标签为 “acting” 的文章

  • Why the Art World Needs to Stand Up to the UK’s ‘Humiliati …

    2018.08.15 · 发表评论

    With authors, curators and musicians recently denied entry, the UK is fast painting itself as a cultural pariah – 由于作者、策展人和音乐家最近拒绝进入,英国正在迅速将自己描绘成一个文化贱民。

  • Judy Chicago Hits Back at ‘Dinner Party’ Criticism – …

    2018.08.14 · 发表评论

    In further news: UK class gap impacting young people’s engagement with the arts; Uffizi goes digital; British Museum helps return Iraqi antiquities – 另一则新闻:英国阶级差距影响年轻人与艺术的接触;Uffizi走向数字化;大英博物馆帮助返回伊拉克古物

  • Performing Ian White: A Choice in the Matter or The Room W …

    2018.08.06 · 发表评论

    Watching Sharon Hayes and Evan Ifekoya pay homage to the late artist at Camden Arts Centre and remembering his ‘structured anarchy’ – 看着Sharon Hayes和Evan Ifekoya向卡姆登艺术中心的已故艺术家致敬,并回忆起他的“结构化无政府状态”。

  • Than Hussein Clarks's Politics of Melodrama – …

    2018.08.06 · 发表评论

    The artist queers the canonical histories of art and theatre, pointing to how things might actively and fantastically engage in being otherwise – 艺术家怪异于艺术和戏剧的典范历史,指出事物是如何积极地和不可思议地参与其他事物的。

  • ‘I Get the Feeling You’re Completely Indestructible’: Elai …

    2018.08.05 · 发表评论

    The poet on the ‘strange portability’ of life on the road ‘Don’t say “What”’, the customs agent barks at me through the plexiglass membrane dividing France from the UK. I hadn’t made out his question and now I’m frozen in the face of this unexpected puzzle. What do I say besides ‘what?’ – 诗人在路上的“奇怪的便携性”上说:“不要说“什么”,海关代理人通过把法国和英国分开的有机玻璃对我吠叫。我还没有提出他的问题,现在我面对这个意想不到的难题被冻结了。除了“什么”之外,我还能说什么?’

  • Earth Overshoot Day: What Can Artists Do? – 地球超调 …

    2018.08.04 · 发表评论

    Five of the best recent artist projects that show alternatives to unsustainable practicesToday is Earth Overshoot Day, which means that humankind has now used more natural resources since 1 January than the planet can regenerate in an entire year. This year, Earth Overshoot Day comes two days earlier than it did last year – its earliest date since it was first marked in 2006, in October. Since then, the world has been using up its yearly provision at an ever-increasing rate; we currently use 1.7 Earths per year. – 最近五个最好的艺术家项目展示了不可持续实践的替代品是“地球过冲日”,这意味着人类自1月1日以来使用的自然资源比整个地球一年都能再生。今年,地球超调日比去年提前了两天,这是自十月首次在2006开始的最早日期。从那时起,世界一直在以每年不断增加的速度使用它,我们目前每年使用1.7个地球。

  • The US’s Delay in Naming an Artist for the Venice Biennale …

    2018.08.04 · 发表评论

    Trump’s State Department is more than 3 months late in announcing its national pavilion – testament to the chaos engulfing the administration – 特朗普国务院在宣布其国家馆晚了3个多月,这证明了混乱吞噬了政府。

  • What the Inaugural FRONT Triennial in Cleveland Highlights …

    2018.08.04 · 发表评论

    At the crux of this ambitious show lies the question: who is this triennial really for?Clevelanders like to tell people that there were once more millionaires on the city’s Euclid Avenue than there were on New York’s Fifth Avenue. They are also often self-deprecating. Cleveland has been through rough times since the Gilded Age: in the 1950s and ’60s, the Cuyahoga river was so polluted it caught fire several times, and in 1978 the city became the first in the US to default on its debt since the Great Depression. Its population is roughly a third as large as it was at its peak 68 years ago. Like so many Rust Belt cities, it has a world-class art museum, the Cleveland Museum of Art (CMA), built by industrialist robber barons, but has never been on the contemporary art world circuit. What better than a triennial to change that? – 这场雄心勃勃的表演的关键在于:这个三年展的真正意义是谁?克里夫兰德喜欢告诉人们,城市的欧几里德大街上的百万富翁比纽约第五大道上的百万富翁还要多。他们也常常自我贬低。自镀金时代以来,克利夫兰经历了艰难的时期:在20世纪50年代和60年代,CuaHaGa河被污染了好几次,在1978,美国成为了自大萧条以来第一个拖欠债务的城市。它的人口大约是68年前的顶峰时期的第三。像许多锈带城市一样,它有一个世界级的艺术博物馆,克利夫兰艺术博物馆(CMA),由工业强盗贵族建造,但从未出现在当代艺术世界的电路上。还有什么比三年期更好呢?

  • Anna Moschovakis’s Remarkable Debut Novel Searches For a W …

    2018.08.04 · 发表评论

    In Eleanor, or The Rejection of the Progress of Love, two women repudiate the long-held expectation: get a husband, make babies – 在埃利诺,或是拒绝爱情的进展,两个女人否定了长久以来的期望:生丈夫,生孩子。