艾瑞丝·迦拉纽：未形之流
展期：2025年05月11日—07月20日
开幕：2025年05月11日 15:30
艺术家：艾瑞丝·迦拉纽（Iris Garagnoux）
地点：Atmosphere Space 大气层空间｜江苏南京市玄武区珠江路222号长发科技大厦9楼
本次展览呈现艾瑞丝·迦拉纽的架上绘画、装置。她受妊娠期胎盘与脐带发育启发创作，以珍贵助产士手册为灵感。作品用层次解构，探索内外交流，有「羊膜」「华通氏胶」「语言」等系列。This exhibition features Iris Garagnoux’s easel paintings and installations. Inspired by gestation and an old midwife’s manual, the artist emancipates the body through layer – deconstruction. She explores the communication between the interior and exterior, with series like “Amnion”, “Wharton’s jelly” and “Language”.
「AMNIOTIC JUMBLE」
未形之流
一段穿越女性体内世界的有机旅程，同时见证着另一个生命的孕育过程。
艺术家艾瑞丝·迦拉纽将展厅构想为子宫实验室，受妊娠期胎盘与脐带发育过程启发，创作出一系列生命物质的生长序列。她尤为关注这些器官的转瞬即逝性、存在的中间状态以及由此产生的张力。
Considering the exhibition space as a womb laboratory, Iris Garagnoux imagines a sequence of living matter, inspired by the development of the placenta and umbilical cords during the gestation. The artist is interested in the ephemerality of those organs, the state of in-betweenness and the tension that is created.
孕育器官既是血肉相连的物理纽带，也是自我与他者的联结，更承载着跨代际的生命印记——这正是本系列作品探讨的核心。艺术家近期发现了祖先遗留的珍贵助产士手册——波德洛克1789年所著《分娩的艺术》。这本布满女性身体版画与血渍的古籍，成为她近期创作的主要灵感来源。
通过最新系列作品，艾瑞丝·迦拉纽将身体从原始机械功能中解放，运用层次解构手法，让流动的内在性占据画面主导。她采用半透明/半透膜材料作为朦胧入口，通过营造尺度与景深的暧昧性，探索液态内在与固态外在之间的交流律动——这种膜结构不断排斥与吸收，保护与瓦解。
Through this recent series of works, Iris Garagnoux emancipates the body from its primitive mechanical functions and plays with hierarchy of layers by bringing on the first plan a fluid interiority. Seeking to initiate an ambiguity of scales and depth, she uses semi-transparent/ semi-permeable materials as diaphanous doorways, exploring the communicative move ments between a liquid interior and a solid exterior. A membrane that constantly rejects and absorbs, protects and fragilizes.
在「羊膜」系列中，艺术家于绷紧的画布上绘制水痕斑驳的印记，令人联想到包裹胎儿的最近层胎膜，以及体内持续流动的羊水轨迹。创作过程中，这种液态引导她环绕作品进行动态绘制。而「华通氏胶」系列则呼应脐带横截面，展现保护血管与动脉的凝胶状物质。「语言」系列为艾瑞丝的触觉宇宙增添了新维度：黏液物质从画面渗出，浸润画布，建立起味觉感知与语言系统的神秘联结。
In the Amnion series, the artist paints very watery traces on a stretched fabric, reminiscent of the closest layer that envelops the fetus and ongoing fluid movements within the body. This guides her to circulate all around the work during the process of creation. Meanwhile,the Wharton’s jelly series echoes to transversal cuts of umbilical cords and the gelatinous substance that protects vessels and arteries.The Language series adds yet another layer to Garagnoux’s haptic oeuvre by revealing mucus matters appearing to the surface and wetting the canvas. It connects the sense of taste and language.
Text：Iris Garagnoux
Iris Garagnoux
艾瑞丝·迦拉纽
图片由艺术家艾瑞丝·迦拉纽惠允，©️2025 Iris Garagnoux & Atmosphere Space
艾瑞丝·迦拉纽（b.1995, 巴黎，法国）居住在伦敦，她的艺术实践聚焦于人体的可塑性——这种可塑性既体现在对人类渴望重新与自然建立深层联结的诉求中，也存在于与新科技共生演进的张力之中。通过在地板上作画的方式，艺术家借助体操训练与迷幻状态的经验，建立起一套本能的肢体语言库，进而将这种运动痕迹转录为雕塑装置与行为表演的碎片化呈现，例如触觉与沉浸式延展装置。通过对有机元素与合成材料进行层级叠加，结合当代社会关系及有生命体与无生命体之间的张力，作品呈现出符号化的新型色彩肌理。艺术家通过对德勒兹与加塔利提出的”无器官身体”（Un corps sans organe）概念进行探索，试图使流动的有机内向性显形——这种始终处于变动中的身体性既映射出跨代际传承的集体记忆，亦反映着当代人类的生存境况。迦拉纽致力于通过物质与非物质世界的交叠，捕捉中间状态、脆弱性以及躯体能量流的动态转化过程。
Iris Garagnoux (b.1995, Paris, France) based in London. Her practice is focused on the plasticity of the human body, which is torn between a deep desire to reconnect with nature but also evolving with new technologies. Painting on the floor allows the artist to create a repertoire of instinctive gestures, inspired by her experience in gymnastics and trance, which then she transcribes into sculptural and performative fragments such as haptic and immersive extensions. By layering organic and synthetic elements, new semiotic colours and textures appear considering the contemporary societal relationships and the tension between the living and the non living. By exploring Deleuze and Guattari’s concept ‘Un corps sans organe’ (A body without Organs), she seeks to make visible an organic interiority which is never fixed reflecting transgenerational legacies and contemporary human conditions. Garagnoux is interested in transcribing states of in-betweenness, vulnerability, and corporal energetic fluids, emanating from the physical and intangible worlds.
纯艺术本科文凭（优秀毕业生） – 图卢兹高等艺术学院，法国图卢兹，2016-2019年
艺术预科课程 – 塞夫勒工作室，法国巴黎，2015年
Education
Master degree Fine Art (Distinction), Chelsea College of Arts, UAL, London, 2021
DNA degree Fine Art (Distinction), Institut Supérieur des Arts de Toulouse, Toulouse, France, 2016-2019
Atelier de Sèvres, Art foundation year, Paris, France, 2015
近期个展
2025-
大气层空间，「未形之流」，南京，中国 2024 –
DaaArt画廊，「家访第02号」由Vittoria Beltrame 与 Sareh Javid 策划，英国伦敦
2021 –
Blue art advisory，考克街快闪空间，「编舞序列」由Nayrouz Tatanaki 与 Iris Garagnoux策划, 英国伦敦
Solo shows
2025-
Atmosphere space, AMNIOTIC JUMBLE, Nanjing, China
2024-
DaaArt Gallery, ‘House visit n.02’ curated by Vittoria Beltrame & Sareh Javid, London, UK.
2021-
Pop Up Gallery Cork Street, ‘Choreographic Sequence’ curated by Nayrouz Tatanaki and Iris Garagnoux, London, UK.
近期群展
2025 –
Mucciaccia画廊，「碎片化的完整」，策展人：LATAMesa，伦敦
2024 –
67 York St画廊，「你能看见我吗？」策展人：Vittoria Beltrame & Sareh Javid，伦敦
Spitalfields 地区二级保护建筑，「为何选择伦敦？」策展人：Will Javis & Louise Chignac，伦敦
2023 –
H Galerie，「创造历史」策展机构：Point Contemporain，法国巴黎
Metre Squared空间，「异化平面」策展人：Eva Bra Barkardottir，英国伦敦
2022 –
Galerie du Crous，「通透之境」策展人：Alexis Sarfati & Iris Garagnoux，法国巴黎
Dean Street快闪画廊，「地面之上」策展人：Hao Long & Mireia carbonnell，伦敦
2021 –
汉普斯特德荒野，「孤独共生」策展人：Nadia Berry，伦敦
乐蓬马歇百货，「非凡之物」策展人：Alix Bortoli & Iris Garagnoux，法国巴黎
Triangle空间，「羊膜异态」策展人：Iris Garagnoux，伦敦
2020-
萨奇美术馆，「伦敦毕业季」策展人：Juan Bolivar，伦敦
泰特英国美术馆，泰特之夜「构筑景观」虚拟展，伦敦
医学科学博物馆，「艺术疗愈」，中国河南
Cookhouse画廊，「身体(情感)运动」策展人：Alexis Sarfati & Claire Di Felici 苏富比艺术学院
2019-
Galerie du Crous，「无像之绘」策展机构：Point Contemporain，法国巴黎
DOC!空间，「原子的舞蹈」策展人：Daiga Grantina，法国巴黎
Group shows
2025-
Mucciaccia Gallery, ‘Fragmented Wholeness’, curated by LATAMesa, London.
2024-
67 York St Gallery, ‘Can you see me?’ curated by Vittoria Beltrame & Sareh Javid, London.
Spitalfield grade II building, ‘Pourquoi London?’ curated by Will Javis & Louise Chignac, London.
2023-
H Galerie, ‘Faire histoire’ curated by Point Contemporain, Paris, France.
Metre Squared, ‘Altered Planes’ curated by Eva Bra Barkardottir, London, UK.
2022-
Galerie du Crous, ‘TransLucid’ curated by Alexis Sarfati and Iris Garagnoux, Paris, France.
Pop up Gallery Dean Street, ‘Up to the ground’ curated by Hao Long and Mireia carbonnell, London.
2021-
Hampstead Heath, ‘Together Alone’ curated by Nadia Berry, London.
Le Bon Marché, ‘Extravagants’ curated by Alix Bortoli and Iris Garagnoux, Paris, France.
Triangle space, ‘Amniotic disorder’ curated by Iris Garagnoux, London.
2020-
Saatchi Gallery, ‘London Grads NOW’, curated by Juan Bolivar, London.
TATE Britain, TATE Late ‘Constructing Landscapes’, virtual show, London.
Museum of Medical Sciences, ‘Healing through Art’, Henan, Chine.
Cookhouse Gallery, ‘Body(E)motions’, curated by Alexis Sarfati and Claire Di Felici for Sotheby’s Art Institute.
2019-
Galerie du Crous, ‘Pour une peinture sans image’, curated by Point Contemporain, Paris, France.
DOC!, ‘The Dance of the Atoms’, curated by Daiga Grantina, Paris, France.
出版物
英国VOGUE，线上及纸质杂志，”Vogue Gallery”专栏，2023年
W 杂志，线上杂志，Alex Needham撰文”女性抽象艺术”，2023年
Stack World，线上杂志，”艺术界最酷女性推荐的伦敦画廊打卡指南”，2021年
BLUE艺术咨询（由Nayrouz Tatanaki策划），官方网站，”2021年度值得关注女性艺术家”，2021年
“身体的情感维度”，线上杂志，新闻与活动板块，苏富比艺术学院，2020年
Magnin Wedry拍卖行，德鲁奥拍卖中心，”当代艺术：纸媒杂志的虚幻现实”，2019年
当代观点，纸质与线上杂志，”艺术家肖像”专栏，2019年
画廊与博物馆，纸质杂志，”画廊市场导览”专栏，2019年
Publications
British VOGUE, Online and printed magazine, ‘Vogue Gallery’, 2023
W Magazine, Online magazine, ‘Abstract Art by Women’ by Alex Needham, 2023
The Stack World, Online magazine, ‘Where To Gallery-Hop Around London As Curated By The Coolest Women On The Art Scene’, 2021
BLUE Art advisory par Nayrouz Tatanaki, Website, ‘Women to watch in 2021’, 2021
‘Body E(Motions)’, Online magazine, News & Events, Sotheby’s Institute of Art, 2020
Magnin Wedry, Drouot, ‘ART CONTEMPORAIN, Paper magazine, Réalités imaginaires’, 2019
Point Contemporain, Printed and Online magazine, ‘Portrait d’artiste’, 2019
Galeries & Musées, Paper magazine, ‘Vu pour vous dans les galeries’, Art galleries market, 2019
