标签为 “Feature” 的文章

  • Wes Anderson and Juman Malouf’s Curatorial Debut in Vienna …

    NEW! 2018.11.15 · 发表评论

    ‘Every passion borders on the chaotic,’ wrote Walter Benjamin in his essay ‘Unpacking My Library’ (1931), ‘but the collector’s passion borders on the chaos of memories’. The collector of books, artworks, or miscellaneous trinkets, Benjamin thought, is at the mercy of the sheer variety of things out there. Once part of a collection, however, the collector relives their love for those things just by looking at them. – 沃尔特·本杰明(Walter Benjamin)在他的文章《解开我的图书馆》(Unpacking My Library)(1931)中写道:“每种激情都近乎于混乱,但收藏家的激情却近乎于记忆的混乱。”本杰明想,收藏书籍、艺术品或杂项小饰品的人,完全听任各种各样的东西摆布。然而,一旦收藏品的一部分,收藏家通过看它们来重新体验他们对这些事物的热爱。

  • Marvel Comics’ Stan Lee Dies Aged 95 – 奇迹漫画《斯 …

    2018.11.13 · 发表评论

    In further news: Berlin cultural institutions rally against far-right; Tate Liverpool to stage first UK show dedicated to Keith Haring – 进一步的消息:柏林文化机构联合起来反对极右派;泰特·利物浦为基思·哈林举行英国首场演出

  • The Best Art Exhibitions in Seoul – 汉城最佳艺术展

    2018.11.13 · 发表评论

    Choi Jeong Hwa, ‘Blooming Matrix’ MMCA SEOUL 5 September 2018 – 10 February 2019Choi Jeong Hwa is the fourth artist to be selected for the annual MMCA Hyundai Motor Series to show ambitious new works in the Korean capital. Filling MMCA’s cavernous galleries can be a tall order for most artists, but Choi is no stranger to filling vast spaces, usually employing great quantities of cheap, disposable items found on the streets and at local flea markets. – Choi Jeong Hwa,“开花矩阵”

  • Time Interrupted at Toulouse’s Contemporary Art Biennial & …

    2018.11.12 · 发表评论

    Springtime in September – the defining concept of the Toulouse contemporary art biennial – seems, right now, like an immensely pleasing prospect. At the blustery conclusion of a summer that has been, depending on your predicament or point of view, either a blissful heatwave haze or an unsettling foretaste of the apocalyptic climate to come, there might be few things more attractive than the impossible dream of turning back time, putting the weather in rewind, hitting refresh on spring. Such, it might seem, is the fanciful aspiration of ‘Le Printemps de Septembre’. Under the directorship of veteran curator Christian Bernard, this richly varied biennial once again invites us to share in an autumn-replacing printemps: an abundant flowering of art across a city and its environs – an offer that has, on the face of it, an upbeat, benevolent civic generosity. Art, we might presume, is like spring: with it comes revival, new life, more light. – 九月的春天——图卢兹当代艺术双年展的定义性概念——看起来,现在,像是一个非常令人愉快的前景。根据你的困境或观点,在即将到来的夏天即将到来的狂风暴雨的结束之时,不管是喜庆的热浪阴霾,还是令人不安的末日气候的预感,没有什么事情比倒退时间的不可能的梦想更有吸引力了。天气倒退,在春天打刷新。这样看来,这可能是“九月”的幻想。在资深馆长克里斯蒂安·伯纳德的指导下,这个丰富多彩的两年一度的展览会再次邀请我们分享一个秋天取代的王子们:一个城市及其周边地区艺术的盛开——表面上,这个提议是一个乐观、仁慈的公民慷慨。我们可以想象,艺术就像春天:伴随着复兴,新的生命,更多的光。

  • Jeff Koons Found Guilty in Plagiarism Dispute With Naf-Naf …

    2018.11.09 · 发表评论

    The US artist has been told to pay €135,000 after copying a 1985 advertising campaign by the French fashion label – 这位美国艺术家在被法国时尚标签复制了1985的广告宣传活动后被告知要支付135000欧元。

  • 摄影师在日益自动化的图像文化中扮演什么角色?

    2018.11.08 · 发表评论

    Who are photographs for? Who are photographs by? Increasingly, the answer to both questions is, more or less, machine: images are captured by autonomous, or semi-autonomous devices in the act of gathering data for artificial intelligences. – 照片是给谁的?照片是谁的?这两个问题的答案或多或少地越来越多地是机器:图像是由自主或半自主设备在为人工智能收集数据时捕获的。

  • Black Lives Matter Takes on the Art World with New Culture …

    2018.11.07 · 发表评论

    Black Lives Matter Arts+Culture has been launched in a bid to promote African American artists ‘changing the world’ – 黑人艺术、文化、文化等都是为了促进非裔美术家改变世界而发起的。

  • Frederick Wiseman's ‘Beating Heart’ of Rural American …

    2018.11.07 · 发表评论

    Frederick Wiseman’s new documentary, Monrovia, Indiana (2018) opens with a series of bucolic shots of rural Americana before moving inside to a meeting of a small church group. ‘Remember,’ a middle-aged man wearing a cross tells those gathered, ‘when He started this whole thing, everything was perfect. We messed it up. We brought the tribulations.’ – 弗雷德里克·怀斯曼的新纪录片《印第安纳州蒙罗维亚》(2018)以美国乡村的一系列田园风光开场,然后进入一个小型教会团体的会议。“记住,”一个背着十字架的中年人告诉那些聚集在一起的人,“当他开始这一切时,一切都很完美。”我们把事情搞糟了。我们带来了苦难。

  • US Galleries Mobilize in Support of Democrats Ahead of Tod …

    2018.11.06 · 发表评论

    In further news: a long-lost tapestry owned by Henry VIII re-emerges; Kerry James Marshall’s Chicago Public Library mural withdrawn from auction – 另辟蹊径:亨利八世拥有的一幅失传已久的挂毯重现;克里·詹姆斯·马歇尔的芝加哥公共图书馆壁画退出拍卖