标签为 “Photography” 的文章

  • Frieze Projects – In Pictures – 中楣项目-图片

    2019.02.17 · 发表评论

    Frieze Projects features work by 15 artists on the backlot of Paramount Pictures StudiosSarah CainTrulee Hall – 在派拉蒙影业的后场,15位艺术家的作品以中楣为特色。

  • Outdoor Art Commission Celebrates the Streets of Los Angel …

    2019.02.15 · 发表评论

    In celebration of Frieze Los Angeles, Frieze’s global partner LIFEWTR has commissioned L.A. artist Tofer Chin to create a public artwork. Facing West 6th Street at The Standard DTLA, Chin’s work is a mural, entitled Progression (2019). Hand painted in the artist’s signature graphic style, Progression is inspired, Chin says, by the play of light on the metallic strips in the architecture surrounding the site during L.A.’s famous ‘golden hour’. – 为了庆祝Frieze洛杉矶,Frieze的全球合作伙伴Lifewtr委托洛杉矶艺术家Tofer Chin创作了一幅公共艺术品。Chin的作品是一幅题为《进展》(2019)的壁画,正对标准DTLA的西六街。Chin说,在洛杉矶著名的“黄金时光”期间,建筑周围的金属条上的光的作用,激发了艺术家的标志性图形风格的进步。

  • Dr Joy – 乔伊博士

    2019.02.14 · 发表评论

    A radiologist at Kaiser Permanente, V. Joy Simmons, MD has been living in Los Angeles for over 50 years and began collecting art while in medical school. A committed supporter of African-American artists (although she does have an Andy Warhol portrait of Queen Ntombi of Swaziland), she is a passionate advocate of arts patronage and civic engagement. For Frieze Week, Dr. Simmons gives a glimpse of her collection in her Ladera Heights home, and shared her years of insight. – Kaiser Permanente,V.Joy Simmons医学博士的放射科医生已经在洛杉矶生活了50多年,并在医学院开始收集艺术作品。她是非裔美国艺术家的忠实支持者(尽管她确实有斯威士兰的恩托姆比女王的安迪·沃霍尔肖像),但她是艺术赞助和公民参与的热情拥护者。对于Frieze Week,Simmons博士在Ladera Heights的家中展示了她的收藏,并分享了她多年的洞察力。

  • Arte Fiera 2019 意大利博洛尼亚开幕

    2019.02.03 · 发表评论

    第43届的Arte Fiera Bologna将于2019年2月1日至4日在新艺术总监Simone Menegoi的主持下向公众开放。

  • Artist Susan Hiller, Explorer of Consciousness and the Occ …

    2019.01.31 · 发表评论

    The ‘paraconceptualist’ best known for her explorations of esoteric subjects has passed awaySusan Hiller. Courtesy: Lisson Gallery, London – 以探索深奥主题而闻名的“副概念论者”已经超越了阿瓦修森·希勒。礼遇:伦敦Lisson画廊

  • “Pushing The Boundaries Of What An Art Fair Can Be”: New C …

    2018.12.25 · 发表评论

    Patrick Charpenel, Courtney J. Martin and Franklin Sirmans will join Frieze New York 2019An unprecedented number of museum leaders will collaborate on new themed sections and artist commissions at the 2019 edition of Frieze New York.  – Patrick Char.l、Courtney J. Martin和Franklin Sirmans将加入Frieze纽约2019博物馆。数量空前的博物馆领导人将在2019年版的《Frieze New.》上就新的主题部分和艺术家委员会进行合作。

  • Q&A: @gangculture – 问&A: @帮派文化

    2018.12.25 · 发表评论

    Frieze has collaborated with Los Angeles-based photographer Trevor Hernandez on a photo series to launch Frieze Los Angeles. Celebrated as @gangculture on Instagram, Hernandez’s commission for Frieze reframes Paramount Pictures Studios from the artist’s distinctive, surrealist perspective, exposing uncanny compositions on the working lot and within the urban Los Angeles landscape. Hernandez’s work for Frieze Los Angeles will be featured on frieze.com, across social media and on visual advertising world-wide. – Frieze与洛杉矶的摄影师Trevor Hernandez合作拍摄了一系列照片,推出了Frieze Los Angeles。Hernandez的Frieze委员会以“Instagram上的帮派文化”而闻名,它从艺术家独特的超现实主义视角重新塑造了派拉蒙电影制片厂,揭露了工作场所和洛杉矶城市景观中不可思议的构图。Hernandez为Frieze Los Angeles所做的工作将在frieze.com、社交媒体和全球视觉广告上展出。

  • ‘I Am Not the Problem’: Warren B. Kanders Responds to Whit …

    2018.12.25 · 发表评论

    In further news: Paris museums close after Gilets Jaunes protests; Candice Breitz demands release of aid worker – 进一步的消息:Gilets Jaunes抗议后巴黎博物馆关闭;Candice Breitz要求释放援助人员

  • Possibilities for a Non-Alienated Life: A Report from the …

    2018.12.25 · 发表评论

    ‘The internet is overrated, give us back telepathy!’ exclaims a work from Sorry for Real (2015) by video artist Tabita Rezaire. Five large light boxes stand one after the other at Aspinwall House, main venue of the Kochi-Muziris Biennale (KMB) 2018. In one, a smartphone is shot in to the scene by a lightning bolt (and a floating message bubble reads, ‘People will f*** u up, then claim to be ur saviour! LOL’). In another, a diamanté-encrusted fingernail hovers over the phone’s answer button, reluctant to pick up a call from the ‘Western World’ (‘No White Tears! Not Today!’). – 互联网被高估了,让我们回心转意!视频艺术家塔比塔·雷扎尔(Ta.Rezaire)的《对不起现实》(2015)中的一幅作品惊叹道。五个大灯箱一个接一个地矗立在高知木兹里斯双年展(KMB)2018年的主会场阿斯宾沃尔大厦。其中一部,智能手机被闪电击中到现场(一个浮动信息泡沫写道,‘人们会跳起来,然后宣称是你的救星!’LOL’)。在另一个例子中,一个镶有钻石的手指甲在电话的应答按钮上盘旋,不愿接听来自“西方世界”的电话(“没有白眼泪!今天不行!”。