标签为 “group show” 的文章

  • Looking Back 2018: Brazil and the Body-Electric – 回 …

    2019.01.08 · 发表评论

    2018 was a year marked by flames. From California’s recent wildfires to the extinction of the National Museum in Rio de Janeiro in a devastating fire this past September, this was, to say the least, a gruelling year. I suspect that the Brazilian government’s slovenliness with landmark architecture and historical preservation is not far from Trump’s biased blind eye towards climate change; their actions are the outcome of neglect and greed. – 2018年是一个充满火焰的年份。从加利福尼亚最近的野火到去年9月里约热内卢国家博物馆在一场毁灭性的大火中被扑灭,至少可以说,这是一个令人生厌的一年。我怀疑,巴西政府在标志性建筑和历史保护方面的迟缓,离特朗普对气候变化的偏见视而不见不远;他们的行为是忽视和贪婪的结果。

  • Condo Unit Athens 2018 比艺术节拥有更多群展,共享画廊展登 …

    2018.11.12 · 发表评论

    共享画廊展于2016年在伦敦开始,试图在常规的艺术模式之外形成一个以画廊结构为主体的,艺术行业中的“couch surfing”——一种国际性质的免费互助,年轻的商业画廊为其国际同行们提供地板和墙面的展示空间,分享联系和扩展国际网络,而无需缴纳参加艺术博览会的高昂费用。共享画廊已经走向了全球,在纽约,墨西哥城和上海都有产生销售,参与者人数正在增加:去年在纽约,16家曼哈顿画廊接纳了从中国到墨西哥的20家海外画廊。其中,总部位于伦敦的Carlos / Ishikawa画廊是常设参展机构:Condo共享画廊展即由其联合创始人Vanessa Carlos建立。

  • ‘STAND IN THE PATHWAY AND SEE’

    2018.10.28 · 发表评论

    Ahmed Mater – Stand in the Pathway and See exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith

  • A Guide to Brussels Gallery Weekend – 布鲁塞尔画廊周 …

    2018.10.18 · 发表评论

    ‘Wiggle’
    Galerie Greta Meert
    7 September – 20 OctoberUnfurling across Galerie Greta Meert’s three floors, ‘Wiggle’ showcases the work of 15 international artists who use sculpture to interrogate the notion of materiality beyond simple denotation. Donald Judd uses stacks and blocks to create non-referential works of art while Terry Adkins assembles locally found objects such as musical instruments and reintroduces them as resounding installations. Katinka Bock experiments with natural materials, using clay ceramic liquid and webbing to articulate thoughts on history and geography and on the other end of the spectrum, Diane Simpson’s work transfigures clothing, furniture and industrial architecture into sculptures that are an observation of the architectonic vs. the domestic. Countering painter Ad Reinhardt’s modernist joke that a sculpture is a thing that you ‘bump into while you back up to look at a painting’, the group show pushes back against convention, giving the form more leeway than tradition has previously allowed. – “摇摆”

  • Carnivorous Politics, Defiant Bodies: Harare Painting in T …

    2018.08.06 · 发表评论

    In the face of ‘hyena politics’, five artists from the Zimbabwean capital who explore the human form as a symbol of resistance  – 面对“鬣狗政治”,来自津巴布韦首都的五位艺术家探索人类形态作为反抗的象征。

  • A Journey into the Divine in São Paulo – 圣·Paulo的 …

    2018.08.04 · 发表评论

    Chris Wiley undertakes a gallery crawl during SP-Arte, taking in shows by Hilma af Klint, Paulo Nimer Pjota and Nicolás Paris – Chris Wiley在SP-ART期间进行了一次画廊式的爬行,在Hilma af Klint、Paulo Nimer Pjota和Nicol的巴黎演出。

  • Critic’s Guide to the Best Shows in Lisbon – 评论家 …

    2018.08.04 · 发表评论

    From Sol Calero’s playful clichés of Latin America to an homage to British modernist architect Alison Smithson – 从索拉卡莱罗《拉丁美国的顽皮咒》到英国现代主义建筑师Alison Smithson的敬意

  • 评论:最佳画廊——纽约展览推介

    2018.07.13 · 发表评论

    Highlights from Condo New York 2018 and Commonwealth and Council at 47 Canal: the summer shows to see – 来自纽约公寓2018和英联邦和理事会47运河的亮点:夏季节目看