近处的光与远景
LIGHT NEARBY AND LANDSCAPE FARAWAY
展期：2025年03月07日—04月07日
策展人：白恩·奈伊利奥（Piano La Enio）
艺术家：孙子垚、郭天意、殷亮、叶江、刘艺超、单飞达、余鲁超前、李天琦、陈岑
地点：射线空间｜杭州市上城区名珏公寓422号射线空间
射线空间群展探讨媒介体感与自然感官的交织，反思技术中介下的自然诗学与感知重组。
RayGallery group exhibition explores the interplay of mediated and natural senses, reflecting on natural poetics and perceptual reorganization under technological mediation.
我们常炫惑于近处的光，但也因此照见远处的景。媒介体感的交织在真实感官的参与下混纺为日常，屏幕经验或者并不成为对自然的替代，而是对自然本质的延伸，自然的肌理的图层韵律将地平线的延展重构为人造光与自然物的潮汐运动。所以，技术中介的过剩反而引起一种反思式的自然诗学。感知力与感知方式的重组诉求渗透在气象与星象的格律中，在渲染、发光体与林间褶皱的展开中——技术图像的祛魅以及快速浏览的习惯反而为凝视行为本身赋予了某种神性。
我们常常被近处的光所影响，这些光的来源往往是屏幕、数字技术和人造环境的产物。然而，正是这些近处的光，也在不经意间为我们照亮了远处的景——那些被我们逐渐遗忘的自然景观和真实世界的细节。这种从近处到远处的视觉延伸，揭示了媒介体感与真实感官之间复杂而微妙的关系。媒介体感的交错并非孤立存在，而是在真实感官的参与下纺织为我们的日常体验。屏幕经验，作为现代生活的重要组成部分，常常被误解为对自然的一种倾轧。然而，它实际上并非如此。屏幕经验并不取代感官对象自然，而是自然本质的一种扩大与补充。技术中介经验的海量繁衍反而令技术崇拜自反为自然诗学，促使我们重新思考感知的价值。快速浏览的习惯虽然在一定程度上削弱了我们对深度内容的感知，但也为缓慢凝视这一行为赋予了神性——这种神性并非来自于图像本身，而是来自于我们在凝视过程中重新发现的对世界的敏感与敬畏。
人造光与自然物的共存交织并非偶然，而是现代生活的一种必然。我们不再认为自然与技术是站在对立的两端，自然的肌理在技术的映照下变得更加清晰，而技术的光辉也在自然的韵律中找到了自己的位置。这种融合不仅丰富了我们的感知体验，也让我们重新审视自己与世界的关系。自然不再仅仅是山川湖海草木，它也包含了人类创造的技术环境，更多的则是两者之间交叉产物。我们重新对自然产生的爱并非是对任何幻想中的非技术的过去（或者技术未来）的回归，而是一种以整体性的目光对技术与自然两者同时展开批判与艺术生产的基础——今天，我们既拥有近处的光，也拥有远处的景。
We are often dazzled by the light nearby, yet it is this very light that illuminates the distant scenery. The interweaving of mediated sensations, blended with the participation of real senses, becomes part of our daily lives. Screen experiences may not serve as a replacement for nature but rather as an extension of its essence. The layered textures and rhythms of nature reconstruct the horizon’s expanse into a tidal movement between artificial light and natural elements. Thus, the excess of technological mediation gives rise to a reflective natural poetics. The demand for the reorganization of perception and its methods permeates the cadence of weather and celestial patterns, in the unfolding of rendering, luminous bodies, and the folds of the forest—the disenchantment of technological images and the habit of rapid browsing instead imbue the act of gazing with a certain divinity.
We are often influenced by the light nearby, which frequently originates from screens, digital technologies, and artificial environments. Yet, it is precisely this nearby light that inadvertently illuminates the distant scenery—those natural landscapes and details of the real world we have gradually forgotten. This visual extension from the near to the far reveals the intricate and subtle relationship between mediated sensations and real senses. The interplay of mediated sensations does not exist in isolation but is woven into our daily experiences through the participation of real senses. Screen experiences, as a crucial part of modern life, are often misunderstood as a suppression of nature. However, this is not the case. Screen experiences do not replace nature but rather expand and complement its essence. The proliferation of technologically mediated experiences turns the worship of technology into a self-reflective natural poetics, prompting us to reconsider the value of perception. Although the habit of rapid browsing diminishes our perception of depth to some extent, it also endows the act of slow gazing with a sense of divinity—a divinity that does not stem from the images themselves but from the sensitivity and reverence for the world we rediscover in the process of gazing.
The coexistence and interweaving of artificial light and natural elements are not accidental but an inevitability of modern life. We no longer see nature and technology as opposing forces; the textures of nature become clearer under the illumination of technology, while the brilliance of technology finds its place within the rhythms of nature. This fusion not only enriches our perceptual experiences but also compels us to reexamine our relationship with the world. Nature is no longer just mountains, rivers, lakes, and trees; it also encompasses the technological environments created by humans, and more importantly, the intersections between the two. Our renewed love for nature is not a return to any imagined non-technological past (or technological future) but a foundation for critically and artistically engaging with both technology and nature through a holistic perspective—today, we possess both the light nearby and the distant scenery.
Exhibited works
部分展览作品
射线空间（RAY GALLERY）重视艺术的穿透力。我们关注本土历史与社会思潮的张力，以先锋的态度支持具有穿透性的艺术观念和运动的发生。我们深度思考艺术生态并与青年艺术家共同构筑职业生涯，以行动放射出改变的力量。
射线空间由建龙集团发起，在杭州、上海、北京开展画廊与美术馆项目，致力于在策展研究、收藏、艺术资产规划等领域的共振中提供前瞻、优质和可靠的服务。
