| 展览日期 | 2018年9月6日 – 2018年10月20日 |
|---|---|
| 开幕时间 | 2018年9月6日, 星期四 |
| 展览馆 | Galerie Greta Meert (比利时 Brussels) |
| 艺术家 | Terry Adkins、Carl Andre、Katinka Bock、DöringJohannes、Johannes Esper、Donald Judd、Valerie Krause、Jean-Luc Moulene、SchütteThomas、Diane Simpson、Ricky Swallow、Didier Vermeiren、Erika Verzutti、Johannes Wald、Joe Zorrilla |
| 主办方 | Galerie Greta Meert (比利时 Brussels) |
‘Every passion borders on the chaotic,’ wrote Walter Benjamin in his essay ‘Unpacking My Library’ (1931), ‘but the collector’s passion borders on the chaos of memories’. The collector of books, artworks, or miscellaneous trinkets, Benjamin thought, is at the mercy of the sheer variety of things out there. Once part of a collection, however, the collector relives their love for those things just by looking at them. – 沃尔特·本杰明（Walter Benjamin）在他的文章《解开我的图书馆》（Unpacking My Library）（1931）中写道：“每种激情都近乎于混乱，但收藏家的激情却近乎于记忆的混乱。”本杰明想，收藏书籍、艺术品或杂项小饰品的人，完全听任各种各样的东西摆布。然而，一旦收藏品的一部分，收藏家通过看它们来重新体验他们对这些事物的热爱。
Head straight to the New York City backlot to explore Frieze Projects – large-scale and immersive installations by international artists including Paul McCarthy’s giant Ketchup bottle, Sarah Cain’s painted transformation of a brownstone apartment, and Tino Sehgal’s performance. – 直接前往纽约市的外景地，探索饰带项目——国际艺术家的大型和沉浸式装置，包括保罗·麦卡锡的巨型番茄酱瓶、莎拉·凯恩对布朗斯通公寓的绘画改造以及蒂诺·塞加尔的表演。
‘Bruce Nauman: Disappearing Acts’ at Schaulager, Basel
Bruce Nauman’s retrospective included more than 150 works from the mid-1960s until today. The exhibition, which travelled on to New York’s MoMA, gathers drawings, photographs, sculptures, videos and sound pieces as well as most of Nauman’s monumental installations. The concluding work, in which Nauman repeatedly attempts and fails to arrive at a contrapposto, continues his morbid trajectory towards the reality of his aging body. – 巴塞尔舒拉赫的《布鲁斯·诺曼：消失行为》
不管你觉得这幅画是辛辣的还是令人作呕的，它都颇具吸引力。然而，如果我们仔细看这段录像，观众中娱乐的反应会揭示出更多关于艺术世界的信息，在这个相对世俗的时代，不管它声称的是什么颠覆或解构，艺术仍然热衷于信仰和崇拜。
