北京|绵引展子&金丸悠儿双人展:物语之境

 

绵引展子&金丸悠儿双人展:物语之境

 Nobuko Watabiki & Yuji Kanamaru:The Realm of Tales

展期:2025年07月05日—08月09日

艺术家:绵引展子(Yonebiki Tenko)、金丸悠儿(Kanamaru Yūji)

地点:白石画廊·北京|北京市朝阳区酒仙桥路4号798艺术区七星东街

本展览呈现绵引展子、金丸悠儿双人佳作。绵引展子以和纸与油性粉彩创作超现实图像,金丸悠儿用混合材料构建跨文化记忆。二人以植物与动物为引,铺陈开放叙事场域,唤起精神联结。
This exhibition features works by Yonebiki Tenko and Kanamaru Yūji. Yonebiki creates surreal images with Japanese paper and oil pastels, while Kanamaru builds cross – cultural memories with mixed materials. They use plants and animals as guides to present an open narrative field and evoke spiritual connections.

白石画廊北京欣然宣布将于2025年7月5日-8月9日期间,呈现日本艺术家绵引展子(b.1958)及金丸悠儿(b.1978)双人展《物语之境》。两位艺术家以各自独特的创作语言构筑起一个充满想象与诗意的视觉空间,在彼此交织的艺术叙事中展开一场跨越现实与幻想的对话。

绵引展子以和纸与油性粉彩为媒材,常借由植物与人物形象的融合,构建一种超现实的图像,探索“自我”在他者视角中的变幻。她认为,当我们思考如何与他人重新连结时,同时也需要考量我们以何种面貌示人。因此自我,既包括自我认知中的“我”,也包括他人眼中的“我”,以及不可名状的“我”。 在她的画面中,植物既是意象,也是情感的延伸,引导观者与自身、与他者展开一场无声的对话。

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绵引展子《手中的船》, 2024, 布面丙烯, 40.3 × 50.3 cm

artwork image of Watabiki
Nobuko Watabiki | A boat in the hands, 2024, Oil on canvas, 40.3 × 50.3 cm

金丸悠儿混合麻布的碎片、英文剪报等材料,反复覆盖鲜艳而柔和的颜色形成干燥而迷离的质感,仿佛携带着时间的风化痕迹。画面中出现的奇幻生物与异域街景,诉说着他在中东的童年经历,同时也构成了一种跨文化的视觉记忆。他巧妙地把异国风情和乡愁融合成一起,构成迷人的世界。

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金丸悠儿《时代之都》, 2025, 丙烯、矿物颜料于板上, 72.7 × 91.0 cm

在《物语之境》中,绵引展子和金丸悠儿以植物与动物为引,以自我与记忆为线索,铺陈出一个开放而多维的叙事场域。他们的作品并不突出明确的故事线,而是在材料与形象之间,唤起一种难以言喻却能被感知的精神联结。在这里观众将踏入一个由图像构建的隐秘国度,植物静默绽放,动物轻舞低语,风穿行其间…

artwork image of Kanamaru
Yuji Kanamaru | Capital of the age, 2025, Acrylic, mineral pigments on board, 72.7 × 91.0 cm
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Whitestone Gallery Beijing is honored to present The Realm of Tales, a duo exhibition featuring Japanese artists Nobuko Watabiki (b. 1958) and Yuji Kanamaru (b. 1978), on view from July 5 through August 9, 2025. This exhibition brings together two distinct artistic practices that intertwine imagination, memory, and poetic visual language to form a resonant dialogue between reality and fantasy.
Working with Japanese paper and oil pastels, Nobuko Watabiki merges botanical motifs with human figures to construct surreal, contemplative scenes. Her work investigates the fluid boundaries of selfhood as seen through the eyes of others, raising questions about identity, perception, and emotional connection. For Watabiki, plants are not only visual motifs but also emotional vessels that invite introspection and silent dialogue.
Yuji Kanamaru blends fragments of linen, English newspaper clippings, and other materials, repeatedly layering vibrant yet gentle colors to create a dry, dreamlike texture that seems imbued with the weathered traces of time. The fantastical creatures and exotic cityscapes that appear in his works speak to his childhood experiences in the Middle East, forming a cross-cultural visual memory. He skillfully fuses foreign sensibilities with a deep sense of nostalgia, crafting a world that is both enchanting and uniquely his own.
In The Realm of Tales, Watabiki and Kanamaru use imagery of plants and animals as central threads, weaving together personal and cultural memory within an open-ended, multilayered visual space. Rather than presenting linear stories, the exhibition evokes an intangible yet deeply felt emotional resonance, inviting viewers to enter a hidden kingdom where silent flora, whispering fauna, and ephemeral winds coalesce.