标签为 “画廊” 的文章

  • The Artificial Divide Between Fine Art and Textiles is a G …

    NEW! 2018.11.14 · 发表评论

    An imposing wooden structure bisected with lines of thread greets visitors head-on at the entrance of the current Anni Albers show at the Tate Modern. The contraption – a shaft countermarch loom – is echoed at the end of the exhibition, with a Structo Artcraft loom that was used by Albers herself. As the UK’s first major retrospective of Alber’s work, the galleries are filled with over 350 objects, ranging from her geometric wall hangings to textiles for interiors and architecture, her writing, and prints and drawings. Bookending the exhibition with the tools of her trade ensures the method of creation is kept at the very heart of the show: this is unapologetically about a textile artist.  – 在泰特现代美术馆举办的当前安妮·阿尔伯斯展览的入口处,一座雄伟的木结构被线条分割成两半,迎面迎接来访者。这个装置——轴式逆行织机——在展览结束时与阿尔伯斯自己使用的结构艺术织机相呼应。作为英国对艾伯作品的第一次主要回顾,画廊里摆满了350多件物品,从她的几何壁挂到室内和建筑用纺织品、她的写作、印刷品和绘画。用她所从事的行业的工具预订展览会确保了创作方法始终是展览的核心:这毫无疑问是关于一个纺织艺术家的。

  • Marvel Comics’ Stan Lee Dies Aged 95 – 奇迹漫画《斯 …

    NEW! 2018.11.13 · 发表评论

    In further news: Berlin cultural institutions rally against far-right; Tate Liverpool to stage first UK show dedicated to Keith Haring – 进一步的消息:柏林文化机构联合起来反对极右派;泰特·利物浦为基思·哈林举行英国首场演出

  • The Secret to Being a Successful Artist Revealed! – …

    NEW! 2018.11.13 · 发表评论

    The most heralded artists from the last four decades share one thing in common, according to a new study – 一项新的研究表明,过去四年里最著名的艺术家有一个共同点。

  • The Best Art Exhibitions in Seoul – 汉城最佳艺术展

    NEW! 2018.11.13 · 发表评论

    Choi Jeong Hwa, ‘Blooming Matrix’ MMCA SEOUL 5 September 2018 – 10 February 2019Choi Jeong Hwa is the fourth artist to be selected for the annual MMCA Hyundai Motor Series to show ambitious new works in the Korean capital. Filling MMCA’s cavernous galleries can be a tall order for most artists, but Choi is no stranger to filling vast spaces, usually employing great quantities of cheap, disposable items found on the streets and at local flea markets. – Choi Jeong Hwa,“开花矩阵”

  • 比艺术节拥有更多群展,共享画廊展登录雅典

    2018.11.12 · 发表评论

    共享画廊展于2016年在伦敦开始,试图在常规的艺术模式之外形成一个以画廊结构为主体的,艺术行业中的“couch surfing”——一种国际性质的免费互助,年轻的商业画廊为其国际同行们提供地板和墙面的展示空间,分享联系和扩展国际网络,而无需缴纳参加艺术博览会的高昂费用。共享画廊已经走向了全球,在纽约,墨西哥城和上海都有产生销售,参与者人数正在增加:去年在纽约,16家曼哈顿画廊接纳了从中国到墨西哥的20家海外画廊。其中,总部位于伦敦的Carlos / Ishikawa画廊是常设参展机构:Condo共享画廊展即由其联合创始人Vanessa Carlos建立。

  • Weekend Reading List: #MeToo Makes the Power 100 – …

    2018.11.09 · 发表评论

    Wes Anderson and Juman Malouf’s show opens in Vienna; conspiracy theories at the Met during the Midterms and Shanghai’s psychedelic cat – 韦斯·安德森和朱曼·马卢夫的秀在维也纳开幕;大都会中期赛期间的阴谋论和上海的迷幻猫

  • 在芝加哥试图卖掉他的壁画后,Kerry James Marshall结束了他的 …

    2018.11.09 · 发表评论

    In further news: Italian government cracks down on art crime; and screening live arts performances fails to diversify audiences  – 另辟蹊径:意大利政府严厉打击艺术犯罪,现场放映艺术表演未能使观众多样化 

  • Do Museum Wall Labels Hide Artists’ Misogyny? Gauguin and …

    2018.11.08 · 发表评论

    Artist Michelle Hartney has created #MeToo-inspired wall labels to call out the abusive actions of art history’s icons – 艺术家Michelle Hartney创建了一个由Myoto启发的墙面标签,以唤起艺术史图标的辱骂行为。

  • 摄影师在日益自动化的图像文化中扮演什么角色?

    2018.11.08 · 发表评论

    Who are photographs for? Who are photographs by? Increasingly, the answer to both questions is, more or less, machine: images are captured by autonomous, or semi-autonomous devices in the act of gathering data for artificial intelligences. – 照片是给谁的?照片是谁的?这两个问题的答案或多或少地越来越多地是机器:图像是由自主或半自主设备在为人工智能收集数据时捕获的。