VR
25 篇
阿拉里奥画廊上海荣幸宣布，将于2019年2月28日至2019年5月5日举办韩国女性艺术家权河允（b.1981, Hayoun KWON）个展《咫尺天涯 Si proche et pourtant si loin》。权河允现居法国，以影像为主要形式进行创作，作品围绕记忆中的空间探索展开。艺术家曾获法国东京宫新锐艺术家奖（Prix Découverte des Amis du Palais de Tokyo，法国，2015），第62届德国奥博豪森国际短片电影节金奖（The 62nd International Short Film Festival Oberhausen，德国，2016）及奥地利电子艺术大奖优异奖（Prix Ars Electronica Distinction，奥地利，2018）。
What do we gain from straining to decipher a language at the edge of our understanding? In struggling to find the right word to say? Continuous Wave (2019), Emily Mast’s project for the RU.in.ART lounge at Frieze Los Angeles — floats these questions like bubbles, offering brief moments of reflection and connection. - 在我们理解的边缘，通过努力去破译一种语言，我们能得到什么？在努力寻找合适的词语时？连续波（2019年），艾米丽·马斯特为洛杉矶中楣的Ru.in.Art酒廊设计的项目——像气泡一样漂浮着这些问题，提供短暂的思考和联系时刻。
New research has revealed the ingredient responsible for the richness of the Old Master’s paintings - 新的研究揭示了老主人绘画丰富的原因。
‘Bruce Nauman: Disappearing Acts’ at Schaulager, Basel Bruce Nauman’s retrospective included more than 150 works from the mid-1960s until today. The exhibition, which travelled on to New York’s MoMA, gathers drawings, photographs, sculptures, videos and sound pieces as well as most of Nauman’s monumental installations. The concluding work, in which Nauman repeatedly attempts and fails to arrive at a contrapposto, continues his morbid trajectory towards the reality of his aging body. - 巴塞尔舒拉赫的《布鲁斯·诺曼：消失行为》
