标签为 “Warsaw” 的文章

  • Possibilities for a Non-Alienated Life: A Report from the …

    2018.12.25 · Possibilities for a Non-Alienated Life: A Report from the Fourth Kochi-Muziris Biennale – 非异化生活的可能性:来自第四届Kochi-Muziris双年展的报告已关闭评论

    ‘The internet is overrated, give us back telepathy!’ exclaims a work from Sorry for Real (2015) by video artist Tabita Rezaire. Five large light boxes stand one after the other at Aspinwall House, main venue of the Kochi-Muziris Biennale (KMB) 2018. In one, a smartphone is shot in to the scene by a lightning bolt (and a floating message bubble reads, ‘People will f*** u up, then claim to be ur saviour! LOL’). In another, a diamanté-encrusted fingernail hovers over the phone’s answer button, reluctant to pick up a call from the ‘Western World’ (‘No White Tears! Not Today!’). – 互联网被高估了,让我们回心转意!视频艺术家塔比塔·雷扎尔(Ta.Rezaire)的《对不起现实》(2015)中的一幅作品惊叹道。五个大灯箱一个接一个地矗立在高知木兹里斯双年展(KMB)2018年的主会场阿斯宾沃尔大厦。其中一部,智能手机被闪电击中到现场(一个浮动信息泡沫写道,‘人们会跳起来,然后宣称是你的救星!’LOL’)。在另一个例子中,一个镶有钻石的手指甲在电话的应答按钮上盘旋,不愿接听来自“西方世界”的电话(“没有白眼泪!今天不行!”。

  • 荒木经惟遭#MeToo 抗议,华沙团体称他利用“缪斯”欺凌女性

    2018.08.07 · 荒木经惟遭#MeToo 抗议,华沙团体称他利用“缪斯”欺凌女性已关闭评论

    Poland’s feminist ‘Bison Ladies’ storm the Japanese artist’s Warsaw exhibition in solidarity with longtime model Kaori’s allegations of bullying – 波兰女权主义者“野牛女士们”风暴日本艺术家华沙展与长期模特Kaori的欺凌指控相辅相成