Art Basel 巴塞尔艺术展推出数字时代艺术新平台 “Zero 10” ，将首度亮相迈阿密

Art Basel 巴塞尔艺术展宣布推出数字时代艺术策展新平台”Zero 10″，该平台将于2025年巴塞尔艺术展迈阿密海滩展会(Art Basel Miami Beach 2025)进行首展。这项计划获得2025年巴塞尔艺术展迈阿密海滩展会官方合作伙伴OpenSea支持，通过连接不断扩大的数字艺术社群与国际艺术市场的成熟体系，拓展了巴塞尔艺术展的全球生态系统。

Zero 10代表着对该快速演进的艺术创作与收藏领域作出决定性长期承诺。该平台将联合领军及新生代参与者——艺术家、工作室、画廊与数字创新者——与巴塞尔艺术展卓越策展及市场准入的全球框架。首届Zero 10将汇聚12家国际参展机构，于2025年12月5日至7日（贵宾预展日为12月3日至4日）在巴塞尔艺术展迈阿密海滩展会亮相，随后将于2026年拓展至精选全球艺博会，包括2026年巴塞尔艺术展香港展会(Art Basel Hong Kong 2026)。

此倡议名称致敬卡西米尔·马列维奇(Kazimir Malevich)1915年在彼得格勒举办的划时代展览《0,10》——这场前卫艺术的历史起点为新世纪重新定义了创作语言。秉承相同精神，Zero 10为数字艺术在当代艺术经济中如何展示、语境化及收藏设立了新标杆。

由专注新型收藏与参与模式的数字艺术策略师伊莱·申曼(Eli Scheinman)策展的首届展览将呈现AOTM、Art Blocks、Asprey Studio、Beeple Studios、bitforms gallery、Fellowship、Heft、Visualize Value、Nguyen Wahed、Onkaos、佩斯画廊(Pace Gallery)及SOLOS，同时联合巴塞尔艺术展全球首席合作伙伴瑞银集团(UBS)共同展出借自瑞银艺术藏品(UBS Art Collection)的陆扬(Lu Yang)作品。

陆扬《独生独死-天国》（Lu Yang DOKU – Heaven）
4K 数字影像，彩色/有声，时长 24 分 32 秒，2021–2022 年版
《DOKU – Heaven》是 Lu Yang 长期“DOKU”系列的首章。艺术家以实时动作捕捉与 CG 技术，将自我形象转译为无性别的数字化身“DOKU”。在佛教六道轮回概念中，“天国”对应天道，DOKU 于云端宫殿起舞，却显露出真空般的孤寂。霓虹色泽、电音节拍与旋转镜头交织出炫目又疏离的赛博圣境，提示即便置身极乐，欲望与痛苦依旧循环。DOKU – Heaven launches Lu Yang’s eponymous series. Motion-captured and rendered in 4K, the genderless avatar DOKU performs inside a lotus-filled palace above the clouds. Drawing from the Buddhist “heaven realm,” the work bathes the viewer in neon hues and electronic beats, yet reveals an abyss of solitude beneath the spectacle, questioning whether digital paradise escapes or perpetuates samsara.
陆扬（Lu Yang ，1984，上海）毕业于中国美术学院，现居上海与东京。其创作跨越 3D 动画、游戏、装置与虚拟现实，常以自身形象为蓝本构建数字替身，探讨生死、性别、神经科学与宗教轮回。作品曾展于威尼斯双年展、蓬皮杜中心、东京都现代美术馆等机构，并被 KADIST、鲁贝尔美术馆等收藏。这件作品来自瑞银收藏。
Lu Yang (b. 1984, Shanghai) graduated from the China Academy of Art and is now based in Shanghai and Tokyo. Working across 3D animation, gaming, installation and VR, the artist creates digital avatars derived from their own body to interrogate mortality, gender, neuroscience and reincarnation. Exhibitions include the Venice Biennale, Centre Pompidou and Museum of Contemporary Art Tokyo; works are held by KADIST, Rubell Museum and other collections. This work is from the UBS Art Collection.

Zero 10基于巴塞尔艺术展近期推动艺术、科技与市场基础设施融合的一系列举措。这些包括汇聚顶尖藏家、艺术家与机构意见领袖共同塑造巴塞尔艺术展数字实践参与方式的数字艺术委员会(Digital Art Council)；关于艺术与科技的全球对话系列项目”数字对话(Digital Dialogues)”；以及贯穿巴塞尔艺术展各展会的数字艺术展示，包括2024年巴塞尔艺术展迈阿密海滩展会上Bright Moments呈现的Huemin《DREAM-0》，及2025年巴塞尔艺术展香港展会”艺聚空间(Encounters)”展区的数字作品策展展示。相辅相成的进展——包括人工智能驱动的巴塞尔艺术展应用程序(Art Basel App)及巴塞尔艺术展网上商店(Art Basel Shop)数字版图的扩展——进一步巩固巴塞尔艺术展通过实体与数字平台支持艺术家与画廊的承诺。

Zero 10的推出正值数字艺术市场持续发展之际。根据《2025年巴塞尔艺术展与瑞银集团全球收藏调查报告》，数字艺术已成为高净值藏家的核心收藏类别，3100名受访者中51%在2024至2025年间购买了数字作品。该媒介在总支出中排名第三，其私人收藏份额在过去一年增长超四倍。这些发现凸显收藏行为的结构性演变——Zero 10既预见亦推动此趋势，契合巴塞尔艺术展拓展受众与市场机遇，同时支持最具前瞻性艺术实践形式的长期战略。

巴塞尔艺术展(Art Basel)首席执行官诺亚·霍洛维茨(Noah Horowitz)：
“Zero 10反映战略信念：数字艺术不再处于边缘——它正实时推动艺术与市场的演进。巴塞尔艺术展致力于强化此发展，确保其核心的实践者及新兴的美学、概念与商业结构获得具机构严谨性与全球影响力的支持。通过Zero 10，我们创建为新兴与知名艺术家、画廊、藏家、机构及企业家提供实质成果的平台——连接创作实验与持续的市场发展。”

巴塞尔艺术展(Art Basel)艺术总监暨展会全球总监文森佐·德贝利斯(Vincenzo de Bellis)：
“Zero 10兼具艺术演进与策展宣言双重意义。此倡议反映艺术生态变迁——数字工艺与新媒介正拓展艺术家的创作方式与观众的参与模式——并强化巴塞尔艺术展以远见引领行业的责任：洞察艺术实践发展方向，提供基础设施与公信力助其蓬勃发展。Zero 10体现巴塞尔艺术展对推动艺术发展并呼应时代的承诺，而迈阿密海滩充满活力的艺术场景与日臻成熟的创新文化，为此次首展提供了理想语境。”

Zero 10策展人伊莱·申曼(Eli Scheinman)：
“Zero 10汇聚数字艺术生态系统的关键力量——其艺术实践正重塑艺术创作、观赏与收藏方式的艺术家、工作室与画廊。从生成与算法系统到机器人技术、雕塑、绘画、光与声，这些展示凸显该领域的多样性与概念深度，它已成为当代艺术不可或缺的部分，并正在更广阔市场中确立地位。能在巴塞尔艺术展构建此平台，并使其全球平台与这快速成长的创作群体建立有意义合作，令我倍感振奋。”

展出亮点

伦敦艺廊暨工作室Asprey Studio与埃塞俄比亚艺术家团体Yatreda合作，复活并重塑Akodama——来自埃塞俄比亚阿姆哈拉高地的传统男性头冠，曾为酋长与战士佩戴的尊贵象征。

Fellowship将展出伊策尔·亚德（IX Shells）(Itzel Yard (IX Shells))的《勿忘我(No Me Olvides)》，作品将遍及欧洲、加勒比海与拉丁美洲的档案碎片转化为探索记忆、性别与文化传承的动态算法构图。

bitforms gallery通过先驱与创新者追溯生成艺术演变——从曼弗雷德·莫尔(Manfred Mohr)的早期电脑绘图、凯西·雷亚斯(Casey Reas)的神经网络《世俗享乐(Earthly Delights)》到玛雅·曼(Maya Man)关于网络欲望的实时生成作品——揭示代码如何成为文化语言。

佩斯画廊(Pace Gallery)呈现詹姆斯·特瑞尔(James Turrell)《玻璃(Glass)》系列的聚焦装置，让观者沉浸于光与时间，将感知本身转化为艺术品。

Beeple Studios通过机器人技术与区块链重释波普肖像，审视人与机器能动性之间不断变化的边界。

Nguyen Wahed的三元展陈统一XCOPY的反乌托邦故障世界、金·阿森多夫(Kim Asendorf)的算法极简主义与乔·皮斯(Joe Pease)的催眠视频循环，绘制数字意识架构。

与这些展示相呼应，借自瑞银艺术藏品(UBS Art Collection)的陆扬(Lu Yang)《DOKU – Heaven》（2022）延伸了艺术、科技与超验之间的对话。这部通过动作捕捉编舞与生动3D动画渲染的单频道影像，将观者沉浸于迷幻数字领域，艺术家的虚拟化身在其中沉思意识、蜕变及虚拟时代对精神觉醒的追寻。

Yatreda《二十一世纪赤玉》（Twenty-First Century Akodama）
数字艺术作品，搭配Asprey Studio银质雕塑
尺寸可变，2025年

这件作品将埃塞俄比亚传统神话中的“Akodama”概念带入数字时代，通过区块链技术与银质雕塑的实体结合，探讨永恒与流动、神话与科技之间的张力。

Twenty-First Century Akodama bridges Ethiopian mythological symbols with blockchain permanence, pairing digital art with a handcrafted silver sculpture to explore the tension between eternity and ephemerality, myth and technology.

Yatreda
Yatreda是一支来自埃塞俄比亚的艺术家 collective，致力于将非洲传统故事、舞蹈与符号通过区块链艺术带向全球，强调“神话即永恒”的理念。

Yatreda is an Ethiopian artist collective that transmits African folklore, dance, and symbols to a global audience via blockchain art, asserting that “myth is eternal.”

Ix Shells《埃娃·邦尼尔》（Eva Bonnier，#2），视频静帧
数字影像
尺寸可变，2025年

该影像作品致敬19世纪瑞典艺术赞助人埃娃·邦尼尔（Eva Bonnier），通过算法生成的动态肖像，反思女性身份在历史与数字空间中的流动性与重构。

Eva Bonnier (#2) is a generative video still that pays homage to 19th-century Swedish patron Eva Bonnier. Through algorithmic motion, it interrogates the fluid reconstruction of female identity across historical and digital realms.

Ix Shells
Ix Shells是巴拿马裔数字艺术家，Fellowship平台联合创始人，作品多聚焦于算法美学与女性身份的交织，被收藏于多家国际机构。

Panamanian digital artist and Fellowship co-founder Ix Shells explores the intersection of algorithmic aesthetics and female identity; her works are held by numerous international institutions.

Mario Klingemann《恰当反应》（Appropriate Response）
数字生成艺术
尺寸可变，2020年

Klingemann利用神经网络生成不断演化的视觉“反应”，质疑人类情感与机器逻辑之间的边界，促使观者重新思考“创造力”的归属。

Appropriate Response employs neural networks to evolve visual “reactions” in real time, probing the liminal zone between human emotion and machine logic, and inviting viewers to question the ownership of creativity.

Mario Klingemann
德国艺术家、Google Arts & Culture 前驻场创作者，是神经网络艺术的先驱之一，持续探索机器学习的创造性潜能与伦理边界。

German artist and former Google Arts & Culture resident Mario Klingemann is a pioneer of neural-network art, continually examining the creative potential and ethical boundaries of machine learning.

Art Basel launches Zero 10, a new platform for art of the digital era debuting at Art Basel Miami Beach 2025

Art Basel announces the launch of Zero 10, a new curated platform for art of the digital era, debuting at Art Basel Miami Beach 2025. Presented with the support of OpenSea, an Official Partner of Art Basel Miami Beach 2025, the initiative extends Art Basel’s global ecosystem by connecting the expanding digital art community with the established structures of the international art market.

Zero 10 represents a decisive, long-term commitment to support and empower a rapidly evolving area of artistic production and collecting. The platform will unite leading and next-generation participants — artists, studios, galleries, and digital innovators — with Art Basel’s global framework of curatorial excellence and market access. Featuring 12 international exhibitors, the inaugural edition of Zero 10 will be on view at Art Basel Miami Beach from December 5–7, 2025 (VIP Preview Days December 3–4), before expanding to select global fairs in 2026 including Art Basel Hong Kong 2026.

The initiative’s title references 0,10, Kazimir Malevich’s seminal 1915 exhibition in Petrograd — a historic point of departure for the avant-garde that redefined creative language for a new century. In the same spirit, Zero 10 sets a new benchmark for how digital art can be exhibited, contextualized, and collected within today’s art economy.

Curated by Eli Scheinman, a digital art strategist focused on new models of collecting and engagement, the inaugural presentation will feature AOTM, Art Blocks, Asprey Studio, Beeple Studios, bitforms gallery, Fellowship, Heft, Visualize Value, Nguyen Wahed, Onkaos, Pace Gallery, and SOLOS, alongside a presentation of Lu Yang, on loan from the UBS Art Collection, presented in collaboration with UBS, Art Basel’s Global Lead Partner.

Zero 10 builds on a series of recent Art Basel initiatives that have advanced the intersection of art, technology, and market infrastructure. These include the Digital Art Council, which convenes leading collectors, artists, and institutional voices to shape Art Basel’s engagement with digital practice; the Digital Dialogues program, a global conversation series on art and technology; and large-scale digital showcases across Art Basel’s fairs, including Bright Moments’ DREAM-0 by Huemin at Art Basel Miami Beach 2024 and a curated presentation of digital works within the Encounters sector at Art Basel Hong Kong 2025. Complementary developments — including the AI-powered Art Basel App and the expansion of digital editions in the Art Basel Shop — further reinforce Art Basel’s commitment to supporting artists and galleries across its physical and digital platforms.

The launch of Zero 10 also coincides with sustained momentum in the digital art market. According to The Art Basel and UBS Survey of Global Collecting 2025, digital art has become a core collecting category among high-net-worth collectors, with 51 percent of 3,100 respondents having purchased a digital work in 2024–2025. The medium now ranks third in total spending and has seen its share in private collections more than quadruple over the past year. These findings highlight a structural evolution in collecting behavior — one that Zero 10 both anticipates and advances, aligning with Art Basel’s long-term strategy to expand audiences and market opportunities while supporting the most forward-looking forms of artistic practice.

Noah Horowitz, CEO, Art Basel:

“Zero 10 reflects a strategic conviction: digital art is no longer at the margins — it is integral to how art and the market are evolving in real time. Art Basel is committed to amplifying this development, ensuring that the practitioners and emerging aesthetic, conceptual and commercial structures at the heart of it are supported with institutional rigor and global reach. With Zero 10, we’re creating a platform that delivers tangible outcomes for new and established artists, galleries, collectors, institutions and entrepreneurs alike — bridging creative experimentation with sustained market development.”

Vincenzo de Bellis, Chief Artistic Officer and Global Director of Art Basel Fairs:

“Zero 10 represents both an artistic evolution and a curatorial statement. The initiative reflects a shifting artistic landscape — one in which digital processes and new media are expanding how artists create and audiences engage — and reinforces Art Basel’s responsibility to lead with foresight: to recognize where artistic practice is heading and to provide infrastructure and credibility to enable it to flourish. Zero 10 reflects Art Basel’s commitment to art that moves forward and speaks to the present, while Miami Beach, with its dynamic art scene and growing culture of innovation, provides an ideal context for this debut.”

Eli Scheinman, Curator, Zero 10:

“Zero 10 brings together key forces across the digital art ecosystem — artists, studios, and galleries whose practices are reshaping how art is made, seen, and collected. From generative and algorithmic systems to robotics, sculpture, painting, light, and sound, the presentations highlight the diversity and conceptual sophistication of a field that has become integral to contemporary art and is now claiming its place within the broader market. I’m incredibly excited to be building this within Art Basel and to be bringing its global platform into meaningful partnership with this fast-growing creative community. ”

Presentation Highlights

Fellowship will exhibit No Me Olvides by Itzel Yard (IX Shells), which transforms archival fragments from across Europe, the Caribbean, and Latin America into living, algorithmic compositions exploring memory, gender, and cultural inheritance.
bitforms gallery traces the evolution of generative art through pioneers and innovators — from Manfred Mohr’s early computer drawings, Casey Reas’s neural-network Earthly Delights to Maya Man’s live generative work on online desire — revealing how code has become a language of culture.
Asprey Studio, an aterlier and London-based gallery, collaborates with the Ethiopian artist collective Yatreda, to resurrect and reimagine an Akodama — a traditional male crown from Ethiopia’s Amhara highlands once worn by chieftains and warriors as a symbol of nobility.
Pace Gallery presents a focused installation from James Turrell’s Glass series, immersing viewers in light and time and transforming perception itself into the artwork.
Beeple Studios reinterprets pop portraiture through robotics and blockchain, interrogating the shifting boundary between human and machine agency.
Nguyen Wahed’s triadic presentation unites XCOPY’s dystopian glitch worlds, Kim Asendorf’s algorithmic minimalism, and Joe Pease’s hypnotic video loops, mapping the architectures of digital consciousness.
Complementing these presentations, Lu Yang’s DOKU – Heaven (2022), on loan from the UBS Art Collection, extends the dialogue between art, technology, and transcendence. The single-channel video — rendered through motion-capture choreography and vivid 3D animation — immerses viewers in a hallucinatory digital realm where the artist’s avatar meditates on consciousness, transformation, and the search for spiritual awakening in the virtual age