标签为 “Russia” 的文章

  • US Galleries Mobilize in Support of Democrats Ahead of Tod …

    2018.11.06 · 发表评论

    In further news: a long-lost tapestry owned by Henry VIII re-emerges; Kerry James Marshall’s Chicago Public Library mural withdrawn from auction – 另辟蹊径:亨利八世拥有的一幅失传已久的挂毯重现;克里·詹姆斯·马歇尔的芝加哥公共图书馆壁画退出拍卖

  • Can Art Founded Within Capitalist Structures Ever Be Truly …

    2018.11.05 · 发表评论

    It’s clear (isn’t it?) that anti-democratic forces are at work when wealthy individuals exert the equivalent influence of political parties. And it’s weird (isn’t it?) when oligarchs start extolling democracy. – 很清楚(不是吗?)当富有的个人发挥政党的同等影响力时,反民主势力就在起作用。这很奇怪(不是吗?)寡头们开始赞美民主。

  • Where Do We Go From Here: The Global Visual Economy – …

    2018.11.02 · 发表评论

    In the postcolonial study of Asia and the non-Western world, the act of comparison has usually meant using Euro-American standards to judge non-Euro-American cultures. In the academic realm of literary studies, this has translated into questions such as: does China have the epic? Does India or Japan have the novel? Does Korea have science fiction? These enquiries echo earlier European views that cultures in Asia and Africa have no history, philosophy, religion or literature to speak of. We are now at some distance from such ethnocentric views but the longterm effects of their comparative assertions remain influential. – 在亚洲和非西方世界的后殖民研究中,比较行为通常意味着使用欧美标准来评判非欧美文化。在文学研究的学术领域,这一问题转化为:中国有史诗吗?印度或日本有这部小说吗?韩国有科幻小说吗?这些调查反映了早期欧洲人的观点,即亚洲和非洲的文化没有历史、哲学、宗教或文学可言。我们现在与这种以种族为中心的观点相去甚远,但他们比较论断的长期影响仍然存在。

  • Decolonial Documents: Part One – 非殖民化文件:第一 …

    2018.10.30 · 发表评论

    Current conversations around decolonizing culture are not new: they are informed by multiple histories that have questioned Western hegemony. In the first of a six-part series, we asked five artists, curators and writers whose work has been involved with this challenge to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt than documented, though no less significant. – Current conversations around decolonizing culture are not new: they are informed by multiple histories that have questioned Western hegemony. In the first of a six-part series, we asked five artists, curators and writers whose work has been involved with this challenge to discuss the projects that have informed their thinking – from exhibitions and publications to more intangible and transient networks, whose effects are often more felt比记录的,虽然不那么重要。

  • 因“琥珀色眼睛的兔子”闻名于世的埃蒙德的家族藏品回到维也纳

    2018.10.20 · 发表评论

    从纳粹掠夺中幸存下来的象牙和漆器日本象牙微雕藏品的集合将被借给犹太人博物馆展出。

  • Eye in the Sky: What a Surveillance Blimp in Amish Country …

    2018.10.19 · 发表评论

    On 28 October 2015, a US military surveillance blimp rampaged across rural Pennsylvania after breaking its tether above Maryland  – 2015年10月28日,一艘美国军用侦察飞艇在马里兰州上空打破束缚,横扫宾夕法尼亚州的农村地区。

  • The Best Shows Across São Paulo Ahead of the 33rd Bienal & …

    2018.10.18 · 发表评论

    Bárbara Wagner and Benjamin de Burca ‘Canada. 20’ Galeria Fortes D’Aloia & Gabriel 4 September – 6 October – 瓦格纳和Benjamin de Burca的加拿大。20

  • Who’s the Real Ideologue? On Jordan Peterson’s Communist A …

    2018.08.15 · 发表评论

    Why does the ‘men’s rights’ guru to the alt-right surround himself with Soviet-era memorabilia, which he doesn’t even class as art? – 为什么《男性权利》的《奥尔特右派》围绕着苏维埃时代的纪念品,而他甚至不把它当作艺术呢?

  • Pussy Riot’s Maria Alyokhina Banned From Leaving Russia By …

    2018.08.09 · 发表评论

    The artist and activist, who spent two years in jail for performing a ‘punk prayer’, was stopped from travelling to perform at the Edinburgh Fringe – 这位艺术家和活动家因在爱丁堡演出时被囚禁,在监狱里呆了两年。