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Curatorial Generational Shift: Downgrading or Upgrading?
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Doha 2026: A Recalibration of the Art World’s Operating Logic
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Fang Lijun, Who “Refuses Solidification,” and Miao Xiaochun, Who “Interrogates the Subject”
Between Algorithms and Gaze: The Question of “Subjectivity” in Three Exhibitions
2026年02月03日—02月07日
From Paris Salon to ART SG: Global Galleries Race for New Collectors
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2026年02月12日—04月18日
2026年02月12日—03月08日
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Pulse of Life · Chengdu Biennale: When Art Shifts from Expression to Being Felt
Doha 2026: A Recalibration of the Art World’s Operating Logic
chenchenchen: Wish You Were Here 2047 — When “the Artist” Can Be System-Manufactured, What Are We Still Judging?
Fang Lijun, Who “Refuses Solidification,” and Miao Xiaochun, Who “Interrogates the Subject”