标签为 “传统” 的文章

  • Who’s the Real Ideologue? On Jordan Peterson’s Communist A …

    2018.08.15 · 发表评论

    Why does the ‘men’s rights’ guru to the alt-right surround himself with Soviet-era memorabilia, which he doesn’t even class as art? – 为什么《男性权利》的《奥尔特右派》围绕着苏维埃时代的纪念品,而他甚至不把它当作艺术呢?

  • Great Estates: How Contemporary Ceramics Are Keeping Chats …

    2018.08.14 · 发表评论

    Alongside a centuries-old collection of Old Masters, Delftware and Chinoiserie, the Devonshires continue to commission contemporary art  – 除了几个世纪以来的老主人,德尔夫特和Chinoiserie,Devonshires继续执导当代艺术。

  • 变量构局 (群展)

    2018.08.09 · 发表评论

    上海chi K11美术馆将在2018年8月11日至9月14日呈现全新当代艺术展《变量构局》。该展览由中外四位杰出年轻艺术家的个人独立项目共同呈现:《缝合》(布兰登·弗勒)、《居住的方法》(沈莘)、《予有着扁平趾甲的无毛两足动物的恰当回应》(陆浩明)、《漏洞.temp》(吴珏辉)。参展作品反思人工与自然的相互介入、室内与室外的边界及影像的虚构,探讨媒介的变量之局。

  • 王蓬个展——洞察之律 (个展)

    2018.08.08 · 发表评论

    2018年8月10日(周五)下午4点30分,艺术家王蓬个展《洞察之律》(Wang Peng—Law of perspective)将在华侨城盒子美术馆开幕。本次展览由华侨城盒子美术馆主办,大良文化中心协办。

  • 乱了乱了——大卫 · 史瑞格里展 (个展)

    2018.08.08 · 发表评论

    2018年8月18日至11月14 日,上海当代艺术博物馆设计中心(psD)将携手英国文化教育协会共同举办英国著名艺术家大卫·史瑞格里(David Shrigley)的中国首次个人展览——“乱了乱了”,呈现他过往三十余年创作的近400幅《无题画作》、充气装置《真赞》,以及其跨越艺术、设计与大众文化等多领域的代表作,以期突破单一认知与固化思维,开启一场头脑风暴。

  • The Mystery of the Eichstatt Tapestry – 艾希斯塔特挂 …

    2018.08.07 · 发表评论

    The first public exhibition of a 15th-century altar-hanging prompts the question: who made it?In Sam Fogg gallery’s latest exhibition of medieval and renaissance textiles in London, a German tapestry went on public display for the first time in its recorded history. Dated at around 1480 and woven from wool and linen in varying colours and configurations, it unrolls to reveal five scenes from the Life of Christ, vertically separated by column-like bands. Read from left to right, the scenes chronicle Christ (identified by his cruciform halo) appearing to his followers after his resurrection. Dressed in radiant white, he lifts his hand in benediction to a kneeling Mary Magdalene; disguised in a grey cloak, he greets two disciples on the road to Emmaus; reduced to no more than his feet, he disappears from the frame and ascends to heaven; rematerializing in the form of a dove on the day of Pentecost, he imbues the Virgin and apostles with the Holy Spirit; and, finally, enthroned on a rainbow during the Last Judgment, he displays his wounds before a sea of bodies. – 第一次公开展示十五世纪祭坛悬挂的问题是:谁做的?在Sam Fogg画廊最近在伦敦展出的中世纪和文艺复兴时期的纺织品展览中,德国挂毯首次在其历史记录中公开展出。日期约为1480,并由羊毛和亚麻织成不同颜色和配置,它展开揭示五个场景从基督的生活,垂直分离的柱状带。从左向右读,基督复活后的纪事纪事(由十字架光环所辨认)出现在他的追随者身上。他身穿白皙的衣服,跪在跪着的Mary Magdalene身上,装扮成灰色斗篷,在埃玛斯的路上迎接两个门徒;他只不过是从脚下消失了,然后爬上了天堂,在一天的时间里以鸽子的形式重新化身。五旬节,他将圣母和使徒灌输给圣灵;最后,在最后一次审判中,在彩虹上登基,在一片尸体面前展示他的伤口。

  • The Story of Scottish Pop: A Rich Past But An Uncertain Fu …

    2018.08.06 · 发表评论

    In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided – 在苏格兰国家博物馆无耻的民粹主义者“撕扯它”中,狂热者的喜悦响起,但回避未来的问题。

  • Linda Stark's Body Parts – Linda Stark和第039身 …

    2018.08.06 · 发表评论

    Meticulous, gently humorous paintings isolate a deeply personal encounter with the obdurate structures of society and culture – 一丝不苟、轻柔幽默的绘画,与社会和文化的顽强结构隔绝。

  • Does Sound Deceive? The Forensic Art of Lawrence Abu Hamda …

    2018.08.06 · 发表评论

    The artist-investigator tunes his work to the undocumented, the surveilled, immigrants and prisoners; those fleeing the talons of the state – 艺术家调查员把他的作品改编成无证件的、被监视的、移民的和俘虏;那些逃离国家爪子的人。