标签为 “Books” 的文章

  • Who’s the Real Ideologue? On Jordan Peterson’s Communist A …

    2018.08.15 · 发表评论

    Why does the ‘men’s rights’ guru to the alt-right surround himself with Soviet-era memorabilia, which he doesn’t even class as art? – 为什么《男性权利》的《奥尔特右派》围绕着苏维埃时代的纪念品,而他甚至不把它当作艺术呢?

  • Great Estates: How Contemporary Ceramics Are Keeping Chats …

    2018.08.14 · 发表评论

    Alongside a centuries-old collection of Old Masters, Delftware and Chinoiserie, the Devonshires continue to commission contemporary art  – 除了几个世纪以来的老主人,德尔夫特和Chinoiserie,Devonshires继续执导当代艺术。

  • HBO’s ‘Succession’ Holds up a Dark Mirror to our Political …

    2018.08.14 · 发表评论

    Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world – 在美国中期选举前的几个月内,不可能在世界名流和库什纳斯的背景下了解最重要的节目。

  • Judy Chicago Hits Back at ‘Dinner Party’ Criticism – …

    2018.08.14 · 发表评论

    In further news: UK class gap impacting young people’s engagement with the arts; Uffizi goes digital; British Museum helps return Iraqi antiquities – 另一则新闻:英国阶级差距影响年轻人与艺术的接触;Uffizi走向数字化;大英博物馆帮助返回伊拉克古物

  • Interview: Ronan Bouroullec – 采访:Ronan Bouroullec

    2018.08.13 · 发表评论

    The Paris-based designer’s drawings for the 2018 campaign celebrate the beauty of line and formThis year’s marketing campaign for Frieze Fairs celebrates the beauty of line and form, with drawings by Paris-based designer Ronan Bouroullec for Frieze London and a focus on drapery in classical art at the National Gallery, for Frieze Masters.  – 基于巴黎的设计师为2018运动的绘画庆祝线条和形式的美丽今年的Freeses博览会的营销活动庆祝线条和形式的美丽,由巴黎设计师弗里泽伦敦Ronan Bouroullec的图纸和重点在古典艺术的帷幕。在国家美术馆,为弗里泽大师。

  • A Graphic Novel on the 2018 Man Booker Longlist Can’t Hide …

    2018.08.04 · 发表评论

    The continued dominance of UK-US writers makes a mockery of the Man Booker’s ‘global outlook’It is perhaps not the most glowing endorsement of contemporary literature that what Zadie Smith declared ‘the best book – in any medium – I have read about our current moment’ contains very few words. Nick Drnaso’s Sabrina (Granta, 2018) is a 204-page graphic novel set in a fledgling Trump hellscape; through the chilling tale of a missing woman, it etches out a contemporary condition rinsed clean of intimacy, trust and truth. Like a tattered dove in an open hand, Drnaso’s storyboards offer up the many small cruelties inflicted upon us by an impersonal contemporary world that remains intent on leaving us speechless. Perhaps the laconism is apposite, after all. – UK-US作家的持续统治使得布克的“全球视野”成为一种嘲讽。它也许不是当代文学最耀眼的认可,扎迪·史密斯在任何媒介中宣称“最好的书”——我读过关于我们当下时刻的报道,其中包含了非常有限的内容。W字。Nick Drnaso的《萨布丽娜》(格兰塔,2018)是一本204页的平面小说,在一个初出茅庐的特朗普地狱中,通过一个失踪女人的冷酷故事,刻画出一种当代环境,净化了亲密、信任和真理。像一只破烂的鸽子张开的手,Drnaso的故事板提供了许多小残酷,我们被一个非个人化的当代世界,仍然致力于让我们无言以对。说到底,拉康主义也许是恰当的。

  • Anna Moschovakis’s Remarkable Debut Novel Searches For a W …

    2018.08.04 · 发表评论

    In Eleanor, or The Rejection of the Progress of Love, two women repudiate the long-held expectation: get a husband, make babies – 在埃利诺,或是拒绝爱情的进展,两个女人否定了长久以来的期望:生丈夫,生孩子。