标签为 “Women in the Arts” 的文章

  • 创造声音的地方

    2019.02.08 · 创造声音的地方已关闭评论

    为了第一届Frieze洛杉矶,男士和女士时装零售商MATCHESFASHION.COM在Paramount Backlot重建了其位于伦敦旗舰店的5 Carlos Place。 零售和广播中心举办一系列特别的讲座和活动,带有先锋的声音创作。 地方以先到先得的方式提供。

  • Women in the Arts: Almine Rech – 艺术中的女性:Almin …

    2018.10.24 · Women in the Arts: Almine Rech – 艺术中的女性:Almine Rech已关闭评论

    For our series celebrating the achievements of women in the arts, one of Paris’s leading gallerists, with spaces in Brussels, London and New York, shares her experience of working in the art world. – 为了庆祝妇女在艺术上的成就,巴黎的一位杰出画廊家在布鲁塞尔、伦敦和纽约举办了系列活动,她分享了她在艺术界工作的经验。

  • Female Patrons Throughout History – 历史上的女性赞助人

    2018.10.19 · Female Patrons Throughout History – 历史上的女性赞助人已关闭评论

    For more than 3,000 years, patronage of art and architecture has been a noteworthy path for women’s agency and self-expression. Over recent decades, patronage studies – which bring together issues of personal and group identity, political power and cultural production – have come to occupy a significant place in the history of art. It is well known that, in many cases, informed and intelligent patrons took an active role in shaping the character of the works they commissioned. The English term ‘patron’ comes from the Latin patronus (protector of clients or dependents, specifically freedmen), which is, in turn, derived from pater (father). Thus, the term ‘patronage’ is inherently gendered and, in nearly all cases, female patrons worked within the limitations of patriarchal societies. Yet, from Antiquity to the present day, women have requested (and collected) works of art and have commissioned buildings and urban interventions. It is important to stress that the patronage systems of the past were based on social stratification and inequalities in power and economic standing – so, in general, patronage by both women and men was the province of elites, who had the means to extend commissions. Some art historians have used the neologism ‘matronage’ when discussing women patrons but, along with most scholars working on the topic today, I prefer to use the traditional – albeit gendered – term patronage.  – 3000多年来,赞助艺术和建筑一直是妇女自我表现和代理的重要途径。近几十年来,赞助研究——将个人和群体身份、政治权力和文化生产等问题结合在一起——在艺术史上占据了重要的地位。众所周知,在许多情况下,知情和聪明的赞助人在塑造他们委托的作品的性格方面起到了积极的作用。英语术语“patron”来源于拉丁语的patronus(客户或受抚养人的保护者,特别是自由人),而后者又来源于pater(父亲)。因此,术语“赞助”具有固有的性别,在几乎所有情况下,女性赞助人在父权社会的限制下工作。然而,从古代到现在,妇女已经要求和收集艺术品,并委托建筑和城市干预。必须强调的是,过去的资助制度是建立在社会分层、权力和经济地位不平等的基础上的——因此,一般来说,男女资助都是精英阶层的所在地,精英阶层有扩大佣金的手段。一些艺术历史学家在讨论女性赞助人时,使用了新词“主客观”,但与大多数学者讨论今天的话题相比,我更喜欢使用传统的——尽管是性别的长期赞助。

  • Women in the Arts: Touria El Glaoui – 艺术中的女人

    2018.10.18 · Women in the Arts: Touria El Glaoui – 艺术中的女人已关闭评论

    For our series celebrating the achievements of women in the arts, the founder of 1-54 Contemporary African Art Fair speaks about the importance of attitude in her journey through the arts as an entrepreneur. – 为了庆祝妇女在艺术上的成就,1-54非洲当代艺术博览会的创始人谈到了态度在她作为企业家在艺术之旅中的重要性。

  • Women in the Arts: Charlotte Day – 艺术中的女性:Cha …

    2018.08.13 · Women in the Arts: Charlotte Day – 艺术中的女性:Charlotte Day已关闭评论

    ‘We need more advocates across gender lines and emphatic leaders in museums and galleries to create inclusive, supportive and generative spaces’ – 我们需要更多的跨越性别界限的倡导者和博物馆和画廊的强调领袖来创造包容性、支持性和生成性的空间。

  • Women in the Arts: Pearl Lam – 艺术中的女性:Pearl Lam

    2018.08.06 · Women in the Arts: Pearl Lam – 艺术中的女性:Pearl Lam已关闭评论

    ‘My struggle has not been an issue with gender; my struggle has been that I started out when there wasn’t really an established art world’ – “我的奋斗并不是一个性别问题,我的奋斗是在没有真正建立起来的艺术世界的时候开始的。”