邓伯轩：波纹
Shawn Pakhin Tang: Rippling
展期：2025年12月02日—12月04日 15:00-18:00
开幕：2025年12月02日 15:00
艺术家：邓伯轩
地点：红树林画廊｜深圳市南山区湾厦中心1201
《波纹》呈现艺术家在深圳湾厦驻地期间的创作。日常边界在空气与感知中生成，来自无线电讯号及社会信息，掀动城市细微波动，影响人们对城市的理解与想象。作品捕捉这些流向，显影讯号与环境相遇的微光与纹理。Rippling presents works developed during the artist residency in Wanxia, Shenzhen. Everyday borders emerge through air and perception from radio frequencies and social signals. These subtle disturbances shape urban imagination. The works trace intangible waves, giving form to ripples when signals meet the environment.
这些无形的传递在城市中掀动细微的波动，穿行于民居、街巷与层累的记忆之间。它们时而清晰，时而化作噪声，却不断影响着人们理解与想象城市的方式。此次展出的作品试图捕捉这些难以触及的流向，让讯号与环境相遇时散发出的微光与纹理得以显影。
These transmissions generate subtle disturbances that spread through homes, streets, and the memory of the city. Often elusive and fragmentary, they oscillate between clarity and noise, yet they shape how places are seen and imagined. The works in this exhibition trace these intangible waves, giving form to the ripples that appear when a signal meets its environment.
Shawn Pakhin Tang, Remember That II (Detail), 2025, Neon light on old footboard, Dimensions variable
©MANGROVEGALLERY
About the Artist
邓伯轩（b.1994）是一位媒体艺术家，创作涵盖雕塑、装置与录像等多种形式，作品多以现成物件、工业材料及模拟技术组构而成。他的艺术实践探索科技系统与日常经验之间的交织关系，特别专注于发展一套“反数位方法论”，以批判当代数位生产中所内嵌的效率主义与抽象化倾向。透过类比工艺与机构，他的创作触及失效、封闭与地缘政治紧张等主题，构建出一种凸显不稳定性、触觉性与物质抵抗性的系统。他近期的研究转向“声音作为类比”，将声音作为雕塑性材料与概念框架来使用，探索声响如何表达气候焦虑、生态记忆与水的政治动态。在此脉络中，他的创作进一步延伸至“水共域”（hydrocommons）的概念，透过声音与类比系统，探索身体、环境与基础设施之间错综复杂的关系。
2024年，邓伯轩获得德国不来梅 H.A. Bockmeyer 旅游奖学金，开展其研究计划《通过类比雕塑与珊瑚礁修复潜入未来》（Diving into the Future through Analogue Sculpture and Coral Reef Restoration）。该项目于印尼吉利特拉旺安岛（Gili Trawangan）展开，结合海洋修复技术与艺术研究，重新想像水下生态的未来及其替代感知方式。
邓伯轩于2016年获得英国伯明翰城市大学室内设计学士学位，并于2020年毕业于香港浸会大学视觉艺术系。目前他正在德国不来梅艺术大学修读数位媒体硕士课程，现工作与生活于香港与德国不来梅之间。
Shawn Pakhin Tang (b.1994) is a media artist working across sculpture, installation, video, assembling found objects, industrial materials, and analog technologies. His practice explores the intersections between technological systems and lived experience, with a particular focus on developing an anti-digital methodology—a critical response to the efficiencies and abstractions embedded in contemporary digital production. Through analogue processes, Tang examines themes of malfunction, containment, and geopolitical tension, often constructing systems that foreground instability, tactility, and material resistance. His recent research shifts toward “sound as analogue” as both sculptural material and conceptual framework. He investigates how sonic forms can articulate climate anxiety, ecological memory, and the political dynamics of water. Within this context, his work engages with the notion of the hydrocommons, using sound and analogue systems to explore entangled relations between bodies, environments, and infrastructures.
In 2024, Tang was awarded the H.A. Bockmeyer Reisestipendium (Bremen, Germany) for his project “Diving into the Future through Analogue Sculpture and Coral Reef Restoration”, which takes place in Gili Trawangan, Indonesia. The project brings together marine restoration techniques and artistic research to reimagine submerged futures and alternative modes of sensing underwater ecologies.
Tang holds a BA in Interior Design from Birmingham City University (2016) and a BA in Visual Arts from Hong Kong Baptist University (2020). He is currently completing his MA in Digital Media at the University of the Arts Bremen. He lives and works between Hong Kong and Bremen, Germany.
红树林画廊联合湾厦艺术中心带来艺术家驻留计划，旨在为年轻艺术家提供一个开放的实验与交流平台，既以不定期、流动和多元的方式在当下环境中展现每位艺术家的独特性，也作为画廊白盒子空间的外延触角，以湾厦村为发生地，透过艺术视角有机地连结这片土地上的人文与故事、城市与历史。在追求更大灵活性和与开放度的同时，为艺术家提供更关注过程和体验的在地实验场域。
MANGROVEGALLERY, in collaboration with Wanxia Art Centre, has launched the Artist-in-Residence Programme to provide emerging artists with an open platform for experimentation and exchange. Through flexible, dynamic, and diverse approaches, the programme showcases the uniqueness of each artist in the current context, while extending the gallery’s white-box space as a touchpoint. Set in Wanxia Village, it organically connects local culture, stories, urban life, and history through an artistic lens. Emphasizing flexibility and openness, the programme offers a site-specific experimental space focused on process and experience.
