REZA ABDOH (个展)
| 展览日期 | 2018年6月3日 – 2018年9月3日 |
|---|---|
| 开幕时间 | 2018年6月3日, 星期日 |
| 展览馆 | MoMA PS1 (美国 New York City, NY) |
| 策展人 | Klaus Biesenbach |
| 艺术家 | Reza Abdoh |
| 主办方 | MoMA PS1 (美国 New York City, NY) |
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Frederick Wiseman’s new documentary, Monrovia, Indiana (2018) opens with a series of bucolic shots of rural Americana before moving inside to a meeting of a small church group. ‘Remember,’ a middle-aged man wearing a cross tells those gathered, ‘when He started this whole thing, everything was perfect. We messed it up. We brought the tribulations.’ – 弗雷德里克·怀斯曼的新纪录片《印第安纳州蒙罗维亚》（2018）以美国乡村的一系列田园风光开场，然后进入一个小型教会团体的会议。“记住，”一个背着十字架的中年人告诉那些聚集在一起的人，“当他开始这一切时，一切都很完美。”我们把事情搞糟了。我们带来了苦难。
KATY MORAN – I W […]
2018 was a remarkable and remarkably exhausting year for me, mostly because I had my second child a year and a half after having my first. Now I have a one-year-old and a two-year-old, work full time and live 600 miles from New York City; my ability to visit exhibitions and attend events there (and anywhere outside of Columbus, Ohio where I live) has been hamstrung. But motherhood has opened up other channels. A significant one is the world of new books, especially books about motherhood. This was a remarkable year for texts on the subject, so long ghettoized by artists and writers alike. Reading these books was like holding up a mirror to a face that didn’t know it had a reflection. – 2018年对我来说是一个非常显著和令人疲惫的一年，主要是因为我有了第一个孩子一年半之后有了第二个孩子。现在我有一岁和两岁，全职工作，住在离纽约市600英里的地方；我在那里参观展览和参加活动的能力（以及我所居住的俄亥俄州哥伦布市以外的任何地方）一直受到阻碍。但是做母亲打开了其他渠道。其中很重要的一点是新书的世界，尤其是有关母性的书。在这一年里，有关这个主题的文章非常精彩，艺术家和作家们长期聚居在一起。读这些书就像拿着一面镜子面对着一张不知道镜子有倒影的脸。
An exhibition of the work of the late Madeline Gins reveals an artist, architect and poet who pushed language into intensely imaginative and speculative realms – 《Madeline Gins晚期作品展》展示了一位艺术家、建筑师和诗人，他把语言推向了充满想象力和思辨的领域。