号恒通商务园B36-BHi艺术中心

2023年 “十有捌九” 重庆市沙坪坝区YoungSpace美术馆

2023年 “破译图像边界” 虹•美术馆 苏州李公堤四期1 7栋

2023年 Hi21 新锐艺术集市 798艺术工厂

2021年 首届中国-内蒙古抽象展 中国抽象艺术促进沙龙。

2019年 法国圣埃蒂安艺术双年展，诺德艺术庄园中国馆–法国圣埃蒂安。

2018年 青年艺术1 00，嘉德艺术中心—北京

2018年 广州设计周青年艺术展，保利九号馆–广州。

2018年 猎质国际当代艺术双年展 ，彩虹盒子美术馆，郑州； 中山美术馆,深圳；古元美术馆，珠海

2017年 中国精神—第四节中国油画展–（抽象展），今日美术馆，北京

2016年 舟艺术中心黄金周邀请展，舟艺术中心，沈阳

2016年 当代油画系列展之开篇展–东方艺见，宋庄

2016年 展览“碰撞”，先声画廊，798艺术区

2014年 中韩国际文化交流展获铜质奖-首尔

Solo exhibition

2024 “Beautiful World”—Ren Junfeng solo exhibition, Beijing 798 Art District H iart space

2022 Above Loneliness-Ren Junfeng’s works exhibition, Beijing 798 Art District has become a contemporary art center

Group exhibition

2024 “Prism of Time” Polar Bear Gallery 798 Art District

2023 “Post-wave puzzle New face of new painting” Yulan Hall B36-BHi Art Center, Hengtong Business Park, No. 10 Jiuxianqiao Road, Chaoyang District, Beijing

2023 “Eighty-nine” YoungSpace Art Museum, Shapingba District, Chongqing

2023 “Decoding the boundary of the image” Rainbow Art Museum Suzhou Ligongdi Phase 4 17 Building

2023 Hi21 New Art Market 798 Art Factory

2021 The first China-Inner Mongolia Abstract Exhibition China Abstract Art Promotion Salon.

2019 Saint-Etienne Art Biennale, China Pavilion, Nord Art Manor–Saint-Etienne, France.

2018 Young Art 1 00, Guardian Art Center–Beijing

2018 Guangzhou Design Week Youth Art Exhibition, Poly No. 9 Pavilion–Guangzhou.

2018 Liezhi International Contemporary Art Biennale, Rainbow Box Art Museum, Zhengzhou; Zhongshan Art Museum, Shenzhen; Guyuan Art Museum, Zhuhai

2017 Chinese Spirit–The Fourth Chinese Oil Painting Exhibition–(Abstract Exhibition), Today Art Museum, Beijing

2016 Zhou Art Center Golden Week Invitational Exhibition, Zhou Art Center, Shenyang

2016 Opening Exhibition of Contemporary Oil Painting Series–Oriental Art, Songzhuang

2016 Exhibition “Collision”, Xiansheng Gallery, 798 Art District

2014 China-Korea International Cultural Exchange Exhibition Won Bronze Award–Seoul

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