标签为 “项目” 的文章

  • Mystic Drawings and Designing for Extinction: 2019 Highlig …

    NEW! 2019.01.17 · 发表评论

    The thoughts of design critic Alice Rawsthorn, author of Design as an Attitude (2018), curator Helen Nisbet, artistic director of Art Night, and Martin Clark, director of Camden Arts Centre, London. – 设计评论家Alice Rawsthorn,《作为一种态度的设计》(2018年),艺术之夜馆长Helen Nisbet,伦敦卡姆登艺术中心主任Martin Clark。

  • Actress Lucy Liu’s Handmade Books and Movie Monsters: the …

    NEW! 2019.01.17 · 发表评论

    State of Motion: A Fear of Monsters National Library Building and 11 Kampong Bugis 23 January – 24 February 2019 – 运动状态:对怪物的恐惧

  • Kochi-Muziris Biennale 2018: Possibilities for a Non-Alien …

    NEW! 2019.01.16 · 发表评论

    The 4th edition of the Kochi Biennale, “Possibilities for a Non-Alienated Life” presents over 100 projects displayed in heritage properties, public spaces, and galleries across Fort Kochi, Mattancherry, and Ernakulam on India’s southwestern coast. Curator Anita Dube has invited 94 practitioners from over 30 countries, forming a dynamic set of social contexts and artistic approaches to share, to listen, and even to challenge the space in an environment of radical openness. Through the Biennale platform, independent curators and mediators have created “infra-projects” that respond to or align with Dube’s larger thematic framework: “Edible Archives” curated by Anumitra Ghosh Dastidar and Prima Kurien, “Sister Library” by Aqui Thami, “Srinagar Biennale” by Veer Munshi, and a project by Durgabai Vyam + Subhash Vyam. – 《高知双年展》第四版“非异化生活的可能性”展示了印度西南海岸高知堡、马丹克雷和厄纳库拉姆的100多个遗产、公共空间和画廊项目。馆长Anita Dube邀请了来自30多个国家的94名从业者,形成了一个王朝。在一个彻底开放的环境中,MIC提供了一套分享、倾听甚至挑战空间的社会背景和艺术方法。

  • Miltos Manetas on his project for the Athens Biennial, nev …

    NEW! 2019.01.16 · 发表评论

    Mara Sartore: This year you participated in the Athens Biennial, without setting foot in your hometown, can you tell us about how you managed this? – 玛拉·萨托雷:今年你参加了雅典双年展,没有踏足你的家乡,你能告诉我们你是如何管理这个项目的吗?

  • Kanye West Gifts $10M to James Turrell’s ‘Life-Changing’ V …

    NEW! 2019.01.16 · 发表评论

    The artist is building a ‘controlled environment for the contemplation of light’ inside a dormant volcano in Arizona – 这位艺术家正在亚利桑那州的一座休眠火山中建造一个“为光的沉思而控制的环境”。

  • 新倾向——尉洪磊 (个展)

    2019.01.14 · 发表评论


  • Blow it to Smithereens? The Fate of Berthold Lubetkin’s Mo …

    2019.01.11 · 发表评论

    ‘Perhaps it’s time to blow it to smithereens’ – with this comment Sasha Lubetkin, the daughter of modernist architect Berthold, has reignited the debate over what to do with the Penguin Pool at London Zoo, which has sat abandoned for more than a decade after its little waddling inhabitants were removed. The fate of this tiny Grade I listed structure, frivolous and avant garde in equal measure, is a microcosm of the legacy of modernist architecture in the UK, which for some reason is still capable of stirring up culture war angst almost a century later. – “也许是时候把它炸成碎片了”——现代主义建筑师伯托德的女儿萨沙·鲁贝特金(Sasha Lubetkin)发表了这一评论,重新引发了关于如何处理伦敦动物园企鹅池的争论。在伦敦动物园的企鹅池被移走后,企鹅池被遗弃了十多年。这座小小的一级建筑的命运,同样是轻浮前卫的,是英国现代主义建筑遗产的缩影,出于某种原因,它在近一个世纪后仍然能够激起文化战争的焦虑。

  • The Cynicism of Netflix’s Interactive ‘Black Mirror: Bande …

    2019.01.11 · 发表评论

    The high-profile return of the interactive movie was not inevitable; the last time around, such a project barely made a cultural dent. 1995’s Mr. Payback opened on 37 screens to critical disdain and barely any audience; wrapping up the year in film, Roger Ebert singled it out as not just the year’s worst movie, but the year’s worst idea for a movie. The choices (with the audience voting through joysticks attached to their cinema seats) in the 20 to 30-minute narrative weren’t of much import; it’s a low-stakes comedy in which all decisions made lead to a happy ending, so the decisions were more along the lines of, should Freddy Krueger make a cameo? – 互动电影的高调回归并不是不可避免的;上一次,这样的项目几乎没有对文化造成影响。1995年的《回报先生》在37个银幕上上映,遭到了批评的蔑视,几乎没有观众;在影片的最后一年,罗杰·埃伯特将其选为不仅是今年最差的电影,也是今年最差的电影创意。20到30分钟的叙述中的选择(观众通过附在电影院座位上的操纵杆投票)并不重要;这是一部风险很低的喜剧,所有的决定都会带来一个愉快的结局,所以这些决定更符合弗雷德·克鲁格应该拍摄一部吗?

  • Your Guide to the Best Shows at London Gallery-Share Condo …

    2019.01.10 · 发表评论

    This coming weekend marks the opening of the fourth iteration of Condo, an annual gallery-sharing initiative that brings together galleries from around the world – predominantly from across the USA and Germany, as well as others from Egypt, South Africa, Chile and China. Started here in London in 2016 by Vanessa Carlos, owner of Carlos/Ishikawa, it’s a month-long ‘collaborative exhibition’, which has since spawned Condos in New York, Mexico City, Shanghai, and smaller versions last year in Athens and Sao Paulo. Other gallery cooperation models had existed before, like Amsterdam gallerist Jeanine Hofland’s one-day mini fair, A Petite Fair, or the ‘Villa’ project initiated by Raster Gallery in Warsaw in 2006. However, Condo has proved a timely spark at a time of smaller- and mid-size gallery closures and blue-chip consolidation, inspiring other similar style projects such as Okey Dokey in Dusseldorf and Cologne, Friend of a Friend in Warsaw, and Gallery Share Los Angeles. As the idea expands, Condo London has accordingly grown each year, with this year’s edition featuring 52 galleries over 18 spaces across London. There’s a lot of ground to cover, so here’s a quick guide to some of the highlights: – 即将到来的这个周末标志着第四代公寓的开幕,这是一个年度画廊分享计划,汇集了来自世界各地的画廊——主要来自美国和德国,以及来自埃及、南非、智利和中国的其他画廊。由Carlos/Ishikawa的所有者Vanessa Carlos于2016年在伦敦开始,这是一个为期一个月的“合作展览”,自那以后,它在纽约、墨西哥城、上海以及去年在雅典和圣保罗催生了一些小型公寓。其他画廊合作模式以前也存在过,如阿姆斯特丹画廊珍妮霍夫兰的一天迷你展、小型展览会或2006年华沙光栅画廊发起的“别墅”项目。然而,事实证明,在中小型画廊关闭和蓝筹股整合的时代,公寓是一个及时的火花,激励了其他类似风格的项目,如杜塞尔多夫和科隆的奥基·多基,华沙一个朋友的朋友的朋友,以及洛杉矶的画廊共享。随着这个想法的扩展,伦敦公寓每年都有相应的增长,今年的版本在伦敦有52个画廊,超过18个空间。这里有很多要介绍的地方,下面是一些要点的快速指南: