标签为 “City Report” 的文章

  • Time Interrupted at Toulouse’s Contemporary Art Biennial & …

    2018.11.12 · 发表评论

    Springtime in September – the defining concept of the Toulouse contemporary art biennial – seems, right now, like an immensely pleasing prospect. At the blustery conclusion of a summer that has been, depending on your predicament or point of view, either a blissful heatwave haze or an unsettling foretaste of the apocalyptic climate to come, there might be few things more attractive than the impossible dream of turning back time, putting the weather in rewind, hitting refresh on spring. Such, it might seem, is the fanciful aspiration of ‘Le Printemps de Septembre’. Under the directorship of veteran curator Christian Bernard, this richly varied biennial once again invites us to share in an autumn-replacing printemps: an abundant flowering of art across a city and its environs – an offer that has, on the face of it, an upbeat, benevolent civic generosity. Art, we might presume, is like spring: with it comes revival, new life, more light. – 九月的春天——图卢兹当代艺术双年展的定义性概念——看起来,现在,像是一个非常令人愉快的前景。根据你的困境或观点,在即将到来的夏天即将到来的狂风暴雨的结束之时,不管是喜庆的热浪阴霾,还是令人不安的末日气候的预感,没有什么事情比倒退时间的不可能的梦想更有吸引力了。天气倒退,在春天打刷新。这样看来,这可能是“九月”的幻想。在资深馆长克里斯蒂安·伯纳德的指导下,这个丰富多彩的两年一度的展览会再次邀请我们分享一个秋天取代的王子们:一个城市及其周边地区艺术的盛开——表面上,这个提议是一个乐观、仁慈的公民慷慨。我们可以想象,艺术就像春天:伴随着复兴,新的生命,更多的光。

  • 比艺术节拥有更多群展,共享画廊展登录雅典

    2018.11.12 · 发表评论

    共享画廊展于2016年在伦敦开始,试图在常规的艺术模式之外形成一个以画廊结构为主体的,艺术行业中的“couch surfing”——一种国际性质的免费互助,年轻的商业画廊为其国际同行们提供地板和墙面的展示空间,分享联系和扩展国际网络,而无需缴纳参加艺术博览会的高昂费用。共享画廊已经走向了全球,在纽约,墨西哥城和上海都有产生销售,参与者人数正在增加:去年在纽约,16家曼哈顿画廊接纳了从中国到墨西哥的20家海外画廊。其中,总部位于伦敦的Carlos / Ishikawa画廊是常设参展机构:Condo共享画廊展即由其联合创始人Vanessa Carlos建立。

  • The Triumphant Return of Sheffield's Art Scene – …

    2018.11.06 · 发表评论

    For over a year, a significant hole was left in Sheffield’s art scene as two of the city’s most significant galleries, Site Gallery and S1 Artspace, were closed for redevelopment. The absence of a significant institutional presence had seen Site and S1 become hugely important to the city, making their closure keenly felt. While S1’s development is still ongoing, the July opening of their current space, followed by the September opening of Site’s newly expanded home, trebling the gallery in size, felt like a triumphant return.  – 一年多来,在谢菲尔德的艺术舞台上留下了一个重大的漏洞,因为这个城市最重要的两个画廊,即Site Gallery和S1 Artspace,被关闭进行重建。由于缺乏重要的机构存在,Site和S1对城市变得极其重要,使得他们强烈地感受到了封闭。虽然S1的开发仍在进行中,但7月份他们目前的空间开放,9月份新扩建的房屋开放,使画廊的规模增加了两倍,感觉像是凯旋而归。

  • Welcome to the Centre of the World: Around the Azores’ Wal …

    2018.08.13 · 发表评论

    A three-hour flight west of Lisbon, a setting of emerald landscapes and panoramic ocean views backdrops this annual Summer project  – 一个三小时的飞行在Lisbon以西,一个翡翠景观和全景海景背景背景下这个年度夏季项目。

  • Around the 2018 Edinburgh Art Festival – 2018届爱丁 …

    2018.08.05 · 发表评论

    Jostling with its loud festival neighbours, the UK’s best attended annual visual art festival conducts a polyphonic debate with art of the past – 英国的年度最佳视觉艺术节与喧嚣的节日邻居们一起,与过去的艺术进行复调辩论。

  • In Toronto’s Don Valley a Public Art Project Exploring Wor …

    2018.08.05 · 发表评论

    Every night they dissembled the shed; every morning they built it anewToronto’s Don Valley is a lush, hybrid ecosystem in the city’s east end. It cradles the Don River and now runs underneath the winding expanse of the Don Valley Parkway, its concrete, parallel artery. There is a path – an abandoned railway – many have followed to the Don from Toronto’s ultra-rich Rosedale neighbourhood: Milkman’s Lane, so named because of the delivery people who once traversed this path back and forth from the Valley, formerly a bustling industrial area with factories and farms. Currently, Milkman’s Lane leads to Evergreen Brick Works, a retrofitted brick factory and surrounding environs where curator Kari Cwynar has been programming innovative, temporary public art for the past year. This route and destination contain significant class, race and ecological tensions: histories of colonial displacement and resource extraction, pollution, neglect, so-called invasive species and squatters, including those with addiction and mental-health issues, whose alternative society has, for years, resisted Toronto’s WASPy frigidity and increasingly impossible expense. – 每天晚上,他们都会把棚屋拆散,每天早上,他们在唐东河流域建造一个郁郁葱葱的混合生态系统。它摇动着顿河,现在在奔河峡谷公园蜿蜒的宽阔的土地下奔跑,它是混凝土的、平行的动脉。有一条路——一条废弃的铁路——许多人从多伦多超富豪罗斯代尔街区走到了唐人街:米尔克曼巷,之所以命名,是因为曾经有人从山谷中来回穿行这条小路,以前是一个繁忙的工业区,有工厂。D农场。目前,Malkman的泳道通向常青砖厂,改建的砖厂和周边环境,馆长Kari Cwynar在过去一年里一直在策划创新的、临时的公共艺术。这条路线和目的地包含了显著的阶级、种族和生态紧张:殖民地迁移和资源开采、污染、忽视、所谓入侵物种和寮屋者的历史,包括那些有成瘾和精神健康问题的人,他们的替代社会已经为Y。耳朵,抵制了多伦多可怕的冷漠和越来越不可能的花费。

  • London’s Nocturnal Contemporary Arts Festival Art Night 20 …

    2018.08.05 · 发表评论

    Along the Thames, 50 live performances, sculptures and installations explored home truths of gentrification, domesticity and colonialism – 沿着泰晤士河,50场现场表演、雕塑和装置探索了绅士化、家庭化和殖民主义的家庭真理。

  • ‘Political Art Sharper Than a Razor Blade’: Postcard From …

    2018.08.05 · 发表评论

    From shows exploring transgender issues to work featuring politicians prancing with toilet bowls, much has changed in the Uruguayan capital  – 从展示变性问题到以政客们用马桶冲浪为特征的工作,乌拉圭首都已经发生了很大变化。

  • What's Free About Free Space? Around the 2018 Venice …

    2018.08.05 · 发表评论

    From Assemble’s marbled floor tiles to Peter Zumthor’s mixed-media miniatures, Emily King reports from the main exhibition – 从组装大理石地板砖到彼得·卒姆托的混合媒体缩影,Emily King从主要展览报告