标签为 “China” 的文章

  • Two Books Survey and Situate the Last Decade of Performanc …

    2018.11.19 · 发表评论

    Every body is working in performance. And there’s a lot of it around. Two major new volumes situate the last decade of contemporary art’s most rambunctious medium: RoseLee Goldberg’s Performance Now (Thames and Hudson, 2018) and Catherine Wood’s Performance in Contemporary Art (Tate Publishing, 2018). These are texts that expand from the authors’ respective archives at Performa, New York, and Tate Modern, London, where the performance programmes they have shepherded have become institutions unto themselves. – 每个人都在工作。周围有很多。最近十年,当代艺术最繁琐的媒介——罗斯·李·戈德堡(RoseLee Goldberg’s Performance.)(泰晤士河和哈德森,2018)和凯瑟琳·伍德(Catherine Wood’sPerformanceinContentionalArt)(泰特出版社,2018)出版了两本主要的新书。这些文本是从作者分别在纽约Performa和伦敦Tate Modern的档案中扩充而来的,在那里,他们领导的表演节目已经成为他们自己的机构。

  • The Best Shows to See in Dusseldorf – 杜塞尔多夫最好 …

    2018.11.15 · 发表评论

    kvd18_um_diavolaki_2018.jpg Ulrike Müller, Diavolaki, 2018, monotype, 74 x 57 cm. Courtesy: the artist and Callicoon Fine Arts, New York – KVD18UMU-DIAVOLAKII2012.JPG

  • Marvel Comics’ Stan Lee Dies Aged 95 – 奇迹漫画《斯 …

    2018.11.13 · 发表评论

    In further news: Berlin cultural institutions rally against far-right; Tate Liverpool to stage first UK show dedicated to Keith Haring – 进一步的消息:柏林文化机构联合起来反对极右派;泰特·利物浦为基思·哈林举行英国首场演出

  • 在芝加哥试图卖掉他的壁画后,Kerry James Marshall结束了他的 …

    2018.11.09 · 发表评论

    In further news: Italian government cracks down on art crime; and screening live arts performances fails to diversify audiences  – 另辟蹊径:意大利政府严厉打击艺术犯罪,现场放映艺术表演未能使观众多样化 

  • 摄影师在日益自动化的图像文化中扮演什么角色?

    2018.11.08 · 发表评论

    Who are photographs for? Who are photographs by? Increasingly, the answer to both questions is, more or less, machine: images are captured by autonomous, or semi-autonomous devices in the act of gathering data for artificial intelligences. – 照片是给谁的?照片是谁的?这两个问题的答案或多或少地越来越多地是机器:图像是由自主或半自主设备在为人工智能收集数据时捕获的。

  • With Shanghai’s Busiest Art Month Underway, Highlights of …

    2018.11.06 · 发表评论

    ‘Proregress’ 12th Shanghai Biennale The Power Station of Art 10 November, 2018 – 10 March, 2019 – 第十二年度上海双年展

  • Where Do We Go From Here: The Global Visual Economy – …

    2018.11.02 · 发表评论

    In the postcolonial study of Asia and the non-Western world, the act of comparison has usually meant using Euro-American standards to judge non-Euro-American cultures. In the academic realm of literary studies, this has translated into questions such as: does China have the epic? Does India or Japan have the novel? Does Korea have science fiction? These enquiries echo earlier European views that cultures in Asia and Africa have no history, philosophy, religion or literature to speak of. We are now at some distance from such ethnocentric views but the longterm effects of their comparative assertions remain influential. – 在亚洲和非西方世界的后殖民研究中,比较行为通常意味着使用欧美标准来评判非欧美文化。在文学研究的学术领域,这一问题转化为:中国有史诗吗?印度或日本有这部小说吗?韩国有科幻小说吗?这些调查反映了早期欧洲人的观点,即亚洲和非洲的文化没有历史、哲学、宗教或文学可言。我们现在与这种以种族为中心的观点相去甚远,但他们比较论断的长期影响仍然存在。

  • How the Tiger Became a Totem for Singaporean Artist Ho Tzu …

    2018.11.01 · 发表评论

    The origin tale of modern Singapore cultivates the image of a gleaming city rising from the wilderness – most recently rehashed in a certain hit film that makes a glib reference to the island being nothing but ‘jungle and pig farms’ before Chinese immigrants arrived, clearing the landscape and making themselves ‘crazy rich’ in the process. In this story, tigers are the antagonist, a feral threat it was impossible to eliminate completely: Singapore is an island, and tigers are excellent swimmers. As late as 1869, Alfred Russel Wallace wrote, in The Malay Archipelago, that ‘there are always a few tigers roaming about Singapore, and they kill, on average, a Chinaman every day’. – 现代新加坡的起源故事塑造了一个从荒野中崛起的闪闪发光的城市形象——最近在一部热门电影中重新演绎,这部电影巧妙地提到了在中国移民到来之前,这个岛除了“丛林和养猪场”之外别无他物。在这个过程中,让自己变得“疯狂富”。在这个故事中,老虎是敌人,一个无法完全消除的凶猛威胁:新加坡是一个岛屿,老虎是优秀的游泳运动员。早在1869年,阿尔弗雷德·拉塞尔·华莱士(Alfred Russel Wallace)在《马来群岛》(The Malay Archipelago)中就写道:“在新加坡到处游荡的老虎总是不多,平均每天会杀死一个中国人。”

  • Yayoi Kusama Considering Legal Action after a Number of Fa …

    2018.10.30 · 发表评论

    Shows featuring counterfeit work by the Japanese artist Kusama and her compatriot Takashi Murakami, have appeared in at least six Chinese cities – 日本艺术家草间弥生和她的同胞村上隆(Takashi Murakami)的假冒作品在中国至少6个城市上映。