标签为 “Art History” 的文章

  • The Expectation of Spectacle: an Interview with Mike Nelso …

    2019.01.16 · 发表评论

    We interviewed the British artist Mike Nelson on the occasion of his monumental intervention at the OGR in Turin; a large wooden structure, leads into the space, resembling a large billboard or the screen of a drive-in, once beyond it visitors find themselves inside a dimly lit environment where, amid pressed rubble, there are about twenty parked cars, covered with dust and in complete abandon. Different epochs and genres collide within the installation: a recent past rubs against an almost archaeological dimension (or perhaps a near future?), the rubble on the floor reeks of precariousness, an ambiguity between a recent demolition, an in-progress apocalypse whilst hinting to the potential of reconstruction, together creating an overwhelming tone of expectation and suspense. – 我们采访了英国艺术家迈克·尼尔森,当时他在都灵的“食人魔”进行了一次具有纪念意义的干预活动。这是一个巨大的木结构,通向太空,就像一个巨大的广告牌或一个开车进去的屏幕,一旦超过它,游客就会发现自己置身于一个光线暗淡的环境中,在被压的碎石中,大约有20辆车停在那里。汽车,被灰尘覆盖,完全废弃。不同的时代和体裁在装置内发生了碰撞:最近的过去与几乎考古的层面(或者可能是不久的将来)发生了摩擦。地板上的碎石散发出不稳定的气息,在最近的一次拆迁中模糊了,在暗示重建潜力的同时,正在进行的天启,共同创造了一种压倒一切的期待和悬念。

  • Lapis Lazuli in Medieval Nun’s Teeth Reveals Forgotten His …

    2019.01.10 · 发表评论

    Flecks of rare blue pigment found in a skeleton show women were also skilled manuscript painters 900 years ago – 骨骼中发现的罕见蓝色斑点表明,900年前,女性也是熟练的手稿画家。

  • The Long March: Marking 40 Years of Reform and Development …

    2018.12.28 · 发表评论

    The year 2018 marked 40 years of reform and development in China. However, a gloomy reality has overshadowed the democratic aspirations that many within and outside of the country had associated with the implementation of a market economy. Initially reform and opening up served as an engine to transform China from an impoverished state to a formidable economic power. Yet the process of de-politicization following the student movement in 1989 set the ball rolling on a singular economic track. In 2018, mirroring the rise of right-wing strongmen across the world, everyday life and intellectual discussion have been increasingly subject to tightened surveillance and controls as President Xi consolidates his own powerbase. – 2018年是中国改革开放40年的一年。然而,令人沮丧的现实掩盖了国内外许多人与实行市场经济有关的民主愿望。最初,改革开放是中国从一个贫穷国家转变为一个强大经济力量的引擎。然而,1989年学生运动之后的去政治化进程使经济走上了一条奇特的轨道。2018,反映了右翼强人在世界各地的崛起,日常生活和知识分子的讨论越来越受到严密的监视和控制,因为席总统巩固了自己的权力基础。

  • Slanted and Enchanted: Oriane Durand on the Year in Shaman …

    2018.12.27 · 发表评论

    ​In 2018, I found myself drawn to shows dealing with magic and shamanism, and so I look back at the year with a sense of enchantment. Tender entanglements of dystopian visions and individual mytholo-gies are part of a recent artistic trend characterized by hybridity, transformation and a belief in material. – 在2018年,我发现自己被处理魔法和萨满教的节目所吸引,所以我带着一种迷人的感觉回顾这一年。反乌托邦的幻象和个人神话的温柔纠缠是最近艺术趋势的一部分,其特点是杂合、转化和对物质的信仰。

  • Announcing Rebecca Ann Siegel as Publisher of Frieze ̵ …

    2018.12.25 · 发表评论

    Siegel will divide her time between New York, Berlin and London, leading on frieze’s print and digital publishing – 西格尔将在纽约、柏林和伦敦之间分配时间,领导弗里兹的印刷和数字出版。

  • Your Guide to Amsterdam Art Weekend 2018 – 2018阿姆 …

    2018.11.23 · 发表评论

    David Claerbout, the “confetti” piece, 2018, film still. Courtesy: the artist and Annet Gelink Gallery, Amsterdam – David Claerbout,《五彩纸片》,2018,电影依旧。礼貌:艺术家和安奈特Gelink画廊,阿姆斯特丹

  • Marvel Comics’ Stan Lee Dies Aged 95 – 奇迹漫画《斯 …

    2018.11.13 · 发表评论

    In further news: Berlin cultural institutions rally against far-right; Tate Liverpool to stage first UK show dedicated to Keith Haring – 进一步的消息:柏林文化机构联合起来反对极右派;泰特·利物浦为基思·哈林举行英国首场演出

  • Do Museum Wall Labels Hide Artists’ Misogyny? Gauguin and …

    2018.11.08 · 发表评论

    Artist Michelle Hartney has created #MeToo-inspired wall labels to call out the abusive actions of art history’s icons – 艺术家Michelle Hartney创建了一个由Myoto启发的墙面标签,以唤起艺术史图标的辱骂行为。

  • Decolonial Documents: Part Three – 非殖民化文件:第 …

    2018.11.05 · 发表评论

    In the third of a series, timed with the specially-themed November-December issue of frieze, we asked five artists, curators and writers, whose work has been involved with the challenges of decolonizing culture, to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt than documented, though no less significant. – 在系列文章的第三期,以特别主题的11月至12月的弗里兹杂志为时间点,我们邀请了五位艺术家、策展人和作家,他们的作品涉及非殖民文化的挑战,来讨论从展览和公共场所了解他们思想的项目。更多的无形和瞬态网络,其效果往往比记录的感觉,虽然不那么重要。