标签为 “Opinion” 的文章

  • Why the Art World Needs to Stand Up to the UK’s ‘Humiliati …

    2018.08.15 · 发表评论

    With authors, curators and musicians recently denied entry, the UK is fast painting itself as a cultural pariah – 由于作者、策展人和音乐家最近拒绝进入,英国正在迅速将自己描绘成一个文化贱民。

  • Who’s the Real Ideologue? On Jordan Peterson’s Communist A …

    2018.08.15 · 发表评论

    Why does the ‘men’s rights’ guru to the alt-right surround himself with Soviet-era memorabilia, which he doesn’t even class as art? – 为什么《男性权利》的《奥尔特右派》围绕着苏维埃时代的纪念品,而他甚至不把它当作艺术呢?

  • Great Estates: How Contemporary Ceramics Are Keeping Chats …

    2018.08.14 · 发表评论

    Alongside a centuries-old collection of Old Masters, Delftware and Chinoiserie, the Devonshires continue to commission contemporary art  – 除了几个世纪以来的老主人,德尔夫特和Chinoiserie,Devonshires继续执导当代艺术。

  • HBO’s ‘Succession’ Holds up a Dark Mirror to our Political …

    2018.08.14 · 发表评论

    Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world – 在美国中期选举前的几个月内,不可能在世界名流和库什纳斯的背景下了解最重要的节目。

  • The Jailing of Bangladeshi Photographer Shahidul Alam Is a …

    2018.08.14 · 发表评论

    The arrest of the photojournalist for ‘provocative comments’ over Dhaka protests makes clear that personal liberty across the region is a sham – 在达卡抗议活动中对摄影记者的“挑衅性评论”的逮捕表明,该地区的个人自由是虚假的。

  • Women in the Arts: Charlotte Day – 艺术中的女性:Cha …

    2018.08.13 · 发表评论

    ‘We need more advocates across gender lines and emphatic leaders in museums and galleries to create inclusive, supportive and generative spaces’ – 我们需要更多的跨越性别界限的倡导者和博物馆和画廊的强调领袖来创造包容性、支持性和生成性的空间。

  • My Skin is A Riot: Watching Maria Fusco’s ‘ECZEMA!’ – …

    2018.08.08 · 发表评论

    At the National Theatre of Wales, a performance alive with wild, tactile descriptions compels comparison between the eczema-sufferer and writer – 在威尔士国家剧院,一个充满野生、触觉描写的表演迫使湿疹患者和作家之间的比较。

  • The Strange Roots of the Homophobic Trump-Putin Kissing Me …

    2018.08.07 · 发表评论

    There are perils in deploying bigotry to score political points, but meanings also shift from West to East – 部署偏执政治得分有危险,但意义也从欧美地区转移到东部。

  • The Mystery of the Eichstatt Tapestry – 艾希斯塔特挂 …

    2018.08.07 · 发表评论

    The first public exhibition of a 15th-century altar-hanging prompts the question: who made it?In Sam Fogg gallery’s latest exhibition of medieval and renaissance textiles in London, a German tapestry went on public display for the first time in its recorded history. Dated at around 1480 and woven from wool and linen in varying colours and configurations, it unrolls to reveal five scenes from the Life of Christ, vertically separated by column-like bands. Read from left to right, the scenes chronicle Christ (identified by his cruciform halo) appearing to his followers after his resurrection. Dressed in radiant white, he lifts his hand in benediction to a kneeling Mary Magdalene; disguised in a grey cloak, he greets two disciples on the road to Emmaus; reduced to no more than his feet, he disappears from the frame and ascends to heaven; rematerializing in the form of a dove on the day of Pentecost, he imbues the Virgin and apostles with the Holy Spirit; and, finally, enthroned on a rainbow during the Last Judgment, he displays his wounds before a sea of bodies. – 第一次公开展示十五世纪祭坛悬挂的问题是:谁做的?在Sam Fogg画廊最近在伦敦展出的中世纪和文艺复兴时期的纺织品展览中,德国挂毯首次在其历史记录中公开展出。日期约为1480,并由羊毛和亚麻织成不同颜色和配置,它展开揭示五个场景从基督的生活,垂直分离的柱状带。从左向右读,基督复活后的纪事纪事(由十字架光环所辨认)出现在他的追随者身上。他身穿白皙的衣服,跪在跪着的Mary Magdalene身上,装扮成灰色斗篷,在埃玛斯的路上迎接两个门徒;他只不过是从脚下消失了,然后爬上了天堂,在一天的时间里以鸽子的形式重新化身。五旬节,他将圣母和使徒灌输给圣灵;最后,在最后一次审判中,在彩虹上登基,在一片尸体面前展示他的伤口。