标签为 “Oslo” 的文章

  • Looking Back 2018: The Year in TV – 回顾2018年:电视年

    2018.12.25 · 发表评论

    About a decade ago, I took part in a panel discussion at Frieze Art Fair that centred on what television scholars call the ‘qualitative turn’, that which is more popularly referred to as ‘the golden age of television’. In short, TV that behaves like ‘art’, which is to say: TV that showcases the bourgeois socio-aesthetic gestures and postures that once set the novel apart from the fable, pictorialism apart from photography as mere recording, Italian neorealism from Hollywood, and so on. I was joined by the philosopher Aaron Schuster, the artist Melanie Gilligan and the BBC producer Jonty Claypole and, in spite of our individual disciplines, we all acknowledged this trend. We did not, however, see eye-to-eye on what it entailed: mode of narration, visual register, character study, tone, production values, politics? – 大约十年前,我在Frieze艺术博览会上参加了一个小组讨论,集中讨论电视学者们称之为“质变”的问题,也就是更普遍地称为“电视的黄金时代”。简而言之,表现得像“艺术”的电视,也就是说:展示曾经使小说与寓言相区别的资产阶级社会审美姿态和姿态的电视,与摄影相区别的仅作为录音的图画主义,来自好莱坞的意大利新现实主义等等。哲学家亚伦·舒斯特、艺术家梅兰妮·吉利根和BBC制片人乔蒂·克莱波尔也加入了我的行列,尽管我们各自有自己的学科,但我们都承认这种趋势。然而,我们没有就它所包含的内容达成共识:叙事模式、视觉语域、人物研究、语调、生产价值、政治?

  • Than Hussein Clarks's Politics of Melodrama – …

    2018.08.06 · 发表评论

    The artist queers the canonical histories of art and theatre, pointing to how things might actively and fantastically engage in being otherwise – 艺术家怪异于艺术和戏剧的典范历史,指出事物是如何积极地和不可思议地参与其他事物的。