标签为 “拍卖” 的文章

  • 述山:艺术的自由与市场的必要

    2020.06.10 · 发表评论

    截至今天,虚拟货币还无法对抗实体的中心化货币系统,但已引起了全球性的反思。很多小乌托邦社团以互助的形式,对抗着中心化系统的剥削。艺术家作为个体,也在与当下的艺术系统产生直接的对抗。

  • #闭嘴720小时# ——如果不能说真话,我将持续30天不说一句话

    2020.06.09 · 发表评论

    “一句真话能比整个世界的分量还重”。该项目希望为新冠疫情期间敢说真话的记者设立一个奖项:“真话冒险奖”,但5万元~10万元的奖金迟迟没有着落。坚果兄弟通过#闭嘴720小时#这个象征性的行为,与更多支持者发生更深入的精神联结,一起筹集奖项所需要的资金。

  • 赠票VIP | 多元化的艺博会模式,欢迎新一代的藏家——专访亚洲当 …

    2019.10.02 · 发表评论

    艺博会能激发大众对艺术的热爱,一个从未涉足美术馆的人,也可能在参观过一次艺博会后开启毕生的艺术探索之旅。

  • Emily Mast’s Messages in a Bottle – 艾米莉·马斯特的 …

    2019.02.17 · Emily Mast’s Messages in a Bottle – 艾米莉·马斯特的信息装在瓶子里已关闭评论

    What do we gain from straining to decipher a language at the edge of our understanding? In struggling to find the right word to say? Continuous Wave (2019), Emily Mast’s project for the RU.in.ART lounge at Frieze Los Angeles — floats these questions like bubbles, offering brief moments of reflection and connection. – 在我们理解的边缘,通过努力去破译一种语言,我们能得到什么?在努力寻找合适的词语时?连续波(2019年),艾米丽·马斯特为洛杉矶中楣的Ru.in.Art酒廊设计的项目——像气泡一样漂浮着这些问题,提供短暂的思考和联系时刻。

  • What Kind of Platform do Young Artists Need to Jump-Start …

    2019.02.15 · What Kind of Platform do Young Artists Need to Jump-Start Their Careers? – 年轻艺术家需要什么样的平台来开始他们的事业?已关闭评论

    The Crest Theatre first opened on Christmas Day, 1940, and though it has changed hands – and names – several times since then, the Art Deco façade sitting on Westwood Boulevard has always been a head-turner; located near the UCLA campus, the building had continued to catch Kristy Edmunds’s eye over the years. The Executive and Artistic Director for the Center for the Art of Performance (CAP) at UCLA had been able to gain access to the 500-seat space for the occasional performance (the venue was originally a theatre for live performance built for Frances Seymour Fonda before being converted to a newsreel cinema during WWII), but felt that its potential was still left untapped. – 克雷斯特剧院于1940年圣诞节首次开张,尽管从那时起它已经易手改名了好几次,但坐落在韦斯特伍德大道上的装饰艺术总让人头晕目眩;这座建筑位于加州大学洛杉矶分校附近,多年来一直吸引着克里斯蒂·埃德蒙兹的目光。加州大学洛杉矶分校(UCLA)表演艺术中心(CAP)的执行和艺术总监已经能够获得500个座位的临时演出空间(该场地原本是为弗朗西斯·西摩·方达建造的现场演出剧院,二战期间改为新闻片电影院),但他认为它的潜力仍然没有开发。

  • ‘I Am Not the Problem’: Warren B. Kanders Responds to Whit …

    2018.12.25 · ‘I Am Not the Problem’: Warren B. Kanders Responds to Whitney Staff Open Letter – “我不是问题”:沃伦·B·坎德斯回复惠特尼员工的公开信已关闭评论

    In further news: Paris museums close after Gilets Jaunes protests; Candice Breitz demands release of aid worker – 进一步的消息:Gilets Jaunes抗议后巴黎博物馆关闭;Candice Breitz要求释放援助人员

  • Tactile Dialogues: Textile Art from 1970s to Now – …

    2018.11.20 · Tactile Dialogues: Textile Art from 1970s to Now – 触觉对话:20世纪70年代至今的纺织艺术已关闭评论

    In the art-market documentary The Price of Everything (2018), Amy Cappellazzo of Sotheby’s suggests positioning works in a corporate atrium as a one-way route to career death. As the auctioneer sees it, once you wind up in the lobby, there’s no getting out. It seems an irresistibly knowing gesture, then, to mount an ambitious show of textile works – a medium, in a less appreciative era, synonymous with lobby art – within the entrance hall and stairwell of a 1960s corporate block. – 在艺术市场纪录片《万物价格》(2018)中,苏富比的艾米·卡佩拉佐(Amy Cappellazzo)建议将公司中庭中的作品定位为职业死亡的单行道。正如拍卖商看到的那样,一旦你在大厅里出现,就没有出去了。那么,在上世纪60年代一个商业街区的入口大厅和楼梯间举办一场雄心勃勃的纺织品展览似乎是一种不可抗拒的明智的姿态——一种媒介,在一个不那么欣赏的时代,与大堂艺术同义。

  • The Secret to Being a Successful Artist Revealed! – …

    2018.11.13 · The Secret to Being a Successful Artist Revealed! – 成为成功艺术家的秘诀显露出来了!已关闭评论

    The most heralded artists from the last four decades share one thing in common, according to a new study – 一项新的研究表明,过去四年里最著名的艺术家有一个共同点。

  • US Galleries Mobilize in Support of Democrats Ahead of Tod …

    2018.11.06 · US Galleries Mobilize in Support of Democrats Ahead of Today’s Midterm Elections – 美国美术馆在今天中期选举前动员民主党人支持已关闭评论

    In further news: a long-lost tapestry owned by Henry VIII re-emerges; Kerry James Marshall’s Chicago Public Library mural withdrawn from auction – 另辟蹊径:亨利八世拥有的一幅失传已久的挂毯重现;克里·詹姆斯·马歇尔的芝加哥公共图书馆壁画退出拍卖