标签为 “Books” 的文章

  • The Best Art Exhibitions in Seoul – 汉城最佳艺术展

    NEW! 2018.11.13 · 发表评论

    Choi Jeong Hwa, ‘Blooming Matrix’ MMCA SEOUL 5 September 2018 – 10 February 2019Choi Jeong Hwa is the fourth artist to be selected for the annual MMCA Hyundai Motor Series to show ambitious new works in the Korean capital. Filling MMCA’s cavernous galleries can be a tall order for most artists, but Choi is no stranger to filling vast spaces, usually employing great quantities of cheap, disposable items found on the streets and at local flea markets. – Choi Jeong Hwa,“开花矩阵”

  • 在芝加哥试图卖掉他的壁画后,Kerry James Marshall结束了他的 …

    2018.11.09 · 发表评论

    In further news: Italian government cracks down on art crime; and screening live arts performances fails to diversify audiences  – 另辟蹊径:意大利政府严厉打击艺术犯罪,现场放映艺术表演未能使观众多样化 

  • 摄影师在日益自动化的图像文化中扮演什么角色?

    2018.11.08 · 发表评论

    Who are photographs for? Who are photographs by? Increasingly, the answer to both questions is, more or less, machine: images are captured by autonomous, or semi-autonomous devices in the act of gathering data for artificial intelligences. – 照片是给谁的?照片是谁的?这两个问题的答案或多或少地越来越多地是机器:图像是由自主或半自主设备在为人工智能收集数据时捕获的。

  • Spells in the Present Tense and the Transformative Power o …

    2018.11.08 · 发表评论

    On Halloween, the cavernous tunnels of the Deadhouse, a winding crypt-like space in the underground depths of Somerset House thronged with those gathered to celebrate the launch of Ignota Press. The rough brick walls illuminated purple, atmospheric music from DJs Lia Mouse and TTB, and an intoxicating heady aroma of incense filled the corridors. Founded by Sarah Shin and Ben Vickers, Ignota derives its name from the mystic Hildegard of Bingen’s lingua ignota (unknown language), with the aim of defining it as one ‘that makes possible the reimagining and re-enchantment of the world around us’ through books and events that traverse poetry, technology, and speculative mysticism. Their inaugural publication is the anthology: Spells: 21st-Century Occult Poetry, edited by Shin with Rebecca Tamás, which brings together 36 rising and established voices across 160 pages to explore themes of ‘justice, selfhood, and the transformative power of the occult.’ – 在万圣节前夕,这座死房子的洞穴隧道,是塞默塞特住宅地下深处的一个蜿蜒的地下室,与聚集在一起庆祝伊格诺塔出版社的人们聚集在一起。粗糙的砖墙照亮了来自DJS LIa鼠标和TTB的紫色、大气音乐,充满了令人陶醉的香气。IGNOTA由Sarah Shin和Ben Vickers创立,源于宾根语言IGNOTA(神秘语言)的神秘希尔德加德,其目的是通过遍历诗人的书籍和事件来定义一个“使我们周围世界重新想象和重新魅惑”的“语言”。RY、技术和推测神秘主义。他们的首期出版物是《拼写:21世纪的神秘诗歌》,由Shin和RebeccaTams编辑,该书汇集了36位在160页上崛起和确立的声音,探讨了“正义、自我和神秘的变革力量”的主题。

  • Spells in the Present Tense – 现在时态的符咒

    2018.11.08 · 发表评论

    On Halloween, the cavernous tunnels of the Deadhouse, a winding crypt-like space in the underground depths of Somerset House thronged with those gathered to celebrate the launch of Ignota Press. The rough brick walls illuminated purple, atmospheric music from DJs Lia Mouse and TTB, and an intoxicating heady aroma of incense filled the corridors. Founded by Sarah Shin and Ben Vickers, Ignota derives its name from the mystic Hildegard of Bingen’s lingua ignota (unknown language), with the aim of defining it as one ‘that makes possible the reimagining and re-enchantment of the world around us’ through books and events that traverse poetry, technology, and speculative mysticism. Their inaugural publication is the anthology: Spells: 21st-Century Occult Poetry, edited by Shin with Rebecca Tamás, which brings together 36 rising and established voices across 160 pages to explore themes of ‘justice, selfhood, and the transformative power of the occult.’ – 在万圣节前夕,这座死房子的洞穴隧道,是塞默塞特住宅地下深处的一个蜿蜒的地下室,与聚集在一起庆祝伊格诺塔出版社的人们聚集在一起。粗糙的砖墙照亮了来自DJS LIa鼠标和TTB的紫色、大气音乐,充满了令人陶醉的香气。IGNOTA由Sarah Shin和Ben Vickers创立,源于宾根语言IGNOTA(神秘语言)的神秘希尔德加德,其目的是通过遍历诗人的书籍和事件来定义一个“使我们周围世界重新想象和重新魅惑”的“语言”。RY、技术和推测神秘主义。他们的首期出版物是《拼写:21世纪的神秘诗歌》,由Shin和RebeccaTams编辑,该书汇集了36位在160页上崛起和确立的声音,探讨了“正义、自我和神秘的变革力量”的主题。

  • US Galleries Mobilize in Support of Democrats Ahead of Tod …

    2018.11.06 · 发表评论

    In further news: a long-lost tapestry owned by Henry VIII re-emerges; Kerry James Marshall’s Chicago Public Library mural withdrawn from auction – 另辟蹊径:亨利八世拥有的一幅失传已久的挂毯重现;克里·詹姆斯·马歇尔的芝加哥公共图书馆壁画退出拍卖

  • Decolonial Documents: Part Three – 非殖民化文件:第 …

    2018.11.05 · 发表评论

    In the third of a series, timed with the specially-themed November-December issue of frieze, we asked five artists, curators and writers, whose work has been involved with the challenges of decolonizing culture, to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt than documented, though no less significant. – 在系列文章的第三期,以特别主题的11月至12月的弗里兹杂志为时间点,我们邀请了五位艺术家、策展人和作家,他们的作品涉及非殖民文化的挑战,来讨论从展览和公共场所了解他们思想的项目。更多的无形和瞬态网络,其效果往往比记录的感觉,虽然不那么重要。

  • Where Do We Go From Here: The Global Visual Economy – …

    2018.11.02 · 发表评论

    In the postcolonial study of Asia and the non-Western world, the act of comparison has usually meant using Euro-American standards to judge non-Euro-American cultures. In the academic realm of literary studies, this has translated into questions such as: does China have the epic? Does India or Japan have the novel? Does Korea have science fiction? These enquiries echo earlier European views that cultures in Asia and Africa have no history, philosophy, religion or literature to speak of. We are now at some distance from such ethnocentric views but the longterm effects of their comparative assertions remain influential. – 在亚洲和非西方世界的后殖民研究中,比较行为通常意味着使用欧美标准来评判非欧美文化。在文学研究的学术领域,这一问题转化为:中国有史诗吗?印度或日本有这部小说吗?韩国有科幻小说吗?这些调查反映了早期欧洲人的观点,即亚洲和非洲的文化没有历史、哲学、宗教或文学可言。我们现在与这种以种族为中心的观点相去甚远,但他们比较论断的长期影响仍然存在。

  • New Database ‘A Space of One’s Own’ Celebrates the Women A …

    2018.11.02 · 发表评论

    Researchers have compiled an illustrated resource that throws light on overlooked female artists from the 15th to 19th centuries – 研究人员已经编纂了一个图示的资源,从第十五到第十九个世纪吸引了被忽视的女性艺术家。