北京|张新军:蜂泌

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张新军:蜂泌

Zhang Xinjun:Foraging

展期:2025年12月20日—2026年2月7日

艺术家:张新军

地点:喜在空间(XZ SPACE)|北京市朝阳区酒仙桥路798艺术区706北一街

此次展览以“蜂泌”借指工蜂筑巢过程,隐喻艺术创作的劳作转换,探讨基层劳动者的负重与艺术实践中的身体感,呈现张新军对生命体验与社会生态的思考。
The exhibition uses “foraging” as a metaphor for artistic creation, exploring grassroots workers’ burdens and physicality in art practice, presenting Zhang Xinjun’s reflections on life experience and social ecology.
喜在空间将于2025年12月20日开启张新军的个展《蜂泌》,持续至2026年2月7日。
此次展览,用“蜂泌”借指工蜂筑造蜂巢的工作过程,也可隐喻艺术创作的劳作转换。蜂巢是由工蜂分泌蜂蜡,经千万次振翅、咀嚼和集体协作而成的“生物建筑工程”。由六角形巢房构建的坚固稳定的“容器”,也是一个高度社会化的群像。在蜂群中,工蜂占比可达95%以上,承担着维持群体生存与发展的几乎全部的劳动任务。现代城市的发展中,数以千万计的基层劳动者构成了维持系统运行的“工蜂群体”。除了要承受自身的负重,蜜蜂每次采蜜时还要背负接近于自重的花粉。即使活在被网络算法推送的今日,各种采集搬运的体力劳动也在平行进行中,他们反复练习着物理负重的技能,而“久坐的数字劳工”可能面对的更多是心理负重的考验。艺术创作也是生命体验的一部分,在重复性练习中,可能抵达举重若轻的境界,也可能下次的加码成为最后一根稻草。张新军在实践中比较重视身体感,在数字化、虚拟化日益加深的时代,这种看似折返的状态,也是人最基本和直接的与世界互动的经验通道,反而有时适当的体力劳动会让内心更踏实。身体通过肢体运动将感知和思想转化分泌成物化的精神食粮,以一种形态消融在时空里,又会以另一种形态滋长而生。
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张新军 Zhang Xinjun

白塔 White Tower

布面油画 Oil on canvas

150×50cm

2025

XZ SPACE is pleased to present Foraging, a solo exhibition by Zhang Xinjun, opening on December 20, 2025, and running through February 7, 2026.

The exhibition takes foraging—the ceaseless labor of worker bees building their hive—as both metaphor and method, mirroring the transformative work of artistic creation. A hive, after all, is a biological architecture: thousands upon thousands of wingbeats, the soft grinding of beeswax, and the quiet choreography of collective effort. Its hexagonal chambers form a structure both resilient and orderly, a container that is also a portrait of a deeply social organism. Within a colony, worker bees comprise over ninety-five percent of the population, sustaining nearly every task necessary for survival and growth. In the expanding grids of contemporary cities, countless grassroots workers echo this worker-bee collective, keeping vast systems in motion. Beyond their own bodily weight, bees returning from the fields often carry pollen nearly equal to their mass. And even in an age shaped by algorithmic feeds, physical labor—gathering, lifting, transporting—continues alongside the quiet endurance of those who sit for long hours before screens, bearing psychological burdens rather than material ones. Artistic practice, too, is part of life’s labor. Through repetition, one may arrive at a place where effort becomes effortless—or discover that the next added weight is the final straw. In his work, Zhang Xinjun attends closely to physical sensation. In a time ever more digitized and virtualized, this return to the body becomes a fundamental channel for encountering the world. At moments, even modest physical exertion grants a steadiness of mind. Through movement, the body converts perception and thought into a kind of secreted substance—materialized spiritual nourishment. Dissolving in one form across time and space, it re-emerges in another, growing again.