个人效应——法乌斯托·罗马与无形的永恒
EFFETTI PERSONALI – Fausto Roma e la persistenza dell’invisibile
展期：2025年09月27日—12月14日
时间：每周二至周五10:00-18:00，周六至周日10:00-19:00，周一闭馆
策展人：朱塞佩·瓦罗内（Giuseppe Varone）、赵晓伟（Zhao Xiaowei）
联合策展人：邓芷婷（Deng Zhiting）
艺术家：法乌斯托·罗马（Fausto Roma）
地点：松山湖盒子美术馆（Songshan Lake Boxes Art Museum）｜东莞市松山湖文化艺术街区A2馆
法乌斯托·罗马构建艺术宇宙，探索艺术在人类演进与自然疏离现状中的角色，作品融合杂交生物、化石记忆等元素，以古老语言开启倾听场域，联结东西方与可见不可见。There are artists who build works, and then there are artists like Fausto Roma who build worlds. His art explores art’s role in humanity’s evolution and alienation from nature, creating a universe of hybrid creatures, fossil memories, connecting East and West, visible and invisible.
个人效应
法乌斯托·罗马与无形的永恒有的艺术家创作作品，而有的艺术家—如法乌斯托·罗马——则在构建世界。
他艺术实践的核心不仅在于形式上的探索，更延伸至更宏大的命题：面对人类难以预测的演进轨迹及日益疏离的自然关系的现状，艺术在当今时代能扮演怎样的角色？
罗马的艺术宇宙栖息着杂交生物、化石记忆、大地沉积与海洋痕迹。它用一种非尖锐冲击而直抵深处的古老语言诉说，不以强制而借由暗示，开启倾听与开放的场域。他的作品并非宣言，而是门楣——是记忆与梦境交汇的所在，是微小细节成为宏大思想的钥匙。
此处的艺术不为解释，而为联结；不叙事世界，而让世界如雨后大地般缓缓自我显现。在这个脆弱又充满力量的维度里，艺术化作连接东西方的桥梁，贯通记忆与想象，维系可见与不可见。或许在此之中，我们不仅能重遇艺术，亦将重新寻回自身。
法乌斯托·罗马与无形的永恒有的艺术家创作作品，而有的艺术家—如法乌斯托·罗马——则在构建世界。
他艺术实践的核心不仅在于形式上的探索，更延伸至更宏大的命题：面对人类难以预测的演进轨迹及日益疏离的自然关系的现状，艺术在当今时代能扮演怎样的角色？
罗马的艺术宇宙栖息着杂交生物、化石记忆、大地沉积与海洋痕迹。它用一种非尖锐冲击而直抵深处的古老语言诉说，不以强制而借由暗示，开启倾听与开放的场域。他的作品并非宣言，而是门楣——是记忆与梦境交汇的所在，是微小细节成为宏大思想的钥匙。
此处的艺术不为解释，而为联结；不叙事世界，而让世界如雨后大地般缓缓自我显现。在这个脆弱又充满力量的维度里，艺术化作连接东西方的桥梁，贯通记忆与想象，维系可见与不可见。或许在此之中，我们不仅能重遇艺术，亦将重新寻回自身。
There are artists who build works, and then there are artists, like Fausto Roma, who build worlds.
At the heart of his practice lies not only the search for form, but a broader question: what role can art play today, in the face of humanity’s unpredict- able evolution and its growing distance fromnature?
Roma’s universe is inhabited by hybrid creatures, fossil memories, earthly sediments, and marine traces. It speaks an ancestral language that does not strike with violence but with depth, suggesting rather than imposing, offering spaces of listening and openness. His works are not statements, but thresholds-places where memory encounters dream, where the smallest detail becomes the key to a larger thought.
Art here is not meant to explain but to connect. Not to narrate the world, but to let it emerge, slowly, like the earth after rain. In this fragile and powerful space, art becomes a bridge between East and West, between memory and imagination, between what is visible and what remains invisi- ble. And within it, perhaps, we may rediscover not only art, but also ourselves.
About Artist
法乌斯托·罗马（1955~）
Fausto Roma UUUL
意大利后贫穷主义艺术家
极富传奇色彩
难以界定他“究竟是雕塑家多于画家，还是更像金匠、工匠、诗人、叙事者、人类学家，因为他的绘画常常如雕像般多维，而雕塑则色彩如画＂。
——塞尔吉奥·罗西
法乌斯托·罗马曾就读于艺术高中，随后成为艺术家奥古斯托·拉诺基的学生，并在弗罗斯伊诺内美术学院进行学习。在弗鲁西纳特美丽的丘陵间，罗马远离小镇资产阶级的平淡生活，抵御了大城市的喧嚣诱惑，勇敢而专注地勾勒出自己独特的生活方式。这种方式不仅体现在居所的选择上，更从中延展出一种连贯而自治的艺术创作路径——在孤独与沉思中不断探索，保持与艺术世界的深切联系。
Fausto Roma studied at an art high school; later, he became a student of the artist Augusto Lannocchi and pursued his stud- ies at the Accademia di Belle Arti di Frosinone (Frosinone Academy of Fine Arts). Amid the beautiful hills of Frusinat, Roma kept away from the mundane life of the petty bourgeoisie in small towns, resisted the noisy allure of big cities, and bravely and whole- heartedly forged his own unique lifestyle. This lifestyle was not only reflected in his choice of residence, but also extended into a coherent and autonomous ar- tistic creative path — one where he constantly explored in solitude and contemplation, while main- taining a profound connection with the art world.
