标签为 “São Paulo” 的文章

  • Looking Back 2018: Brazil and the Body-Electric – 回 …

    2019.01.08 · 发表评论

    2018 was a year marked by flames. From California’s recent wildfires to the extinction of the National Museum in Rio de Janeiro in a devastating fire this past September, this was, to say the least, a gruelling year. I suspect that the Brazilian government’s slovenliness with landmark architecture and historical preservation is not far from Trump’s biased blind eye towards climate change; their actions are the outcome of neglect and greed. – 2018年是一个充满火焰的年份。从加利福尼亚最近的野火到去年9月里约热内卢国家博物馆在一场毁灭性的大火中被扑灭,至少可以说,这是一个令人生厌的一年。我怀疑,巴西政府在标志性建筑和历史保护方面的迟缓,离特朗普对气候变化的偏见视而不见不远;他们的行为是忽视和贪婪的结果。

  • From V&A Dundee to South London Gallery, The Year in B …

    2018.12.25 · 发表评论

    ‘London is Re-Open’, an updated version of Mayor Sadiq Khan’s 2016 slogan should read, following the recent completion of renovations, refurbishments and low-key extensions across a flurry of the city’s cultural institutions. Most successful among them has been Haworth Tompkins’s 12-year project at Battersea Arts Centre, the scope of which was dramatically expanded after a catastrophic fire in 2015. The firm’s work on the Grand Hall is a masterful combination of conservation and reconstruction – the space’s charred walls remain as testament to the blaze, while the new plywood ceiling abstracts the destroyed plaster pattern of its 19th century predecessor, once part of the town hall.   – “伦敦重新开放”,这是萨迪克·汗市长2016年口号的更新版本,最近完成了整修、翻新和城市文化机构的低调扩建。其中最成功的是哈沃斯·汤普金斯在巴特西艺术中心的为期12年的项目,在2015年的一场灾难性火灾后,该项目的规模大大扩大了。该公司在大厅的工作是保护和重建的巧妙结合-空间的烧焦的墙壁仍然作为火焰的证明,而新的胶合板天花板抽象出其19世纪前任,曾经是市政厅的一部分被破坏的石膏图案。γ

  • From Well-Behaved to Fucked-Up: the Year in Gay Flashbacks …

    2018.12.25 · 发表评论

    Gay is a word that doesn’t have to mean anything, but sometimes does. It swells into significance on occasions when the difference it implies becomes either the target of dispute or the cause of particular celebration. I’m lucky enough to rarely experience dispute and, for that reason, also see little reason to celebrate. Gay’s the air I breathe: it’s perfectly whatever. – “同性恋”这个词并不一定意味着什么,但有时却意味着什么。当它所暗示的差异成为争论的目标或者成为特别庆祝的原因时,它就变得意义重大。我很幸运,很少遇到争执,因此,也没什么理由庆祝。同性恋是我呼吸的空气:完全随便。

  • With the Election of Jair Bolsonaro as President, Brazilia …

    2018.10.31 · 发表评论

    It was a regular Sunday in October in São Paulo – sunny and chilly. My original plan was to walk towards Paulista Avenue – one of the city’s main thoroughfares – to see the exhibition ‘Afro Atlantic Histories’ at MASP (the São Paulo Art Museum), which was closing that day. The survey – included 450 works by 214 artists from Africa, the Americas, the Caribbean and Europe, and spanned five centuries – promised to weave together multiple strands of Afro-Atlantic visual culture and provide a starting point for discussing colonial legacies and identity politics. Brazil was one of the last major countries in the world to abolish slavery and has the largest African-descendent population in the planet – it’s about time these pressing issues appear in art programmes. On my way to the show, I bumped into a demonstration in support Jair Bolsonaro – the far-right politician who was, after this writing, elected President by a wide-margin – that stretched for a few blocks of the avenue’s extension. Speakers, placed in front of the museum, amplified his delusional and repulsive speech and blasted it toward anyone entering MASP. I suspect this was deliberate. – 这是十月Paulo的一个晴朗的星期日,阳光明媚,寒冷刺骨。我最初的计划是步行到保利斯塔大街——这个城市的主要通道之一——去看那天即将关闭的MASP(圣保罗艺术博物馆)的“非洲大西洋历史”展览。这项调查包括了来自非洲、美洲、加勒比和欧洲的214位艺术家创作的450幅作品,跨越了五个世纪。调查承诺将把非洲-大西洋视觉文化的多条线交织在一起,为讨论殖民遗产和身份政治提供一个起点。巴西是世界上最后一个废除奴隶制的主要国家之一,也是这个星球上非洲后裔人口最多的国家之一——这些紧迫的问题应该出现在艺术节目中了。在我去演出的路上,我碰巧遇到了支持Jair Bolsonaro的示威游行,Jair Bolsonaro是极右派政治家,在写完这篇文章后,他以很大的优势当选总统。站在博物馆前面的发言者放大了他的妄想和令人反感的演讲,并向任何进入MASP的人猛烈抨击。我怀疑这是故意的。


    2018.10.28 · 发表评论

    Nedko Solakov – Paintings from Long Ago exhibition view Galleria Continua, Les Moulins, 2018. Photo Oak Taylor-Smith

  • Laura Hoptman to curate Spotlight – Laura Hoptman到 …

    2018.10.24 · 发表评论

    Executive Director of The Drawing Center will oversee section at Frieze New York and Frieze Masters 2019 – 素描中心执行董事将监督弗里泽纽约和弗里泽大师2019节

  • The Best Shows Across São Paulo Ahead of the 33rd Bienal & …

    2018.10.18 · 发表评论

    Bárbara Wagner and Benjamin de Burca ‘Canada. 20’ Galeria Fortes D’Aloia & Gabriel 4 September – 6 October – 瓦格纳和Benjamin de Burca的加拿大。20

  • A Journey into the Divine in São Paulo – 圣·Paulo的 …

    2018.08.04 · 发表评论

    Chris Wiley undertakes a gallery crawl during SP-Arte, taking in shows by Hilma af Klint, Paulo Nimer Pjota and Nicolás Paris – Chris Wiley在SP-ART期间进行了一次画廊式的爬行,在Hilma af Klint、Paulo Nimer Pjota和Nicol的巴黎演出。