标签为 “Warsaw” 的文章

  • Possibilities for a Non-Alienated Life: A Report from the …

    2018.12.25 · 发表评论

    ‘The internet is overrated, give us back telepathy!’ exclaims a work from Sorry for Real (2015) by video artist Tabita Rezaire. Five large light boxes stand one after the other at Aspinwall House, main venue of the Kochi-Muziris Biennale (KMB) 2018. In one, a smartphone is shot in to the scene by a lightning bolt (and a floating message bubble reads, ‘People will f*** u up, then claim to be ur saviour! LOL’). In another, a diamanté-encrusted fingernail hovers over the phone’s answer button, reluctant to pick up a call from the ‘Western World’ (‘No White Tears! Not Today!’). – 互联网被高估了,让我们回心转意!视频艺术家塔比塔·雷扎尔(Ta.Rezaire)的《对不起现实》(2015)中的一幅作品惊叹道。五个大灯箱一个接一个地矗立在高知木兹里斯双年展(KMB)2018年的主会场阿斯宾沃尔大厦。其中一部,智能手机被闪电击中到现场(一个浮动信息泡沫写道,‘人们会跳起来,然后宣称是你的救星!’LOL’)。在另一个例子中,一个镶有钻石的手指甲在电话的应答按钮上盘旋,不愿接听来自“西方世界”的电话(“没有白眼泪!今天不行!”。

  • Highlights from Warsaw Gallery Weekend 2018 – 华沙画 …

    2018.10.18 · 发表评论

    In late September, as Warsaw was easing into autumn with its regular protests, marathons and detours, its local and visiting galleries joined forces to open their doors for the eighth edition of Warsaw Gallery Weekend. Following a move in which a number of galleries established an enterprise with the aim of structuring the organizational duties and responsibilities, the three-day event brought exhibitions from 29 participating galleries. Here’s a look at some of its highlights. – 9月下旬,随着华沙定期举行抗议、马拉松和绕道进入秋天,当地和来访的画廊联合起来,为第八版《华沙画廊周末》敞开大门。在许多画廊建立了一个旨在组织职责和职责的企业之后,为期三天的活动带来了29个参展画廊的展览。下面是它的一些亮点。

  • 荒木经惟遭#MeToo 抗议,华沙团体称他利用“缪斯”欺凌女性

    2018.08.07 · 发表评论

    Poland’s feminist ‘Bison Ladies’ storm the Japanese artist’s Warsaw exhibition in solidarity with longtime model Kaori’s allegations of bullying – 波兰女权主义者“野牛女士们”风暴日本艺术家华沙展与长期模特Kaori的欺凌指控相辅相成