蓝夜
Once Upon A Blue Moon
展期：2025年07月26日—08月31日
开幕：2025年07月26日（周六）16:00
策展人：郑涵月（Aleza ZHENG）
艺术家：埃里克斯·安德尔森（Alex Anderson）、陈思予（Siyu CHEN）、朱凯第（Candice CHU）、珍妮佛·达查克（Jennifer Ling Datchuk）、谭笑雨（Evelyn TAN）、郑涵月（Aleza ZHENG）
地点：伯年艺术空间｜北京市朝阳区798艺术区七星东街E03楼二层
展览预告｜群展：蓝夜 Once Upon A Blue Moon 将于7月26日开幕
本次群展以一只清代瓷瓶从东方漂泊至西方的旅程为线索，六位不同世代艺术家围绕身份、媒介与时间转变，探讨文化传承与个人记忆纠葛。展品涵盖瓷器、绘画、拼贴等，展现多种艺术视角与思考。This group exhibition is centered around the journey of a Qing – dynasty porcelain bottle from the East to the West. Six artists of different generations explore the entanglement between cultural heritage and personal memory through the transformation of identity, medium, and time. The artworks include porcelain, paintings, collages, etc., presenting diverse artistic perspectives.
撰文：郑涵月
伯年艺术空间欣然宣布，将于2025年7月26日至8月31日推出群展“蓝夜”。由郑涵月担任策展人，展览主要探索中国风作为一种潜在叙事，述说了双边贸易历史与离散经验的复杂性。展览构想了一个介于“釉彩”与“凝视”之间的奇幻空间，展开一段关于一只清代瓷瓶的成长故事，讲述它从东方漂泊至西方的旅程。在展览中，六位跨越不同世代的艺术家，以身份、媒介与时间的转变为主题，探讨文化传承与个人记忆的纠葛与缠绕。
一只拥有浓密发丝的瓷瓶拉开展览的序幕——詹妮弗·凌·达克（Jennifer Ling Datchuk）的作品《I Woke Up Like This》(2025)带来一种叙事的转向：展览的主角不再是胜利者，而是一个器物。
珍妮佛·达查克 Jennifer Ling Datchuk
我醒来就是这样 I Woke Up Like This
瓷器、人类头发、发绳 Porcelain, human hair, and hair tie
17.8 × 14 × 14 cm
谭笑雨 Evelyn TAN
梦之门 Dream Portal
梅森奈特纤维板上丙烯 Acrylic on masonite
30.5 × 40.6 × 0.6 cm
珍妮佛·达查克 Jennifer Ling Datchuk
无暇 Flawless
2023
瓷器、中国景德镇陶瓷贴花纸、木板、镜面亚克力
Porcelain, ceramic decal from Jingdezhen, china, wood, and mirror acrylic
40.6 × 50.8 × 7.6 cm
当器物发声时，它是以方言异语之姿出现。亚历克斯·安德森（Alex Anderson）的陶瓷作品召唤精魂进入雕塑之中，化为我们最具情绪张力的状态。这些作品在裂痕中累积，回应一种心理节奏：投射与重构。《Narcissistic Lemon with a Sour Audience》(2023)中，一颗明亮的黄色柠檬凝视水中倒影——哀伤、挑剔，却毫不动摇。这一系列作品表达了对社会契约的拒绝意志：一种选择停留于不稳定情绪中的姿态，甘愿沉溺于焦虑、轻蔑、欲望与自我肯定。
埃里克斯·安德尔森 Alex Anderson
自恋的柠檬与酸溜溜的观众
Narcissistic Lemon with a Sour Audience
陶器、釉料、金釉 Earthenware, glaze, and gold luster
56 × 56 × 5 cm
我们的器物在作品《Casus Belli》(2025)中迎来危机时刻——这是一幅由艺术家兼策展人郑涵月创作的油画与丝绸拼贴作品，描绘了启发本次展览的梦境。在作品中，器物从一个整体裂变为母系陶瓷谱系。八大山人的鸟鸣穿越装饰性的花丛，一位祈祷的母亲跪坐在怀抱孩童的少女旁。她们在破碎的山水画境中寻求庇护。作品标题源于拉丁语“战争的借口”，意指在地缘政治与欲望的掩盖下，为暴力寻找的虚构正当性。
郑涵月 Aleza ZHENG
战争借口 Casus Belli
2025
矿物颜料、丝绸、宣纸、亚麻布油画
Mineral pigments, silk, rice paper, and oil color on linen
100 × 160 cm
从这场裂变开始，机场的行李转盘将我们带入瓷瓶旅程的最终篇章：一个停滞的中间地带——更确切地说，是一种永不停息的“游”之状态。陈思予（Siyu CHEN）的《无题（我该往哪走：满月）》(2024)展开为一幅元图像——既是绘画，又似窗与舞台。她借鉴吴洪的《双重屏幕》中的空间幻象，以个人符号点缀其间，在中国绘画的视觉逻辑与西方意象之间编织穿梭。穿越层层空间门槛，我们感受到迁移带来的沉默疏离，以及对归属的深切渴望。
陈思予 Siyu CHEN
无题（我该去往何方：满月）
Untitled (Where shall I go: full moon)
纸本铅笔、木炭和水墨 Graphite, charcoal, and ink on paper
55.9 × 76.2 cm
在主角生命的最后阶段，我们来到朱凯第（Candice CHU）创作的三幅静物素描前。仿佛告别尘世纷扰，最后两只花瓶的造型简朴，如智者平静地注视青年，带着抑制的洞察。它们的简约背后，是一种历经世事的内省。《12:01》(2025)作为展览的终章，呈现一朵盛放、一朵枯萎的花，是对时间、自然与历史循环更替的一种温柔回应。
朱凯第 Candice CHU
12:01
水彩纸上铅笔 Graphite on watercolor paper
17 × 17.5 cm
Flawless (2023) by Jennifer Ling Datchuk is a mirror that reflects all but the face: a reproduction of pastoral-toile on a white porcelain mask obscures the viewer’s reflection, questioning identity in a reproduction economy. Long dismissed as decorative, feminine, and superficial—a consumptive fantasy to be possessed – Chinoiserie, as historian Kristina Kleutghen notes, was “entangled with its feminization in the Western gaze.” Datchuk engages porcelain in its original form of soft power, giving voice to the vessel and reframing the medium within systems that have long sought to aestheticize, silence, or possess it.
When the vessel speaks, it speaks in tongues. Alex Anderson’s ceramics conjure spirits into sculpture, embodying our most charged emotional states. The works accumulate fractures, echoing a psychic rhythm of projection and reform. In Narcissistic Lemon with a Sour Audience (2023), a bright yellow lemon gazes into its watery reflection – forlorn, critical, yet unflinching. This body of work stages a refusal of social contracts: a will to remain suspended in our most volatile states, to relish in anxiety, contempt, desire and self-assertion.
Our vessel comes of crisis in Casus Belli (2025), an oil and silk painting by artist and curator Aleza ZHENG that visualizes the dream which inspired the exhibition. In this work, the vessel fractures from a singular form into a matrilineal lineage of ceramic typologies. Bada Shanren’s birds scream across ornamental flowers; a praying mother kneels beside a pubescent nymphet cradling a child. These figures seek refuge in a deteriorating Shanshui landscape. The title invokes the Latin phrase “cause of war”—a fabricated pretext that legitimizes violence beneath geopolitical ambitions.
From this moment of rupture, an airport carousel carries us into the final stage of the vase’s passage: a limbo—or more precisely, a neverending state of 游 (you)–wandering. Siyu CHEN’s Untitled (where shall I go: mist) (2024) unfolds as a meta-picture—at once painting, window, and stage. Referencing spatial illusions in Wu Hung’s The Double Screen, CHEN punctuates her work with personal motifs, weaving the visual logic of Chinese painting with Western signifiers. As we pass through her layered thresholds, we encounter somber reflections on dislocation and the quiet ache for belonging.
In the last stage of our protagonist’s life, we arrive at three still life drawings by Candice CHU. As if departing from the petty affairs of world, the final two flower vases are humble in shape, like an elder observing youth with subdued clairvoyance. The simplicity betray an introspection belonging to one who may have known too much. The show closes with 12:01 (2025) – two flowers simultaneously in bloom and decay–a gentle gesture to the cyclical turns of time, nature, and history.
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关于艺术家
Artist Bios
教育经历
2025，蓝夜，伯年艺术空间，北京，中国
2025，A Clean, Well-Lighted Place，Nature of Things，达拉斯，美国
2023，Halos，利普斯科姆大学 John C. Hutcheson 画廊，纳什维尔，美国
2022，精选学院展，斯基德莫尔学院 Schick 画廊，纽约，美国
2022，Light in the Attic，由乔治亚-麦戈文策划，纽约，美国
2020，纽约大学校友展，由玛琳-麦卡蒂策划，纽约，美国
2017，Leave the light on…，Altamira，洛杉矶，美国
2017，Animal Farm，道尔顿仓库，洛杉矶，美国
2015，Unveil，CAC Woodside，特洛伊，美国
2015，纽约大学硕士论文展，80WSE，纽约，美国
2014，Nobody died this year，80WSE，纽约，美国
2014，Diamonds and Things，80WSE，纽约，美国
Education
2015, Master of Fine Art Degree, New York University, New York, USA
2010, Bachelor of Art Degree, Brown University, Providence, USA
Duo Exhibition
2025, Nature of Things, Dallas Art Fair Booth, Dallas, USA
Group Exhibitions
2025, Once Upon A Blue Moon, BONIAN SPACE, Beijing, China
2025, A Clean, Well-Lighted Place, Nature of Things, Dallas, USA
2023, Halos, John C. Hutcheson Gallery, Lipscomb University, Nashville, USA
2022, Selected Faculty Exhibition, Schick Gallery, Skidmore College, New York, USA
2022, Light in the Attic, curated by Georgia McGovern, New York, USA
2020, NYU Alumni Exhibition, curated by Marlene McCarty, New York, USA
2017, Leave the light on…, Altamira, Los Angeles, USA
2017, Animal Farm, Dalton Warehouse, Los Angeles, USA
2015, Unveil, CAC Woodside, Troy, USA
2015, NYU MFA Thesis Show, 80WSE, New York, USA
2014, Nobody died this year, 80WSE, New York, USA
2014, Diamonds and Things, 80WSE, New York, USA
珍妮佛·达查克
2023，Karma Is a Cat，鲁伊斯·希利画廊，纽约，美国
2023，Eat Bitterness，贝米斯当代艺术中心，内布拉斯加，美国
2023，Press Hold On The Hand，鲁伊斯·希利画廊，圣安东尼奥，美国（与Tammie Rubin双人展）
2022，Above the Fold，乔纳森·霍普森画廊，休斯顿，美国（双人展）
2021，later, longer, fewer，休斯顿当代工艺中心，休斯顿，美国
2020，Making Women，佩德罗蒂画廊，南德克萨斯博物馆，德克萨斯，美国
2019，thick，艺术基地，圣安东尼奥，美国
2019，The Political Hand，美国工艺委员会，明尼苏达，美国
2019，Truth Before Flowers，Women and Their Work 艺术空间，德克萨斯，美国
2019，Don’t Worry Be Happy，鲁伊斯·希利画廊，德克萨斯，美国
2019，Don’t Tell Me To Smile，鲁伊斯·希利画廊，纽约，美国
近年群展
2025，蓝夜，伯年艺术空间，北京，中国
2025，Monstrous Beauty: Chinoiserie, Women, and the Porcelain Imaginary，大都会艺术博物馆，纽约，美国
2025，Clay As Care，陶艺工作室，费城，美国
2024，Another Beautiful Country: Moving Images by Chinese American Artists，太平洋亚洲博物馆，加利福尼亚，美国
2024，Year of the Dragon，永安和公司，纽约，美国
2024，Dug Deeper，弗农·菲利艺术博物馆，普拉特，美国
2024，Edible，北方陶艺中心，明尼苏达，美国
2024，Our America/Whose America?，费林当代艺术展，威克姆府邸，里士满，美国
2024，Lunch Break: Arts/Industry in Between，约翰·迈克尔·科勒艺术中心，谢博伊根，美国
2024，The Shape of Power，史密森美国艺术博物馆，华盛顿，美国
2024，Designing Motherhood，休斯顿当代工艺中心，休斯顿，美国
2024，You Are A Star In My Sky，form&concept 空间，圣菲，美国
2024，Representations of Women in Contemporary Art，布兰顿艺术博物馆，德克萨斯，美国
2023，Facade，视觉艺术中心，德克萨斯大学奥斯汀分校，德克萨斯，美国
2023，Knowing Who We Are，奥格登南方艺术博物馆，新奥尔良，美国
2023，Into View: Bernice Bing Open Call，亚洲艺术博物馆，旧金山，美国
2023，The World Made Wondrous，洛杉矶郡立艺术博物馆，洛杉矶，美国
2023，The Cult of Beauty，威康收藏馆，伦敦，英国
2023，Just Cause，梅萨当代艺术博物馆，梅萨，美国
2023，Practice is the Point，大平原艺术博物馆，法戈，美国
2022，Fragile: Earth，雕塑花园基金会，汉密尔顿，美国
2022，Expo Chicago，鲁伊斯·希利画廊，圣安东尼奥 & 纽约，美国
2022，Status of Women，阿尔马斯广场，圣安东尼奥，美国
2022，inVISIBLE | hyperVISIBLE，乳品艺术谷仓，博尔德，美国
2022，Steeped in Spilled Milk PT.2，EFA工作室画廊，纽约
2022，Retold: Chronicles and Other Stories，约翰与罗宾·霍恩画廊，彭兰，美国
2022，Our America, Whose America，费林当代艺术，北亚当斯，美国
2022，Who Writes History，韦斯特切斯特艺术中心，纽约，美国
2022，Seeking Discomfort，视差艺术中心，波特兰，美国
2022，Clay + Invitational，阿拉巴马大学萨拉·穆迪艺术画廊，塔斯卡卢萨，美国
2022，Now and Then: Seven decades of Kent State Ceramics，肯特州立大学视觉艺术中心，肯特，美国
2022，NADA Miami Art Fair，乔纳森·霍普森画廊，休斯顿，美国
获奖
2024，菲尼克斯市 Artists to Work 资助
2023，美国国家女性艺术博物馆 Women to Watch 奖项提名
2022，学术/创作卓越总统奖
2021，年度陶瓷艺术家
2017，新锐之声奖
2017，Lighton 国际艺术家交流项目奖
收藏
休斯顿美术馆
圣安东尼奥艺术博物馆
圣安东尼奥市政府
Soho House
洛杉矶郡立艺术博物馆
约翰·迈克尔·科勒艺术中心
科勒公司
奥格登南方艺术博物馆
Cc 基金会
布兰顿艺术博物馆
太平洋亚洲博物馆
Jennifer Ling Datchuk
Born in 1980, Ohio, USA
Lives and works in Phoenix, USA
Education
2004, Bachelor of Fine Art, Crafts (Ceramics) Kent State University, USA
2008, Master of Fine Art, Artisanry (Ceramics) University of Massachusetts Dartmouth, USA
Recent Solo and Duo Exhibitions
2025, Ripening, New Mexico State University Art Museum, New Mexico, USA
2025, Unbraided, MFA Boston, Boston, Massachusetts, USA (two person exhibition with Adebunmi Gbadebo)
2023, Karma Is a Cat, Ruiz Healy Art, New York, USA
2023, Eat Bitterness, Bemis Center for Contemporary Art, Omaha, Nebraska ,USA
2023, Press Hold On The Hand, Ruiz Healy Art, San Antonio, USA (two person exhibition with Tammie Rubin)
2022, Above the Fold, Jonathan Hopson Gallery, Houston, USA(two person exhibition)
2021, later, longer, fewer, Houston Center for Contemporary Craft, Houston, USA
2020, Making Women, Pedrotti Gallery, Museum of South Texas, Texas, USA
2019, thick, Artpace, San Antonio, USA
2019, The Political Hand, American Craft Council, Minneapolis, USA
2019, Truth Before Flowers, Women and Their Work, Austin, USA
2019, Don’t Worry Be Happy, Ruiz Healy Art, San Antonio, USA
2019, Don’t Tell Me To Smile, Ruiz Healy Art, New York, USA
Recent Group Exhibitions
2025, Once Upon A Blue Moon, BONIAN SPACE, Beijing, China
2025, Monstrous Beauty: Chinoiserie, Women, and the Porcelain Imaginary, Metropolitan Museum of Art, New York, USA
2025, Clay As Care, Clay Studio, Philadelphia, USA
2024, Another Beautiful Country: Moving Images by Chinese American Artists, Pacific Asia Museum, Pasadena, USA
2024, Year of the Dragon, Wing On Wo & Co., Chinatown, New York, USA
2024, Dug Deeper, Vernon Filley Art Museum, Pratt, USA
2024, Edible, Northern Clay Center, Minneapolis, USA
2024, Our America/Whose America?, Ferrin Contemporary exhibition, Wickham House, Richmond, USA
2024, Lunch Break: Arts/Industry in Between, John Michael Kohler Art Center, Sheboygan, USA
2024, The Shape of Power: Stories of Race and American Sculpture, Smithsonian American Art Museum, Washington, USA
2024, Designing Motherhood, Houston Center for Contemporary Craft, Houston, USA
2024, You Are A Star In My Sky, form&concept, Santa Fe, New Mexico, USA
2024, Representations of Women in Contemporary Art, Blanton Museum of Art, Austin, USA
2023, Facade, Visual Art Center, University of Texas Austin, Austin, USA
2023, Knowing Who We Are, Ogden Museum of Southern Art, New Orleans, USA
2023, Into View: Bernice Bing Open Call, Asia Art Museum, San Francisco, USA
2023, The World Made Wondrous, Los Angeles County Museum of Art, Los Angeles, USA
2023, The Cult of Beauty, Wellcome Collection, London, UK
2023, Just Cause, Mesa Contemporary Arts Museum, Mesa, USA
2023, Practice is the Point, Plains Art Museum, Fargo, USA
2022, Fragile: Earth, Grounds for Sculpture, Hamilton, USA
2022, Expo Chicago, Ruiz Healy Art, San Antonio, TX and New York, USA
2022, Status of Women, Plaza de Armas, San Antonio, USA
2022, inVISIBLE |hyperVISIBLE, Dairy Art Barn, Boulder, USA
2022, Steeped in Spilled Milk PT.2, EFA Studios Gallery, New York, USA
2022, Retold: Chronicles and Other Stories, John & Robyn Horn Gallery, Penland, USA
2022, Our America, Whose America, Ferrin Contemporary, North Adams, USA
2022, Who Writes History, ArtsWestchester, White Plains, USA
2022, Seeking Discomfort, Parallax Art Center, Portland, USA
2022, Clay + Invitational, Sarah Moody Gallery of Art, University of Alabama , Tuscaloosa, USA
2022, Now and Then: Seven decades of Kent State Ceramics, Center for Visual Art, Kent State University, Kent, USA
2022, NADA Miami Art Fair, Jonathan Hopson Gallery, Houston, USA
Awards
2024, City of Phoenix Artists to Work Grant
2023, National Museum of Women in the Arts Women to Watch Prize Nominee
2022, Presidential Award for Excellence in Scholarly/Creative
2021, Ceramic Artist of the Year
2017, Emerging Voices Award
2017, Lighton International Artist Exchange Program Award
Collections
Museum of Fine Arts Houston, Texas
San Antonio Museum of Art, San Antonio, Texas
City of San Antonio
Soho House, Austin, Texas
Los Angeles County Museum of Art, Los Angeles, California
John Michael Kohler Arts Center, Sheboygan, Wisconsin
Kohler Company, Kohler, Wisconsin
Ogden Museum of Southern Art, New Orleans, Louisiana
Cc Foundation, Shanghai, China
Blanton Museum of Art, Austin, Texas
Pacific Asia Museum, Pasadena, California
谭笑雨
2025，蓝夜，伯年艺术空间，北京，中国
2025，Organica，SuchAs 画廊，东京，日本
2025，FACE VALUE，&& 画廊，加利福尼亚，美国
2024，Subterranea，La BEAST 画廊，加利福尼亚，美国
2024，Hechyeomeoyeo，首尔，韩国
2024，MEs Market Village of Permutations，东京、 日本
2024，Pansy，阿姆斯特丹，荷兰
2024，Night at the Brasserie，Scales Atelier，加利福尼亚，美国
2024，Hechyeomeoyeo，曼谷，泰国
2024，Salut 9， Nucleus 画廊，俄勒冈，美国
2024，Quiet Ecstasy，Golden West College，加利福尼亚，美国
2024，Seaglass Popup， && 画廊，加利福尼亚，美国
2023，The Art of Access，We the Cool x Projet Moné x Visionary projects，纽约，美国
2023，插画家协会群展，洛杉矶，美国
2023，Unconnected w/ No Dopamine，维克第七画廊，澳大利亚
2023，GD Commons群展，罗德岛，美国
2023，Woods Gerry 画廊群展 ，罗德岛，美国
2023，Memorial Hall群展，罗德岛，美国
2023，No Hope for Love in Rhode Island，罗德岛，美国
2023，插画研究大楼，罗德岛，美国
2022，Espace Voltaire，巴黎，法国
2022，Carr Haus，罗得岛，美国
2022，No Longer Transparent，Gelman 画廊，罗得岛，美国
2022，Would That：Expressions of Possibility in Asian America，PPL ，罗得岛，美国
2022，Double Rainbow Across the Sky，Carr Haus，罗得岛，美国
2021，Telling Stories，ISB 画廊，罗得岛，美国
2020，Serving the People，E 画廊，线上
2020，Time and Space，Waterman画廊，罗得岛，美国
2019，Boiler，不列颠哥伦比亚大学，不列颠哥伦比亚，加拿大
Evelyn Tan
Born in 2002, Vancouver, Canada
Lives and works in Los Angeles, USA
Education
2023, Bachelor of Fine Art, Rhode Island School of Design, USA
Solo Exhibition
2024, In Dreaming, && Gallery, California, USA
Group Exhibitions
2025, Once Upon A Blue Moon, BONIAN SPACE, Beijing, China
2025, Organica, SuchAs Gallery, Tokyo, Japan
2025, FACE VALUE, && Gallery, California, USA
2024, Subterranea, La BEAST Gallery, California, USA
2024, Hechyeomeoyeo group show, HCMY Gallery, Seoul, Korea
2024, MEs Market Village of Permutations, Tokyo, Japan
2024, Pansy, Amsterdam, Netherlands
2024, Night at the Brasserie, Scales Atelier, California, USA
2024, Hechyeomeoyeo group show, Bangkok Thailand
2024, Salut 9, Gallery Nucleus, Oregon, USA
2024, Quiet Ecstasy, Golden West College, California, USA
2024, Seaglass Popup, && Gallery, California, USA
2023, The Art of Access, We the Cool x Projet Moné x Visionary projects, New York, USA
2023, Society of Illustrators, Los Angeles, USA
2023, Unconnected w/ No Dopamine, Seventh Gallery, Richmond, Australia
2023, GD Commons, group show, Rhode Island, USA
2023, Woods Gerry group show, Woods Gerry Gallery, Rhode Island, USA
2023, Memorial Hall group show, Rhode Island, USA
2023, No Hope for Love in Rhode Island, Rhode Island, USA
2023, Illustration Studies Building group show, Rhode Island, USA
2022, Espace Voltaire group show, Paris, France
2022, Carr Haus group show, Rhode Island, USA
2022, No Longer Transparent, Gelman Gallery, Rhode Island, USA
2022, Would That: Expressions of Possibility in Asian America, PPL , Rhode Island, USA
2022, Double Rainbow Across the Sky, Carr Haus, Rhode Island, USA
2021, Telling Stories, ISB gallery, Rhode Island, USA
2020, Serving the People, E gallery
2020, Time and Space, Waterman Gallery, Rhode Island, USA
2019, Boiler, University of British Columbia, British Columbia, Canada
2024，Vanishing Point，SOOT东京，洛杉矶，美国
群展
2025，Belonging: Art Connects Community，文森特·普莱斯博物馆，蒙特利公园，美国
2025，Infinite Planes High，忠诚画廊，洛杉矶，美国
2025，蓝夜，伯年艺术空间，北京，中国
2025，Myths in Making，Sabbatikal画廊，圣莫尼卡，美国
2025，Artesantander，Shazar画廊，桑坦德，西班牙
2025，2 paint or not 2…，Shazar画廊，那不勒斯，意大利
2025，Benefit Auction + Art Walk，威尼斯家庭诊所，威尼斯，美国
Aleza Zheng
Born in 1999, Shenyang, China
Lives and works in Shanghai, China and New York, USA
Education
2025, Post-graduate Independent Study, China Academy of Art, Hangzhou, China
2023, Post-graduate Independent Study, ArtCenter College of Design, Los Angeles, USA
2022, Bachelor of Fine Art Degree, ArtCenter College of Design, Pasadena, USA
Solo Exhibitions
2025, The Jungle is Dark and Full of Diamonds, Sabbatikal, Santa Monica, USA
2025, Across the Idyll, Shazar Gallery, Milan, Italy
2024, Vanishing Point, SOOT Tokyo, Los Angeles, USA
Group Exhibitions
2025, Belonging: Art Connects Community, Vincent Price Museum,Monterey Park, USA
2025, Infinite Planes High, Loyal Gallery, Los Angeles, USA
2025, Once Upon A Blue Moon, BONIAN SPACE, Beijing, China
2025, Myths in Making, Sabbatikal, Santa Monica, USA
2025, Artesantander, Shazar Gallery, Santander, Spain
2025, 2 paint or not 2…, Shazar Gallery, Napoli, Italy
2025, Benefit Auction + Art Walk, Venice Family Clinic, Venice, USA
郑涵月
Aleza ZHENG
郑涵月（Aleza ZHENG）出生于中国，在加拿大长大，现定居美国。她于2022年本科毕业于艺术中心设计学院（ArtCenter College of Design），并于 2025 年在中国美术学院进修中国传统绘画。郑涵月的作品体现了她对文学、人类学以及东西方共同历史的深厚兴趣。她将当下的政治形态与童话叙事交织，构建出一个实验性的空间，在其中，虚构现实与历史批判相互交汇。她的策展方法借助具有叙事性的远古仪式，来探索经济体系、侨民的散居状态，以及自我与他者之间日益模糊的界限之间的关联。她曾在美国、意大利和西班牙的多家画廊与艺术机构举办展览。
Aleza ZHENG was born in China, raised in Canada, and now based in USA. She received her BFA from ArtCenter College of Design in 2022 and continued studies in traditional Chinese painting at the China Academy of Art in 2025. Zheng’s work reflects her interest in literature, anthropology, and shared histories between the East and West: she weaves current politics with fairytales, fabricating experimental spaces where speculative realities converge with historical critique. Her curatorial method engages in the primordial ritual of storytelling to understand the interconnectedness of economy, diaspora, and the ever-blurring line between self and other. She has had exhibitions in galleries and institutions across the United States, Italy, and Spain.